{"id":8490,"date":"2020-10-29T11:18:45","date_gmt":"2020-10-29T18:18:45","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=8490"},"modified":"2020-10-29T11:19:08","modified_gmt":"2020-10-29T18:19:08","slug":"howard-shore-c-ornette-coleman-sol-e-the-london-philharmonic-orchestra-bso-naked-lunch","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2020\/10\/29\/howard-shore-c-ornette-coleman-sol-e-the-london-philharmonic-orchestra-bso-naked-lunch\/","title":{"rendered":"Howard Shore, C\/ Ornette Coleman (Sol.) E The London Philharmonic Orchestra BSO &#8211; &#8220;Naked Lunch&#8221; (banda sonora \/ soundtrack)"},"content":{"rendered":"<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 468;\ngoogle_ad_height = 60;\ngoogle_ad_format = \"468x60_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>Pop Rock >> Quarta-Feira, 30.09.1992<br \/>\n<center><br \/>\n<strong>HOWARD SHORE, C\/ ORNETTE COLEMAN (SOL.) E THE LONDON PHILHARMONIC ORCHESTRA<br \/>\nBSO \u2013 Naked Lunch<br \/>\nCD, Milan, import. Contraverso<\/strong><\/p>\n<p><a href=\"http:\/\/www.profelectro.info\/fm\/?attachment_id=8491\" rel=\"attachment wp-att-8491\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2020\/10\/nl.jpg\" alt=\"\" width=\"382\" height=\"451\" class=\"aligncenter size-full wp-image-8491\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2020\/10\/nl.jpg 382w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2020\/10\/nl-254x300.jpg 254w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2020\/10\/nl-85x100.jpg 85w\" sizes=\"auto, (max-width: 382px) 100vw, 382px\" \/><\/a><br \/>\n<\/center><br \/>\nA chave de \u201cNaked Lunch\u201d, a partitura, encontra-se, segundo Ornette Coleman, no minuto m\u00e1gico de \u201cMisterioso\u201d, de Thelonius Monk. Um minuto onde o piano, o sax alto e a orquestra apresentam formas distintas que \u201cn\u00e3o existiam antes da sua rela\u00e7\u00e3o m\u00fatua\u201d. Coleman vai mais longe ao afirmar que esta mesma rela\u00e7\u00e3o \u00e9 vis\u00edvel nos di\u00e1logos do filme de Cronenberg. Ainda segundo o saxofonista, tudo \u00e9 \u201chamol\u00f3dico\u201d neste \u201cfestim nu\u201d, isto \u00e9, numa defini\u00e7\u00e3o simplista que \u201ctodas as partes s\u00e3o iguais\u201d: da escrita musical ao \u201cscript\u201d, di\u00e1logos, objectos e cores do filme. S\u00f3 que h\u00e1 partes mais iguais que outras. Sem as baratas, as m\u00e1quinas de escrever falantes e outras monstruosidades do filme, \u201cNaked Lunch\u201d tem a consist\u00eancia de uma manta de retalhos orquestrais, perfurada ocasionalmente por parasitagens \u00e9tnicas e cujo sentido apenas se autonomiza nas ocasi\u00f5es em que o saxofone de Ornette Coleman lhes concede o sustent\u00e1culo do seu discurso, ora reminiscente do \u201cfree jazz\u201d, ora transbordante de lirismo tr\u00e1gico, como em \u201cIntersong\u201d. \u201cInterzone suite\u201d \u00e9 o tema mais harmol\u00f3dico e d\u00e1 uma boa ideia da confus\u00e3o que reina na cabe\u00e7a do personagem principal do filme, o escritor William Lee. O problema est\u00e1 em que, sem as imagens que provoquem o v\u00f3mito, \u201cNaked Lunch\u201d n\u00e3o \u00e9 tanto um festim mas um \u201clanche nu\u201d. <strong>(6)<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pop Rock >> Quarta-Feira, 30.09.1992 HOWARD SHORE, C\/ ORNETTE COLEMAN (SOL.) E THE LONDON PHILHARMONIC ORCHESTRA BSO \u2013 Naked Lunch CD, Milan, import. Contraverso A chave de \u201cNaked Lunch\u201d, a partitura, encontra-se, segundo Ornette Coleman, no minuto m\u00e1gico de \u201cMisterioso\u201d, de Thelonius Monk. Um minuto onde o piano, o sax alto e a orquestra apresentam [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[369,287,81,960,14,1754,12],"tags":[2773,2772,2776,2774,2775],"class_list":["post-8490","post","type-post","status-publish","format-standard","hentry","category-avant-gard","category-banda-sonora","category-contemporanea","category-criticas-1992","category-experimental","category-improvisacao","category-jazz","tag-howard-shore","tag-howard-shore-c-ornette-coleman-sol-e-the-london-philharmonic-orchestra","tag-london-philharmonic-orchestra-the","tag-ornette-coleman","tag-the-london-philharmonic-orchestra"],"views":720,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/8490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=8490"}],"version-history":[{"count":2,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/8490\/revisions"}],"predecessor-version":[{"id":8493,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/8490\/revisions\/8493"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=8490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=8490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=8490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}