{"id":8388,"date":"2020-09-29T13:33:49","date_gmt":"2020-09-29T20:33:49","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=8388"},"modified":"2020-09-29T13:33:49","modified_gmt":"2020-09-29T20:33:49","slug":"wim-mertens-retrospectives-volume-1","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2020\/09\/29\/wim-mertens-retrospectives-volume-1\/","title":{"rendered":"Wim Mertens &#8211; &#8220;Retrospectives, Volume 1&#8221;"},"content":{"rendered":"<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 468;\ngoogle_ad_height = 60;\ngoogle_ad_format = \"468x60_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>Pop Rock >> Quarta-Feira, 29.07.1992<br \/>\n<center><br \/>\n<strong>Wim Mertens<br \/>\nRetrospectives, Volume 1<br \/>\nCD, Les Disques du Cr\u00e9puscule, distri. Edisom<\/strong><\/p>\n<p><a href=\"http:\/\/www.profelectro.info\/fm\/?attachment_id=8389\" rel=\"attachment wp-att-8389\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2020\/09\/WM.jpg\" alt=\"\" width=\"470\" height=\"473\" class=\"aligncenter size-full wp-image-8389\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2020\/09\/WM.jpg 470w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2020\/09\/WM-150x150.jpg 150w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2020\/09\/WM-298x300.jpg 298w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2020\/09\/WM-100x100.jpg 100w\" sizes=\"auto, (max-width: 470px) 100vw, 470px\" \/><\/a><br \/>\n<\/center><br \/>\nEste primeiro volume de uma retrospectiva da obra do compositor belga, que a si pr\u00f3prio se considera um g\u00e9nio portador de uma mensagem redentora, apresenta a sua faceta mel\u00f3dica e acess\u00edvel, bastante mais pr\u00f3xima do romantismo (sobretudo nas pe\u00e7as para piano) do que da escola minimalista que caracterizava as suas obras iniciais com os Soft Veredict (aqui representadas por tr\u00eas temas extra\u00eddos de \u201cStruggle for Pleasure\u201d, \u201cMaximizing the Audience\u201d e \u201cVergessen\u201d).<br \/>\nS\u00e3o aquelas melodias eternamente recorrentes que, disco a disco, faixa a faixa, parecem descobrir novas formas de constru\u00e7\u00e3o e adapta\u00e7\u00e3o. \u00c9 aquela voz de \u201cfalsetto\u201d, \u00e0s vezes t\u00e3o pr\u00f3xima do \u201ccastrato\u201d. S\u00e3o as m\u00e3ozinhas de veludo que t\u00e3o bem sabem elaborar no piano as tais melodias que n\u00e3o se consegue deixar de trautear. Mas antes isto que os solos de sopro intermin\u00e1veis de \u201cInstrumental Songs\u201d ou o megapesadelo conceptual de \u201cAlle Dinghe\u201d. Fora estes desvios de grande criador (demasiado grande, em \u201cAlle Dinghe\u201d, s\u00e3o quase sete horas de genialidade pura, do tipo, a ideia \u00e9 magn\u00edfica, a audi\u00e7\u00e3o uma tortura), Wim Mertens \u00e9 o Clayderman dos intelectuais. Fica-lhe bem um \u201cnapperon\u201d e uma jarra de flores sobre o piano e, em fundo, imagens de um bosque ou de um c\u00e9u azul com passarinhos. Mas, l\u00e1 est\u00e1, as melodias n\u00e3o nos saem da cabe\u00e7a\u2026 (8)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pop Rock >> Quarta-Feira, 29.07.1992 Wim Mertens Retrospectives, Volume 1 CD, Les Disques du Cr\u00e9puscule, distri. Edisom Este primeiro volume de uma retrospectiva da obra do compositor belga, que a si pr\u00f3prio se considera um g\u00e9nio portador de uma mensagem redentora, apresenta a sua faceta mel\u00f3dica e acess\u00edvel, bastante mais pr\u00f3xima do romantismo (sobretudo nas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40,369,726,960,50,812,99],"tags":[469],"class_list":["post-8388","post","type-post","status-publish","format-standard","hentry","category-ambient","category-avant-gard","category-colectanea","category-criticas-1992","category-instrumental","category-minimal","category-neo-classico","tag-wim-mertens"],"views":794,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/8388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=8388"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/8388\/revisions"}],"predecessor-version":[{"id":8390,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/8388\/revisions\/8390"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=8388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=8388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=8388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}