{"id":5606,"date":"2017-03-20T12:48:56","date_gmt":"2017-03-20T19:48:56","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=5606"},"modified":"2017-03-20T12:48:56","modified_gmt":"2017-03-20T19:48:56","slug":"fernando-magalhaes-a-lista-dos-melhores-albuns-do-progressivo-publicada-no-forum-sons-discografia-progressivo-anos-70","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2017\/03\/20\/fernando-magalhaes-a-lista-dos-melhores-albuns-do-progressivo-publicada-no-forum-sons-discografia-progressivo-anos-70\/","title":{"rendered":"Fernando Magalh\u00e3es: &#8220;A Lista Dos Melhores \u00c1lbuns Do Progressivo &#8211; Publicada No F\u00f3rum Sons &#8211; Discografia PROGRESSIVO ANOS 70"},"content":{"rendered":"<p>Fernando Magalh\u00e3es:<br \/>\nA lista dos melhores \u00e1lbuns do Progressivo<br \/>\npublicada no f\u00f3rum Sons<br \/>\nProgressivos anos 70 (nas suas m\u00faltiplas vertentes: electr\u00f3nica, jazz, folk ou simplesmente inclassific\u00e1vel) <\/p>\n<p>Ouvidos na \u00edntegra: <\/p>\n<p>AFFINITY <\/p>\n<p>Affinity (Repertoire, 1970) \u2013 7 <\/p>\n<p>AKSAK MABOUL (B\u00e9l.\/USA\/Ingl.) <\/p>\n<p>Un peu de l&#8217; \u00c2me des Bandits (Atem\/Crammed, 1979) \u2013 9 <\/p>\n<p>AMAZING BLONDEL <\/p>\n<p>Evensong (Edsel, 1970) \u2013 7<br \/>\nFantasia Lindum (Edsel, 1971) \u2013 8<br \/>\nEngland (Edsel, 1972) \u2013 8<br \/>\nBlondel (Edsel, 1973) \u2013 8 <\/p>\n<p>ANGE (Fra.) <\/p>\n<p>Le Cimeti\u00e8re des Arlequins (Philips, 1973) \u2013 7<br \/>\nAu-del\u00e0 du D\u00e9lire (Si-Wan, 1974) \u2013 8 <\/p>\n<p>ARBETE &#038; FRITID (Su\u00e9.) <\/p>\n<p>Deep Woods (col.) (Resource, 1970-1979, 1993) \u2013 7 <\/p>\n<p>AREA (It\u00e1.) <\/p>\n<p>Arbeit Macht Frei (Cramps, 1973) &#8211; 9<br \/>\nCaution Radiation Area (Cramps, 1974) \u2013 9<br \/>\nCrac! (Cramps, 1975) \u2013 8<br \/>\nMaledetti (Maudits) (Cramps, 1977) \u2013 8<br \/>\n1688 &#8211; 1978, Gli de se ne Vanno, Gli Arrabbiati Restano! (CGD, 1978) \u2013 7 <\/p>\n<p>ARMAGEDDON <\/p>\n<p>Armageddon (1975) &#8211; 7 <\/p>\n<p>ART BEARS <\/p>\n<p>Hopes and Fears (R\u00e9, 1978) \u2013 10<br \/>\nWinter Songs (Ralph, 1979) \u2013 8 <\/p>\n<p>ARTI &#038; MESTIERI (It\u00e1.) <\/p>\n<p>Tilt (Vinyl Magic, 1974) \u2013 8<br \/>\nGiro di Valzer per Domani (Vinyl Magic, 1975) \u2013 8 <\/p>\n<p>ARZACHEL <\/p>\n<p>Arzachel (1969) &#8211; 6 <\/p>\n<p>ART ZOYD (fra.) <\/p>\n<p>Musique pour L&#8217; Odyss\u00e9e (Mantra, 1979) \u2013 8 <\/p>\n<p>AUDIENCE <\/p>\n<p>The House on the Hill (Charisma, 1971) \u2013 7 <\/p>\n<p>AYNSLEY DUNBAR RETALIATION (THE) <\/p>\n<p>The Aynsley Dunbar Retaliation (One Way, 1970) \u2013 7 <\/p>\n<p>BALLETTO DI BRONZE (IL) (It\u00e1.) <\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 234;\ngoogle_ad_height = 60;\ngoogle_ad_format = \"234x60_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>Ys (Polydor, 1972) \u2013 7 <\/p>\n<p>BARCLAY JAMES HARVEST <\/p>\n<p>Barclay James Harvest (BGO, 1970) \u2013 6<br \/>\nOnce again (1971) &#8211; 7 <\/p>\n<p>BEGGARS OPERA <\/p>\n<p>Act One (Repertoire, 1970) \u2013 6<br \/>\nWaters of Change (Repertoire, 1971) \u2013 8<br \/>\nPathfinder (Repertoire, 1972) \u2013 7 <\/p>\n<p>BEN <\/p>\n<p>Ben (Repertoire, 1971) \u2013 8 <\/p>\n<p>BLODWIN PIG <\/p>\n<p>Ahead Rings out (BGO, 1969) \u2013 8<br \/>\nGetting to this (BGO, 1970) \u2013 8 <\/p>\n<p>BOB DOWNES OPEN MUSIC <\/p>\n<p>Electric City (1970) &#8211; 6 <\/p>\n<p>BO HANSSON (Su\u00e9.) <\/p>\n<p>Lord of the Rings (Edsel, 1970) \u2013 6<br \/>\nMagician&#8217;s Hat (Resource, 1972) \u2013 8<br \/>\nAttic Thoughts (Silence\/Resource, 1975) \u2013 7 <\/p>\n<p>BRIDGET ST.JOHN <\/p>\n<p>Jumblequeen (BGO, 1974) \u2013 8 <\/p>\n<p>BURNIN&#8217; RED IVANHOE (Din.) <\/p>\n<p>W. W. W. (Repertoire, 1971) \u2013 8 <\/p>\n<p>CAMEL <\/p>\n<p>Camel (Camel Productions, 1973) \u2013 7<br \/>\nMirage (Deram, 1974) \u2013 8<br \/>\nRain Dances (Deram, 1977) \u2013 8 <\/p>\n<p>CANNED HEAT <\/p>\n<p>Future Blues (BGO, 1970) \u2013 8 <\/p>\n<p>CARAVAN <\/p>\n<p>Caravan (HTD, 1969) \u2013 8<br \/>\nIf I Could do it all over again, I&#8217;d do it all over you (Deram, 1970) \u2013 9<br \/>\nIn the Land of Grey and Pink (Deram, 1971) \u2013 10<br \/>\nWaterloo Lily (Deram, 1972) \u2013 8<br \/>\nFor Girls who Grow Plump in the Night (Deram, 1973) \u2013 7<br \/>\nCunning Stunts (Deram, 1974) \u2013 6<br \/>\nBlind Dog at St.Dunstans (HTD, 1976) \u2013 6 <\/p>\n<p>CARPE DIEM (fra.) <\/p>\n<p>En Regardant Passer le Temps (Musea, 1975) \u2013 8<br \/>\nCueille le Jour (Musea, 1977) \u2013 8 <\/p>\n<p>CATAPILLA <\/p>\n<p>Changes (Repertoire, 1972) \u2013 7 <\/p>\n<p>CAT STEVENS <\/p>\n<p>Mona Bone Jakon (Island, 1971) \u2013 7 <\/p>\n<p>CELESTE (It\u00e1.) <\/p>\n<p>Principe di un Giorno (Vinyl Magic, 1976) \u2013 8 <\/p>\n<p>CLAIRE HAMILL <\/p>\n<p>October (Blueprint, 1973) \u2013 8 <\/p>\n<p>CLARK-HUTCHINSON <\/p>\n<p>A=MH2 (1970) \u2013 7 <\/p>\n<p>CLEARLIGHT (Fra.) <\/p>\n<p>Clearlight Symphony (Virgin, 1975) &#8211; 8<br \/>\nClearlight Symphony II (Mantra, 1975) \u2013 7 (Claearlight Symphony &#8211; nova vers\u00e3o, c\/ mat. original)<br \/>\nForever Blowing Bubbles (Virgin, 1976) \u2013 7 <\/p>\n<p>CLIMAX BLUES BAND (THE) <\/p>\n<p>Plays on (C5, 1969) \u2013 7 <\/p>\n<p>CLOUDS <\/p>\n<p>The Clouds Scrapbook (BGO, 1969) \u2013 7<br \/>\nWatercolour Days (1971) \u2013 6 <\/p>\n<p>CMU <\/p>\n<p>Open Spaces (See for Miles, 1971) \u2013 8<br \/>\nSpace Cabaret (1973) \u2013 8 <\/p>\n<p>COLOSSEUM <\/p>\n<p>Those who are about to Die Salute you (Essential, 1969) \u2013 8<br \/>\nValentyne Suite (Essential, 1969) \u2013 10<br \/>\nDaughter ot Time (Essential, 1970) \u2013 7 <\/p>\n<p>COMUS <\/p>\n<p>First Utterance (BGO, 1971) \u2013 9 <\/p>\n<p>CONVENTUM (B\u00e9l.) <\/p>\n<p>A L&#8217;Aff\u00fbt d&#8217;un Complot (Kozak, 1977) \u2013 8<br \/>\nLe Bureau Central des Utopies (Kozak, 1979) \u2013 8 <\/p>\n<p>CRESSIDA <\/p>\n<p>Cressida (Repertoire, 1970) \u2013 8<br \/>\nAsylum (1971) \u2013 6 <\/p>\n<p>CURVED AIR <\/p>\n<p>Airconditioning (Warner Bros., 1970) \u2013 8<br \/>\nSecond Album (Warner Bros., 1971) \u2013 8<br \/>\nPhantasmagoria (Warner Bros., 1972) \u2013 10<br \/>\nAircut (1973) \u2013 7 <\/p>\n<p>DAEVID ALLEN (Austr\u00e1l.) <\/p>\n<p>Banana Moon (Spalax, 1971) \u2013 8<br \/>\nNow is the Happiest Time of your Life (Decal, 1977) \u2013 8<br \/>\nN&#8217; Existe pas! (Spalax, 1978) \u2013 8 <\/p>\n<p>DANDO SHAFT <\/p>\n<p>Dando Shaft (Repertoire, 1971) \u2013 8 <\/p>\n<p>DASHIELL HEDAYAT (Fra.) <\/p>\n<p>Obsolete (Mantra, 1971) \u2013 8 <\/p>\n<p>DAVE GREENSLADE &#038; PATRICK WOODROFFE <\/p>\n<p>The Pentateuch of the Cosmogony (BGO, 1979) \u2013 6 <\/p>\n<p>DAVID BEDFORD <\/p>\n<p>The Rime of the Ancient Mariner (Virgin, 1975) \u2013 7 <\/p>\n<p>DAVID VORHAUS <\/p>\n<p>White Noise 2 &#8211; Concerto for Synthesizer (Virgin, 1975) \u2013 8 <\/p>\n<p>DEDALUS (It\u00e1.) <\/p>\n<p>Dedalus (Vinyl Magic, 1973) \u2013 8 <\/p>\n<p>DONOVAN (Esc\u00f3.) <\/p>\n<p>Sunshine Superman (BGO, 1967) \u2013 8<br \/>\nA Gift from a Flower to a Garden (BGO, 1968) \u2013 8<br \/>\nHMS Donovan (BGO, 1971) \u2013 8 <\/p>\n<p>DR. STRANGELY STRANGE <\/p>\n<p>Heavy Petting (1970) \u2013 6 <\/p>\n<p>EAST OF EDEN <\/p>\n<p>Mercator Projected (Si-Wan, 1969) \u2013 9<br \/>\nSnafu (Si-Wan, 1970) \u2013 10 <\/p>\n<p>EGG <\/p>\n<p>Egg (Deram, 1970) \u2013 7<br \/>\nThe Polite Force (Deram, 1970) \u2013 10<br \/>\nThe Civil Surface (Virgin, 1974) \u2013 8 <\/p>\n<p>EMERSON, LAKE AND PALMER <\/p>\n<p>Emerson, Lake and Palmer (Castle Communications, 1970) \u2013 8<br \/>\nTarkus (Castle Communications, 1971) \u2013 9<br \/>\nTrilogy (Castle Communications, 1972) \u2013 8 <\/p>\n<p>ESKATON (Fra.) <\/p>\n<p>4 Visions (Ad Perpetuam Memoriam, 1979) \u2013 7 <\/p>\n<p>ETRON FOU LELOUBLAN (Fra.) <\/p>\n<p>Batelages (Musea, 1977) \u2013 9<br \/>\nLes Trois Fous Perdegagnent \u2013 8 <\/p>\n<p>FAIRFIELD PARLOUR <\/p>\n<p>From Home to Home (Repertoire, 1970) \u2013 8 <\/p>\n<p>FAMILY <\/p>\n<p>Fearless (Essential, 1971) \u2013 8 <\/p>\n<p>FOCUS (Hol.) <\/p>\n<p>In and out of Focus (EMI, 1970) \u2013 7<br \/>\nMoving Waves (EMI, 1972) \u2013 8<br \/>\nFocus 3 (EMI, 1973) \u2013 7 <\/p>\n<p>FOREST <\/p>\n<p>Forest (BGO, 1969) \u2013 7<br \/>\nFull Circle (1970) \u2013 7 <\/p>\n<p>FRANCO BATTIATO (It\u00e1.) <\/p>\n<p>Clic! (Artis, 1974) \u2013 8 <\/p>\n<p>FUCHSIA <\/p>\n<p>Fuchsia (1971) \u2013 7 <\/p>\n<p>GENESIS <\/p>\n<p>From Genesis to Revelation (1969) &#8211; 7<br \/>\nTrespass (Virgin, 1970) \u2013 8<br \/>\nNursery Cryme (Virgin, 1971) &#8211; 10<br \/>\nFoxtrot (Virgin, 1972) \u2013 9<br \/>\nSelling England by the Pound (Virgin, 1973) \u2013 9<br \/>\nThe Lamb Lies down on Broadway (Virgin, 1974) \u2013 10 <\/p>\n<p>GENTLE GIANT <\/p>\n<p>Gentle Giant (Vertigo, 1970) \u2013 9<br \/>\nAcquiring the Taste (Vertigo, 1971) \u2013 10<br \/>\nThree Friends (Line, 1972) \u2013 10<br \/>\nOctopus (Vertigo, 1972) \u2013 8<br \/>\nIn a Glass House (The Road Goes on Forever, 1973) \u2013 9<br \/>\nThe Power and the Glory (The Road Goes on Forever, 1974) \u2013 8<br \/>\nFree Hand (One Way, 1975) \u2013 8<br \/>\nInterview (Terrapin, 1976) \u2013 7 <\/p>\n<p>GERRY RAFFERTY <\/p>\n<p>Can I Have my Money back? (Ariola, 1971) \u2013 7 <\/p>\n<p>GILGAMESH <\/p>\n<p>Gilgamesh (Spalax, 1975) \u2013 8 <\/p>\n<p>GILLI SMYTH <\/p>\n<p>Mother (Spalax, 1978) \u2013 7 <\/p>\n<p>GNIDROLOG <\/p>\n<p>Lady Lake (Si-Wan, 1972) \u2013 7 <\/p>\n<p>GONG (Fra.\/Austr\u00e1.\/Ingl.) <\/p>\n<p>Magick Brother, Mystic Sister (Spalax, 1969) \u2013 7<br \/>\nCamembert Electrique (Spalax, 1971) \u2013 8<br \/>\nContinental Circus (Mantra, 1972) \u2013 6<br \/>\nRadio Gnome Invisible, Part 1: The Flying Teapot (Spalax, 1973) \u2013 9<br \/>\nRadio Gnome Invisible, Part 2: Angel&#8217;s Egg (Virgin, 1973) \u2013 10<br \/>\nYou (Virgin 1974) \u2013 9<br \/>\nShamal (Virgin, 1975) \u2013 8 <\/p>\n<p>GRACIOUS <\/p>\n<p>Gracious (Repertoire, 1970) \u2013 8<br \/>\nThis is\u2026Gracious!! (1972) \u2013 6 <\/p>\n<p>GREATEST SHOW ON EARTH (THE) <\/p>\n<p>Horizons (1970) \u2013 7 <\/p>\n<p>GREENSLADE <\/p>\n<p>Bedside Manners are Extra (Warner Bros., 1973) \u2013 7 <\/p>\n<p>GREGORY ALLAN FITZPATRICK (Su\u00e9.) <\/p>\n<p>Snorungarnas Symfoni (MNW, 1976) \u2013 7<br \/>\nBildcircus (MNW, 1978) \u2013 8 <\/p>\n<p>GROUNDHOGS <\/p>\n<p>Thank Christ for the Bomb (BGO, 1970) \u2013 8<br \/>\nSplit (BGO, 1971) \u2013 7<br \/>\nHogwash (BGO, 1972) \u2013 8 <\/p>\n<p>GRYPHON <\/p>\n<p>Gryphon (Canyon International, 1973) \u2013 8<br \/>\nMidnight Mushrumps (Canyon International, 1974) \u2013 10<br \/>\nRed Queen to Gryphon Three (Canyon International, 1974) \u2013 10<br \/>\nRaindance (Canyon International, 1975) \u2013 8<br \/>\nTreason (Harvest, 1977) \u2013 8 <\/p>\n<p>GUY EVANS, DAVID JACKSON, HUGH BANTON &#038; NIC POTTER <\/p>\n<p>The Long Hello (Zomart, 1973) \u2013 8 <\/p>\n<p>HANNIBAL <\/p>\n<p>Hannibal (Green Tree, 1970) \u2013 8 <\/p>\n<p>HAPPY THE MAN (EUA) <\/p>\n<p>Beginnings (Cuneiform, 1975) \u2013 8 <\/p>\n<p>HARMONIUM (Can.) <\/p>\n<p>Si on Avait besoin d&#8217; une Cinqui\u00e8me Saison (Polygram, 1975) \u2013 7 <\/p>\n<p>HATFIELD AND THE NORTH <\/p>\n<p>Hatfield and the North (Virgin, 1973) \u2013 10<br \/>\nThe Rotter&#8217;s Club (Virgin, 1975) \u2013 8 <\/p>\n<p>HAWKWIND <\/p>\n<p>Hawkwind (EMI Premier, 1970) \u2013 7<br \/>\nIn Search of Space (EMI Premier, 1971) \u2013 8<br \/>\nHall of the Mountain Grill (EMI Premier, 1974) \u2013 7<br \/>\nWarrior on the Edge of Time (Dojo, 1975) \u2013 8 <\/p>\n<p>HELDON (Fra.) <\/p>\n<p>Un R\u00eave sans Cons\u00e9quence Sp\u00e9ciale (Cuneiform, 1976) \u2013 9<br \/>\nInterface (Spalax, 1977) \u2013 8 <\/p>\n<p>HENRY COW <\/p>\n<p>The Henry Cow Leg End (Recommended, 1973) \u2013 10<br \/>\nUnrest (Recommended, 1974) \u2013 8<br \/>\nIn Praise of Learning (East Side Digital, 1975) \u2013 9<br \/>\nHenry Cow Concerts (East Side Digital, 1976) \u2013 7<br \/>\nWestern Culture (Broadcast, 1979) \u2013 9 <\/p>\n<p>HIGH TIDE <\/p>\n<p>Sea Shanties (1969) \u2013 7 <\/p>\n<p>HUGH HOPPER <\/p>\n<p>1984 (Cuneiform, 1972) \u2013 9 <\/p>\n<p>INCREDIBLE STRING BAND (THE) (Esc.) <\/p>\n<p>5000 Spirits or the Cayers of the Onion (Elektra, 1967) \u2013 8<br \/>\nThe Hangman&#8217;s Beautiful Daughter (Elektra, 1968) \u2013 10<br \/>\nWee Tam (Elektra, 1968) &#8211; 8<br \/>\nThe Big Huge (Elektra, 1968) \u2013 8<br \/>\nChanging Horses (Hannibal, 1969) \u2013 8<br \/>\nI Looked up (Hannibal, 1970) \u2013 7<br \/>\nBe Glad for the Song Has no Ending (Edsel, 1970) \u2013 9<br \/>\nLiquid Acrobat as Regards the Air (Island, 1971) \u2013 9<br \/>\nEarthspan (Island, 1972) \u2013 8 <\/p>\n<p>ISOTOPE <\/p>\n<p>Isotope (1974) &#8211; 8 <\/p>\n<p>JADE WARRIOR <\/p>\n<p>Last Autumn&#8217;s Dream (Line, 1972) \u2013 7<br \/>\nFloating World (Island, 1974) \u2013 7<br \/>\nWaves (Island, 1975) \u2013 8<br \/>\nKites (Island, 1976) \u2013 8<br \/>\nWay of the Sun (Island, 1978) \u2013 8 <\/p>\n<p>JAN DUKES DE GREY <\/p>\n<p>Sorcerers (1969) \u2013 7 <\/p>\n<p>JEAN -PHILIPPE GOUDE (Fra.) <\/p>\n<p>Drones (Musea, 1979) \u2013 8 <\/p>\n<p>JETHRO TULL <\/p>\n<p>This Was (Chrysalis, 1968) \u2013 8<br \/>\nStand up (Chrysalis, 1969) \u2013 8<br \/>\nBenefit (Chrysalis, 1970) \u2013 8<br \/>\nAqualung (Chrysalis, 1971) \u2013 9<br \/>\nThick as a Brick (Chrysalis, 1972) \u2013 9<br \/>\nA Passion Play (Chrysalis, 1973) \u2013 9<br \/>\nWar Child (Chrysalis, 1974) \u2013 8<br \/>\nMinstrel in the Gallery (Chrysalis, 1975) \u2013 8<br \/>\nSongs from the Wood (Chrysalis, 1977) \u2013 8<br \/>\nHeavy Horses (Chrysalis, 1978) \u2013 7 <\/p>\n<p>JODY GRIND <\/p>\n<p>One Step on (Green Tree, 1969) \u2013 7 <\/p>\n<p>JOHN &#038; BEVERLEY MARTYN <\/p>\n<p>Stormbringer (Island, 1970) \u2013 9<br \/>\nThe Road to Ruin (Island, 1970) \u2013 7 <\/p>\n<p>JOHN CALE &#038; TERRY RILEY <\/p>\n<p>Church of Anthrax (Columbia, 1971) \u2013 7 <\/p>\n<p>JOHN GREAVES &#038; PETER BLEGVAD <\/p>\n<p>Kew. Rhone (Voiceprint, 1977) \u2013 8 <\/p>\n<p>JOHN MARTYN <\/p>\n<p>Bless the Weather (Island, 1971) \u2013 8<br \/>\nSolid Air (Island, 1973) \u2013 9<br \/>\nInside out (Island, 1973) \u2013 9 <\/p>\n<p>JOHN MAYALL <\/p>\n<p>Bare Wires (London, 1968) \u2013 9<br \/>\nBlues from Laurel Canyon (Deram, 1968) \u2013 10 <\/p>\n<p>JON ANDERSON <\/p>\n<p>Olias of Sunhillow (Atlantic, 1976) \u2013 8 <\/p>\n<p>KEVIN AYERS <\/p>\n<p>Joy of a Toy (BGO, 1970) \u2013 9<br \/>\nShooting at the Moon (BGO, 1971) \u2013 10<br \/>\nWhatevershebringswesing (BGO, 1972) \u2013 8<br \/>\nBananamour (BGO, 1973) \u2013 8<br \/>\nThe Confessions of Dr. Dream (BGO, 1974) \u2013 9<br \/>\nSweet Deceiver (BGO, 1975) \u2013 7<br \/>\nYes, We have no Ma\u00f1anas, so get your Ma\u00f1anas Today (BGO, 1976) \u2013 7<br \/>\nRainbow Takeaway (BGO, 1978) \u2013 7 <\/p>\n<p>KHAN <\/p>\n<p>Space Shanty (Mantra, 1972) \u2013 8 <\/p>\n<p>KING CRIMSON <\/p>\n<p>In the Court of the Crimson King (EG, 1969) \u2013 10<br \/>\nIn the Wake of Poseidon (EG, 1970) \u2013 9<br \/>\nLizard (EG, 1970) \u2013 10<br \/>\nIslands (EG, 1971) \u2013 8<br \/>\nLarks&#8217; Tongues in Aspic (EG, 1973) \u2013 9<br \/>\nStarless and Bible Black (EG, 1974) \u2013 8<br \/>\nRed (EG, 1974) \u2013 9 <\/p>\n<p>KINGDOM COME <\/p>\n<p>Kingdom Come (Blueprint, 1972) \u2013 8<br \/>\nJourney (Voiceprint, 1973) \u2013 8 <\/p>\n<p>LADY JUNE <\/p>\n<p>Linguistic Leprosy (See for Miles, 1974) \u2013 8 <\/p>\n<p>LARD FREE (Fra.) <\/p>\n<p>Lard Free (Spalax, 1973) \u2013 8<br \/>\nI&#8217;m around about Midnight (Spalax, 1975) \u2013 8 <\/p>\n<p>LINDA HOYLE <\/p>\n<p>Pieces of me (1971) \u2013 7 <\/p>\n<p>LINDISFARNE <\/p>\n<p>Nicely out of Tune (Charisma, 1970) \u2013 8<br \/>\nFog on the Tyne (Charisma, 1971) \u2013 8 <\/p>\n<p>LIVING LIFE (It\u00e1.) <\/p>\n<p>Let: From Experience to Experience (Mellow, 1978) \u2013 8 <\/p>\n<p>MAGMA (Fra.) <\/p>\n<p>Magma (Seventh, 1970) \u2013 10<br \/>\n1001\u00ba Centigrades (Seventh, 1971) \u2013 10<br \/>\nMekan\u00efk Destrukt\u00efw Kommand\u00f6h (Seventh, 1973) \u2013 8<br \/>\nK\u00f6hntark\u00f6sz (Seventh, 1974) \u2013 9<br \/>\n\u00dcdu Wud\u00fc (Charly, 1976) \u2013 9<br \/>\nAttahk (Charly, 1976) \u2013 7 <\/p>\n<p>MAGNA CARTA <\/p>\n<p>Seasons (Vertigo, 1970) \u2013 10<br \/>\nSongs from Wasties Orchard (Repertoire, 1971) \u2013 8<br \/>\nLord of the Ages (Vertigo, 1973) \u2013 8 <\/p>\n<p>MARK-ALMOND <\/p>\n<p>Mark-Almond (1971) \u2013 8 <\/p>\n<p>MATCHING MOLE <\/p>\n<p>Matching Mole (CBS, 1972) \u2013 8<br \/>\nMatching Mole&#8217;s Little Red Record (CBS, 1972) \u2013 9 <\/p>\n<p>MATTHEWS SOUTHERN COMFORT <\/p>\n<p>Matthews Southern Comfort (1970) \u2013 7<br \/>\nSecond Spring (Lineca, 1970) \u2013 8 <\/p>\n<p>MAY BLITZ <\/p>\n<p>The 2nd of May (Repertoire, 1971) \u2013 6 <\/p>\n<p>McDONALD &#038; GILES <\/p>\n<p>McDonald and Giles (1970) \u2013 8 <\/p>\n<p>MEDICINE HEAD <\/p>\n<p>New Bottles, Old Medicine (1970) \u2013 6 <\/p>\n<p>MELLOW CANDLE <\/p>\n<p>Swaddling Songs (Si-Wan, 1972) \u2013 8 <\/p>\n<p>MICHAEL McGEAR <\/p>\n<p>Woman (Edsel, 1972) \u2013 7 <\/p>\n<p>MIKE OLDFIELD <\/p>\n<p>Tubular Bells (Virgin, 1973) \u2013 7<br \/>\nHergest Ridge (Virgin, 1974) \u2013 8<br \/>\nOmmadawn (Virgin, 1975) \u2013 8<br \/>\nIncantations (Virgin, 1978) \u2013 8 <\/p>\n<p>MOODY BLUES (THE) <\/p>\n<p>A Question of Balance (Threshold, 1970) \u2013 8<br \/>\nEvery Good Boy Deserves Favour (Threshold, 1971) \u2013 7 <\/p>\n<p>MOVING GELATINE PLATES (Fra.) <\/p>\n<p>Moving Gelatine Plates (Musea, 1970) \u2013 8<br \/>\nThe World of Genius Hans (Musea, 1971) \u2013 10 <\/p>\n<p>MUFFINS (THE) (EUA) <\/p>\n<p>Chronometers (Cuneiform, 1976) \u2013 9 <\/p>\n<p>NATIONAL HEALTH <\/p>\n<p>National Health (Spalax, 1977) \u2013 9<br \/>\nOf Queues and Cures (Spalax, 1978) \u2013 9 <\/p>\n<p>NED LAGIN (EUA) <\/p>\n<p>Seastones (Rykodisc, 1975) \u2013 8 <\/p>\n<p>NEIL ARDLEY <\/p>\n<p>Kaleidoscope of Rainbows (1975) \u2013 8 <\/p>\n<p>NEKTAR <\/p>\n<p>Remember the Future (1974) \u2013 7 <\/p>\n<p>NICK DRAKE <\/p>\n<p>Five Leaves Left (Island, 1970) \u2013 8<br \/>\nBryter Layter (Hannibal, 1970) \u2013 8<br \/>\nPink Moon (Hannibal, 1972) \u2013 8 <\/p>\n<p>NICO <\/p>\n<p>Desertshore (Reprise, 1971) \u2013 8<br \/>\nThe End&#8230; (Island, 1974) \u2013 8 <\/p>\n<p>NUCLEUS <\/p>\n<p>Elastic Rock 2xCD (BGO, 1970) \u2013 8<br \/>\nWe&#8217;ll Talk about it later (1971) \u2013 8<br \/>\nSolar Plexus (1971) \u2013 8 <\/p>\n<p>PATRICK MORAZ (B\u00e9l.) <\/p>\n<p>The Story of i (Charisma, 1976) \u2013 7 <\/p>\n<p>PAZOP (B\u00e9l.) <\/p>\n<p>Psychillis of a Lunatic Genius (Musea, 1972) \u2013 8 <\/p>\n<p>PEKKA POHJOLA (Finl.) <\/p>\n<p>Pihksilm\u00e4 Kaarnakorva (Love, 1972) \u2013 9<br \/>\nHarakka Biailopokku (1974) \u20139 <\/p>\n<p>PENGUIN CAFE ORCHESTRA <\/p>\n<p>Music from the Penguin Caf\u00e9 (Editions EG, 1976) \u2013 9 <\/p>\n<p>PETE BROWN &#038; PIBLOKTO <\/p>\n<p>Things May Come and Things May Go But the Art School Dance will last forever (Repertoire, 1970) \u2013 7<br \/>\nThousands on a Raft (Repertoire, 1970) \u2013 7 <\/p>\n<p>PETER GABRIEL <\/p>\n<p>Peter Gabriel (Charisma, 1977) \u2013 8<br \/>\nPeter Gabriel (Charisma, 1978) \u2013 7 <\/p>\n<p>PETER HAMMILL <\/p>\n<p>Fool&#8217;s Mate (Charisma, 1971) \u2013 8<br \/>\nChameleon in the Shadow of the Night (Charisma, 1973) \u2013 9<br \/>\nThe Silent Corner and the Empty Stage (Charisma, 1974) \u2013 10<br \/>\nIn Camera (Charisma, 1974) \u2013 10<br \/>\nNadir&#8217;s Big Chance (Charisma, 1975) \u2013 8<br \/>\nOver (Charisma, 1977) \u2013 10<br \/>\nThe Future now (Charisma, 1978) \u2013 9<br \/>\nPH 7 (Charisma, 1979) \u2013 8 <\/p>\n<p>PETE SINFIELD <\/p>\n<p>Still (1973) \u2013 7 <\/p>\n<p>PHIL MANZANERA <\/p>\n<p>1695 &#8211; Diamond Head (EG, 1975) \u2013 8 <\/p>\n<p>PHIL MANZANERA\/801 <\/p>\n<p>Listen now (Polydor, 1977) \u2013 8 <\/p>\n<p>PICCHIO DAL POZZO (It\u00e1.) <\/p>\n<p>Picchio Dal Pozzo (Si-Wan, 1976) \u2013 9 <\/p>\n<p>PINK FLOYD <\/p>\n<p>The Piper at the Gates of Dawn (EMI, 1967) \u2013 8<br \/>\nA saucerful of Secrets (EMI, 1968) &#8211; 8<br \/>\nUmmagumma (EMI, 1969) \u2013 10<br \/>\nAtom Heart Mother (EMI, 1970) \u2013 10<br \/>\nMeddle (EMI, 1971) \u2013 8<br \/>\nObscured by Clouds (EMI, 1972) \u2013 7<br \/>\nWish you Were here (EMI, 1975) \u2013 7<br \/>\nThe Wall (EMI, 1979) \u2013 9 <\/p>\n<p>PREMIATA FORNERIA MARCONI (It\u00e1.) <\/p>\n<p>Storia di un Minuto (RCA, 1972) \u2013 8<br \/>\nPhotos of Ghosts (RCA, 1973) \u2013 8<br \/>\nL&#8217; Isola di Niente (BMG Ariola, 1974) \u2013 9 <\/p>\n<p>PRETTY THINGS <\/p>\n<p>S. F. Sorrow (Edsel, 1968) &#8211; 8<br \/>\nParachute (Edsel, 1970) \u2013 7 <\/p>\n<p>PROCOL HARUM <\/p>\n<p>Shine on Brightly (1969) \u2013 7 <\/p>\n<p>PULSAR (Fra.) <\/p>\n<p>The Strands of the Future (Musea, 1976) \u2013 8<br \/>\nHalloween (Musea, 1977) \u2013 8 <\/p>\n<p>QUELLA VECCHIA LOCANDA (It\u00e1.) <\/p>\n<p>Quella Vecchia Locanda (Vinyl Magic, 1972) \u2013 7<br \/>\nIl Tempo della Gioia (RCA, 1974) \u2013 8 <\/p>\n<p>RACCOMANDATA RICEVUTA RITORNO (It\u00e1.) <\/p>\n<p>Per\u2026Un Mondo di Cristallo (Foni Cetra, 1972) \u2013 7 <\/p>\n<p>RAW MATERIAL <\/p>\n<p>Time is&#8230; (Repertoire, 1971) \u2013 7 <\/p>\n<p>RENAISSANCE <\/p>\n<p>Renaissance (Repertoire, 1969) \u2013 7<br \/>\nPrologue (Repertoire, 1972) \u2013 8<br \/>\nAshes are Burning (Repertoire, 1973) \u2013 7<br \/>\nTurn of the Cards (Repertoire, 1974) \u2013 8<br \/>\nScheherazade and other Stories (HTD, 1975) \u2013 7 <\/p>\n<p>RICHARD PINHAS (Fra.) <\/p>\n<p>Rhizosphere (Cuneiform, 1977) \u2013 8<br \/>\nIceland (Cuneiform, 1979) \u2013 8 <\/p>\n<p>RICHARD AND LINDA THOMPSON <\/p>\n<p>Hokey Pokey (Hannibal, 1974) \u2013 8<br \/>\nI Want to See the Bright Lights Tonight (Island, 1974) \u2013 10<br \/>\nSunnyvista (Hannibal, 1979) \u2013 7 <\/p>\n<p>RICHARD THOMPSON <\/p>\n<p>Starring as Henry the Human Fly (Hannibal, 1972) \u2013 7 <\/p>\n<p>RICK WAKEMAN <\/p>\n<p>The Six Wives of Henry VIII (A&#038;M, 1973) \u2013 8 <\/p>\n<p>ROBERT CALVERT <\/p>\n<p>Captain Lockheed and the Starfighters (BGO, 1974) \u2013 8<br \/>\nLucky Streif and the Long Ships (BGO, 1975) \u2013 8 <\/p>\n<p>ROBERT WYATT <\/p>\n<p>The End of an Ear (Columbia, 1971) \u2013 8<br \/>\nRock Bottom (Virgin, 1974) \u2013 10<br \/>\nRuth is Stranger than Richard (Virgin, 1975) \u2013 8 <\/p>\n<p>ROBIN WILLIAMSON <\/p>\n<p>Myrrh (Edsel, 1972) \u2013 8 <\/p>\n<p>ROBIN WILLIAMSON &#038; HIS MERRY BAND <\/p>\n<p>American Stonehenge (Edsel, 1978) \u2013 8 <\/p>\n<p>RON GEESIN <\/p>\n<p>As he Stands (See for Miles, 1973) &#8211; 7 <\/p>\n<p>RON GEESIN &#038; ROGER WATERS <\/p>\n<p>Music from the Body (Harvest, 1970) \u2013 7 <\/p>\n<p>ROXY MUSIC <\/p>\n<p>Roxy Music (Virgin EG, 1972) \u2013 10<br \/>\nFor Your Pleasure (Virgin EG, 1973) \u2013 10<br \/>\nStranded (Virgin EG, 1973) \u2013 10<br \/>\nCountry Life (Virgin EG, 1974) \u2013 8<br \/>\nSiren (Virgin EG, 1975) \u2013 8 <\/p>\n<p>ROY HARPER <\/p>\n<p>Stormcock (Science Friction, 1971) \u2013 8<br \/>\nValentine (Science Friction, 1974) \u2013 8<br \/>\nBullinamingvase (Science Friction 1977) \u2013 9 <\/p>\n<p>RUNNING MAN (THE) <\/p>\n<p>The Running Man (Repertoire, 1972) \u2013 6 <\/p>\n<p>SAMMLA MAMMAS MANNA (Su\u00e9.) <\/p>\n<p>M\u00e5ltid (Silence, 1973) \u2013 8<br \/>\nSchlagerns Mystik (Silence, 1978) \u2013 9 <\/p>\n<p>SECOND HAND <\/p>\n<p>Death May be your Santa Claus (See for Miles, 1971) \u2013 9 <\/p>\n<p>SLAPP HAPPY <\/p>\n<p>Slapp Happy (Virgin, 1974) \u2013 8<br \/>\nDesperate Straights (1975) c\/HENRY COW \u2013 10 <\/p>\n<p>SOFT MACHINE (THE) <\/p>\n<p>Soft Machine (1968) \u2013 9<br \/>\nVolume Two (1969) &#8211; 10<br \/>\nThird (Columbia, 1970) \u2013 10<br \/>\nFourth (Columbia, 1971) \u2013 7<br \/>\nFifth (Columbia, 1972) \u2013 7<br \/>\nSix (Columbia, 1973) \u2013 8<br \/>\nSeven (Epic, 1973) \u2013 8<br \/>\nBundles (See for Miles, 1975) \u2013 7<br \/>\nSofts (See for Miles, 1976) \u2013 7 <\/p>\n<p>SPARKS (EUA) <\/p>\n<p>Propaganda (Island, 1974) \u2013 7<br \/>\nIndiscreet (Island, 1975) \u2013 8 <\/p>\n<p>SPIRIT (EUA) <\/p>\n<p>Twelve Dreams of Dr. Sardonicus (Epic Legacy, 1970) \u2013 9<br \/>\nFuture Games (Great Expectations, 1977) \u2013 8 <\/p>\n<p>SPIROGYRA <\/p>\n<p>St. Radigunds (Repertoire, 1972) \u2013 8<br \/>\nOld Boot Wine (Repertoire, 1972) \u2013 8<br \/>\nBells, Boots and Shambles (Repertoire, 1973) \u2013 8 <\/p>\n<p>STACKRIDGE <\/p>\n<p>Stackridge (Edsel, 1971) \u2013 9<br \/>\n(Have no Fear, I just Need your) Friendliness (Edsel, 1972) \u2013 9<br \/>\nThe Man in the Bowler Hat (Edsel, 1974) \u2013 9 <\/p>\n<p>STEAMHAMMER <\/p>\n<p>Reflection (1969) \u2013 7 <\/p>\n<p>STEVE HACKETT <\/p>\n<p>Voyage of the Acolyte (Charisma, 1975) \u2013 8 <\/p>\n<p>STEVE HILLAGE <\/p>\n<p>Fish Rising (Virgin, 1975) \u2013 8 <\/p>\n<p>STORYTELLER <\/p>\n<p>Storyteller (Wooded Hill, 1970) \u2013 7 <\/p>\n<p>STRAWBS <\/p>\n<p>From the Witchwood (A&#038;M, 1971) \u2013 9<br \/>\nGrave New World (A&#038;M, 1972) \u2013 9<br \/>\nBursting at the Seams (A&#038;M, 1973) \u2013 8<br \/>\nHero and Heroine (A&#038;M, 1974) \u2013 7<br \/>\nGhosts (A&#038;M, 1974) \u2013 7 <\/p>\n<p>SYD BARRETT <\/p>\n<p>The Madcap Laughs (Capitol, 1970) \u2013 8<br \/>\nBarrett (EMI, 1970) \u2013 7 <\/p>\n<p>T.2 <\/p>\n<p>It&#8217;ll all Work out in Boomland (World Wide, 1970) \u2013 9 <\/p>\n<p>TASAVALLAN PRESIDENTTI (Finl.) <\/p>\n<p>Milky Way Moses (Love, 1974) \u2013 8 <\/p>\n<p>TEA &#038; SYMPHONY <\/p>\n<p>An Asylum for the Musically Insane (Si-Wan, 1969) \u2013 7 <\/p>\n<p>TEN YEARS AFTER <\/p>\n<p>A Space in Time (BGO, 1971) \u2013 6 <\/p>\n<p>TERRY RILEY <\/p>\n<p>A Rainbow in Curved Air (Columbia Rewind, 1971) \u2013 10<br \/>\nPersian Surgery Dervishes (Mantra, 1972) \u2013 8 <\/p>\n<p>THIRD EAR BAND <\/p>\n<p>Third Ear Band (BGO, 1970) \u2013 7<br \/>\nMusic from MacBeth (BGO, 1972) \u2013 8 <\/p>\n<p>TIM BLAKE <\/p>\n<p>Crystal Machine (Mantra, 1977) \u2013 7 <\/p>\n<p>TIR NA NOG <\/p>\n<p>Tir Na Nog (BGO, 1971) \u2013 8<br \/>\nA Tear and a Smile (Edsel, 1972) \u2013 7<br \/>\nStrong in the Sun (Edsel, 1973) \u2013 7 <\/p>\n<p>TITUS GROAN <\/p>\n<p>Titus Groan (See for Miles, 1970) \u2013 7 <\/p>\n<p>TOM NEWMAN <\/p>\n<p>Faerie Symphony (1970) \u2013 8 <\/p>\n<p>TONTON MACOUTE <\/p>\n<p>Tonton Macoute (Repertoire, 1971) \u2013 7 <\/p>\n<p>TRADER HORNE <\/p>\n<p>Morning Way (See for Miles, 1970) \u2013 8 <\/p>\n<p>TRAFFIC <\/p>\n<p>John Barleycorn must Die (Island, 1970) \u2013 8 <\/p>\n<p>TUDOR LODGE <\/p>\n<p>Tudor Lodge (Si-Wan, 1971) \u2013 8 <\/p>\n<p>TYRANNOSAURUS REX <\/p>\n<p>A Beard of Stars (A&#038;M, 1970) \u2013 7 <\/p>\n<p>UNIVERIA ZEKT (Fra.) <\/p>\n<p>Les Unnamables (Musea, 1971) \u2013 7 <\/p>\n<p>URBAN SAX (Fra.) <\/p>\n<p>Urban Sax (EPM, 1977) \u2013 8<br \/>\nUrban Sax 2 (1978) \u2013 8 <\/p>\n<p>VAN DER GRAAF GENERATOR <\/p>\n<p>The Aerosol Grey Machine (Repertoire, 1969) &#8211; 8<br \/>\nThe Least we Can do is Wave to each other (Charisma, 1969) \u2013 10<br \/>\nH to He who am the only one (Charisma, 1970) \u2013 10<br \/>\nPawn Hearts (Charisma, 1971) \u2013 10<br \/>\nGodbluff (Charisma, 1975) \u2013 10<br \/>\nStill Life (Charisma, 1976) \u2013 10<br \/>\nWorld Record (Charisma, 1976) \u2013 8<br \/>\nThe Quiet Zone\/The Pleasure Dome (Charisma, 1977) \u2013 8 <\/p>\n<p>WEIDORGE (Fra.) <\/p>\n<p>Weidorge (Musea, 1978) \u2013 7 <\/p>\n<p>WHITE NOISE <\/p>\n<p>An Electric Storm (Island, 1969) \u2013 10 <\/p>\n<p>WHO (THE) <\/p>\n<p>Who\u2019s next (Polydor, 1971) \u2013 8 <\/p>\n<p>WIGWAM (Finl.) <\/p>\n<p>Tombstone Valentine (Love, 1970) &#8211; 8<br \/>\nBeing (Love, 1973) \u2013 8<br \/>\nNuclear Nightclub (Virgin, 1975) \u2013 8 <\/p>\n<p>WISHBONE ASH <\/p>\n<p>Wishbone Ash (1970) &#8211; 7 <\/p>\n<p>WOLF <\/p>\n<p>Canis Lupus (1973) \u2013 7<br \/>\nSaturation Point (1973) \u2013 7 <\/p>\n<p>YES <\/p>\n<p>Time and a Word (Atlantic, 1970) \u2013 7<br \/>\nThe Yes Album (Atlantic, 1971) \u2013 9<br \/>\nFragile (Atlantic, 1971) \u2013 7<br \/>\nClose to the Edge (Atlantic, 1972) \u2013 9<br \/>\nTales from Topographic Oceans 2xCD (Atlantic, 1973) \u2013 9<br \/>\nRelayer (Atlantic, 1974) \u2013 9<br \/>\nGoing for the One (Atlantic, 1977) \u2013 7<br \/>\nTormato (Atlantic, 1978) \u2013 7 <\/p>\n<p>YOCHKO SEFFER (Fra.) <\/p>\n<p>Ghilgoul (Musea, 1978) \u2013 7 <\/p>\n<p>ZAO (Fra.) <\/p>\n<p>Shekina (Musea, 1975) \u2013 8<br \/>\nKawana (Musea, 1976) \u2013 8 <\/p>\n<p>Z N R (Fra.) <\/p>\n<p>Barricade 3 (Recommended, 1977) \u2013 9<br \/>\nTraite de Mecanique Populaire (Torak, 1977) \u2013 8 <\/p>\n<p>Entre par\u00eanteses, a seguir ao t\u00edtulo: editora da reedi\u00e7\u00e3o em CD e data de edi\u00e7\u00e3o original. Quando n\u00e3o consta o nome da editora \u00e9 porque o disco n\u00e3o faz parte da minha colec\u00e7\u00e3o. <\/p>\n<p>Alguns discos fundamentais do Progressivo foram gravados ainda nos anos 60, da\u00ed a sua inclus\u00e3o nesta lista. Outros apenas indirectamente se relacionam com o progressivo (Nick Drake, Sparks, etc) <\/p>\n<p>N\u00e3o foram considerados \u00e1lbuns de bandas folk como Fairport Convention, Pentangle, Steeleye Spanm Spriguns, Malicorne, M\u00e9lusine, la Bamboche, etc que ser\u00e3o objecto de outra lista. <\/p>\n<p>+ (n\u00e3o ouvidos na \u00edntegra, c\/* &#8211; os mais interessantes) <\/p>\n<p>Andy MacKay: In Search of Eddie Riff (1974) *<br \/>\nAquila: Aquila<br \/>\nAtomic Rooster: Death walks behind you (1970) *<br \/>\nAlan Bown (The): Listen (1970)<br \/>\nBakerloo: Bakerloo<br \/>\nBattered Ornaments: mantle Piece (1969)<br \/>\nBlack Widow: Black Widow (1970)<br \/>\nBlonde on Blonde: Rebirth (1970)<br \/>\nCentipede: Septober Energy (1971) *<br \/>\nChris Squire: Fish out of Water (1975)<br \/>\nClaire Hamill: One House left Standing (1971)<br \/>\nClear Blue Sky: Clear Blue Sky (1971)<br \/>\nClifford T. Ward: Home Thoughts from Abroad (1973)<br \/>\nCurved Air: Midnight Wire (1975)<br \/>\nDecameron: Third Light (1975)<br \/>\nDeep Purple: Deep Purple in Rock (1970)<br \/>\nDr.Z: Three Parts to my Soul (1971)<br \/>\nEvery Which Way: Every Which Way (1970)<br \/>\nFree: Fire and Watwer (1970)<br \/>\nFruup: Future Legends (1973)<br \/>\nFruup: Prince of Heaven\u2019s Eyes (1974)<br \/>\nFusion Orchestra: Skeletons in Armour (1973) *<br \/>\nGilgamesh: Another Fine Tune you\u2019ve got me into (1978)<br \/>\nGravy Train: Gravy Train (1970) *<br \/>\nGravy Train: ballad of a Peaceful Man (1971)<br \/>\nGreatest Show on earth (The): The Going\u2019s Easy (1970) *<br \/>\nGreenslade: Grenslade (1973)<br \/>\nHelp Yourself: Help Yourself (1971)<br \/>\nHigh Tide: High Tide (1970)<br \/>\nIan Matthews: If yow Saw through my Eyes (1971) *<br \/>\nIf: If (1970) *<br \/>\nIncredible String Band (The): \u201cU\u201d (1970) *<br \/>\nIsotope: Illusion (1974)<br \/>\nIsotope: Deep End (1976) *<br \/>\nJackson Heights: King Progress (1970)<br \/>\nJonesy: Growing (1973) *<br \/>\nKeef Hartley Band: Little Big Band (1971)<br \/>\nKilling Floor: Out of Uranus (1970)<br \/>\nMan: Man (1970)<br \/>\nManfred Mann Chapter Three: Manfred Mann Chapter Three (1969) *<br \/>\nManfred Mann Chapter Three: Manfred Mann Chapter Three, vol. 2 (1970) *<br \/>\nManfred Mann\u2019s Earthband: Solar Fire (1973)<br \/>\nMay Blitz: May Blitz (1970)<br \/>\nNektar: Journey to the Centre of the Eye (1972)<br \/>\nNektar: A Tab in the Ocean (1974)<br \/>\nNice (The): Five Bridges Suite (1970)<br \/>\nNice (The): Elegy (1971)<br \/>\nNirvana: Local Anaesthetic (1971)<br \/>\nNucleus: Belladonna (1972)<br \/>\nNucleus: Labirynth (1973)<br \/>\nPatto: Patto (1970)<br \/>\nPlainsong: In Search of Amalia Earhart (1972) *<br \/>\nProcol Harum: Grand Hotel (1973)<br \/>\nQuatermass: Quatermass (1970)<br \/>\nQuiet Sun: Mainstream (1975)*<br \/>\nQuintessence: Quintessence (1970)<br \/>\nRamases: Space Hymns (1971)<br \/>\nRare Bird: As your Mind Flies by (1970) *<br \/>\nRefugee: Refugee (1974)<br \/>\nRock Workshop: Rock Workshop (1970) *<br \/>\nRoom: Pre-Flight (1970) *<br \/>\nSallyangie: Children of the Sun (1968)<br \/>\nSavoy Brown: Raw Sienna (1970) *<br \/>\nSkin Alley: Skin Alley (1969)<br \/>\nSpontaneous Combustion: Spontaneous Combustion (1972)<br \/>\nSpring: Spring (1971)<br \/>\nSteve Howe: Beginnings (1975)<br \/>\nString Driven Thing: The Machine that Cried (1973)<br \/>\nSupertramp: Indelibly Stamped (1971)<br \/>\nTempest: Tempest (1973)<br \/>\nUriah Heep: Salisbury (1971)<br \/>\nWarm Dust: Peace for our Time (1971) *<br \/>\nWild Turkey: Battle Hymn (1971)<br \/>\nWishbone Ash: Pilgrimage (1971)<br \/>\nWishbone Ash: Argus (1972) <\/p>\n<p>+ <\/p>\n<p>sob investiga\u00e7\u00e3o e c\/boas refer\u00eancias <\/p>\n<p>Aardavark, A-Austr, Accolade, Andromeda, Andwella\u2019s Dream, Andy Roberts, Arcadium, Asgard, Back Door, Blossom Toes, Bramstoker, Bread, Love &#038; Dreams, Byzantium, Jimmy Campbell, Capability Brown, City Waites,<br \/>\nC.O.B., Cosmic Eye, Daylight, J. S. D. Band, Design, Esperanto, Gile\u2019s Farnabys Dream Band, Gary Farr, Fields<br \/>\nFrogmorton, Galliard, Gothic Horizon, Hedgehog Pie, Home, Julian\u2019s Treatment, Madrigal, Marsupilami, Tony McPhee, Morgan, Motherlight, Natural Acoustic Band, Northwind, Oak, Oberon, Principal Edwards Magic Theatre<br \/>\nRenia, Andy Roberts, Samurai, Seventh Wave, Siren, Still Life, Solid Gold Cadillac, Roger Ruskin Spear, Sun Also Rises, Swan Arcade, Synthanesia, Tear Gas, Toe-Fat, Tractor, Unicorn, Vulcan\u2019s Hammer, Way We Live (The), Web (The), Wooden O, Zygoat <\/p>\n<p>Nota: nesta \u00faltima rela\u00e7\u00e3o constam, paradoxalmente, bandas folk que eu pr\u00f3prio adoraria conhecer (Bread, Love &#038; dreams, C.O.B., Natural Acoustic Band, The City waites, JSD Band, Swan Arcade&#8230;) dentro do esp\u00edrito do Progressivo. <\/p>\n<p>sauda\u00e7\u00f5es <\/p>\n<p>FM<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fernando Magalh\u00e3es: A lista dos melhores \u00e1lbuns do Progressivo publicada no f\u00f3rum Sons Progressivos anos 70 (nas suas m\u00faltiplas vertentes: electr\u00f3nica, jazz, folk ou simplesmente inclassific\u00e1vel) Ouvidos na \u00edntegra: AFFINITY Affinity (Repertoire, 1970) \u2013 7 AKSAK MABOUL (B\u00e9l.\/USA\/Ingl.) Un peu de l&#8217; \u00c2me des Bandits (Atem\/Crammed, 1979) \u2013 9 AMAZING BLONDEL Evensong (Edsel, 1970) \u2013 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[292,16,146],"tags":[1435,853],"class_list":["post-5606","post","type-post","status-publish","format-standard","hentry","category-listas","category-progressivo","category-rock-psicadelico","tag-fernando-magalhaes","tag-listas"],"views":2002,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/5606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=5606"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/5606\/revisions"}],"predecessor-version":[{"id":5607,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/5606\/revisions\/5607"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=5606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=5606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=5606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}