{"id":3797,"date":"2015-07-09T13:30:16","date_gmt":"2015-07-09T20:30:16","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=3797"},"modified":"2015-07-09T13:30:16","modified_gmt":"2015-07-09T20:30:16","slug":"spk-leichenschrei-information-overload-unit-zamia-lehmanni-songs-of-byzantine-flowers","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2015\/07\/09\/spk-leichenschrei-information-overload-unit-zamia-lehmanni-songs-of-byzantine-flowers\/","title":{"rendered":"SPK &#8211; &#8220;Leichenschrei&#8221; + &#8220;Information Overload Unit&#8221; + &#8220;Zamia Lehmanni &#8211; Songs Of Byzantine Flowers&#8221;"},"content":{"rendered":"<p>Pop Rock<\/p>\n<p>27 JANEIRO 1993<br \/>\nREEDI\u00c7\u00d5ES<\/p>\n<p><strong>CONTRA A NATUREZA<\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 234;\ngoogle_ad_height = 60;\ngoogle_ad_format = \"234x60_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>SPK<br \/>\nLeichenschrei (3)<br \/>\nInformation Overload Unit (5)<br \/>\nZamia Lehmanni \u2013 Songs of Byzantine Flowers (8)<br \/>\nCD Side Effects, distri. Edisom<\/strong><\/p>\n<p><center><br \/>\n<a href=\"http:\/\/www.profelectro.info\/fm\/?attachment_id=3798\" rel=\"attachment wp-att-3798\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/SPK-Leichenschrei-556722-300x295.jpg\" alt=\"SPK-Leichenschrei-556722\" width=\"300\" height=\"295\" class=\"aligncenter size-medium wp-image-3798\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/SPK-Leichenschrei-556722-300x295.jpg 300w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/SPK-Leichenschrei-556722-100x98.jpg 100w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/SPK-Leichenschrei-556722.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><br \/>\n<br \/>\n<a href=\"http:\/\/www.profelectro.info\/fm\/?attachment_id=3799\" rel=\"attachment wp-att-3799\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/spk2.jpg\" alt=\"spk2\" width=\"225\" height=\"225\" class=\"aligncenter size-full wp-image-3799\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/spk2.jpg 225w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/spk2-150x150.jpg 150w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/spk2-100x100.jpg 100w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><br \/>\n<br \/>\n<a href=\"http:\/\/www.profelectro.info\/fm\/?attachment_id=3800\" rel=\"attachment wp-att-3800\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/spk3.jpg\" alt=\"spk3\" width=\"225\" height=\"224\" class=\"aligncenter size-full wp-image-3800\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/spk3.jpg 225w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/spk3-150x150.jpg 150w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2015\/07\/spk3-100x100.jpg 100w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/a><br \/>\n<\/center><\/p>\n<p>De enfermeiro num hospital psiqui\u00e1trico, Graeme Revell chegou a autor da banda sonora de \u201cAt\u00e9 ao Fim do Mundo\u201d, de Wim Wenders. Antes da chegada aos filmes, gravou uma m\u00e3o cheia de \u00e1lbuns que abarcam campos t\u00e3o distintos como a m\u00fasica industrial tend\u00eancia Throbbing Gristle, de \u201cSecond Annual Report\u201d, o disco met\u00e1lico (\u201cDigitalis Amb\u00edgua \u2013 Gold and Poison\u201d), as fus\u00f5es electro\u00e9tnicas (\u201cOce\u00e2nia\u201d) e sons de insectos trabalhados por computador (\u201cThe Insect Musicians\u201d). Pelo caminho foi ficando o odor f\u00e9tido da putrefac\u00e7\u00e3o. Os SPK s\u00e3o Graeme Revell \u2013 coadjuvado numa ou noutra ocasi\u00e3o por m\u00fasicos convidados, nomeadamente a vocalista Sinan \u2013, um australiano com tend\u00eancia para dissecar o horror e a pervers\u00e3o em geral.<br \/>\n\u201cLeischenschrei\u201d e \u201cInformation Overload Unit\u201d lidam com tabus. Sobretudo com a morte. Correspondentes \u00e0 fase industrial, servem-se do ouvinte como cobaia, experimentando o efeito de frequ\u00eancias nocivas ou, a n\u00edvel psicol\u00f3gico, e palavras e imagens tendentes a despoletar o lado subterr\u00e2neo e infernal da natureza humana. Os assuntos giram \u00e0 volta de temas perturbantes: doen\u00e7a, sexo entre cad\u00e1veres, administra\u00e7\u00e3o de drogas indutoras de loucura, maquinismos diab\u00f3licos, condimentados por fotografias e mutila\u00e7\u00f5es e disseca\u00e7\u00f5es v\u00e1rias extra\u00eddas dos arquivos do instituto de medicina legal.<br \/>\nFaca de dois gumes em que a ambiguidade funciona ao n\u00edvel da atrac\u00e7\u00e3o\/repulsa. Um texto, inclu\u00eddo no folheto explicativo de \u201cLeischenschrei\u201d d\u00e1 o mote: \u201c\u2026 a lacera\u00e7\u00e3o de tecidos, corpos e informa\u00e7\u00e3o. Mutila\u00e7\u00f5es, muta\u00e7\u00f5es, deforma\u00e7\u00f5es s\u00e3o como a mem\u00f3ria inconsciente do holocausto que a ci\u00eancia faz da vida. O nosso campo de concentra\u00e7\u00e3o \u00e9 o laborat\u00f3rio m\u00e9dico-cient\u00edfico, o hospital, a terapia, a morgue, a maquilhagem de cad\u00e1veres. Corpos dissecados com indiferen\u00e7a met\u00f3dica\u201d. Completam esta vers\u00e3o sonora dos \u201c120 Dias de Sodoma\u201d do Marqu\u00eas de Sade, textos de Michel Foucault e informa\u00e7\u00f5es sobre a utiliza\u00e7\u00e3o no psiquismo humano das tais frequ\u00eancias, visando o aumento da sugest\u00e3o e do medo, segundo o manual b\u00e1sico do aprendiz de mago negro. Em termos auditivos \u00e9 90 porcento ru\u00eddo mais 10 porcento vozes em agonia.<br \/>\n\u201cZamia Lehmanni\u201d \u00e9 o outro lado de um mesmo movimento que come\u00e7a na dissolu\u00e7\u00e3o e banaliza\u00e7\u00e3o do horror e se completa na invers\u00e3o. Do \u201chiper-realismo\u201d de um \u201czoom\u201d aplicado num cad\u00e1ver, a rota\u00e7\u00e3o inflecte aqui no romantismo e no lado \u201climpo\u201d e \u201cculto\u201d de uma realidade voltada do avesso. A morte veste a cara\u00e7a da vida. A caveira cobre-se com a pele sint\u00e9tica de um manequim. Fala-se em \u201csagrado\u201d para se dizer \u201c\u00edmpio\u201d. A besta disfar\u00e7a-se de Cristo.<br \/>\nPartindo da influ\u00eancia oriental e da civiliza\u00e7\u00e3o bizantina, em particular n o estabelecimento do cristianismo no Ocidente, o jogo passa para o lado da electr\u00f3nica ritual e de uma solenidade sobrevoada pelo espectro de f\u00e1bricas laborando em surdina, c\u00e2nticos gregorianos e invoca\u00e7\u00f5es a divindades pag\u00e3s. A luz fria dos n\u00e9ons da morgue cede o lugar ao dourado e \u00e0 iconografia religiosa. Com apoio em fragmentos de Yeats, Mallarm\u00e9, Lautr\u00e9amont, Huysmanns, Rimbaud, Baudelaire e Beckett, profetas do niilismo e do desespero. O t\u00edtulo da obra de Huysmans citada sintetiza todo um manifesto de inten\u00e7\u00f5es: \u201cContra a Natureza\u201d. Portanto contra Deus e contra o homem. Considera\u00e7\u00f5es morais \u00e0 parte, \u201cZamia Lehmanni\u201d \u00e9 um disco de ineg\u00e1vel beleza. A beleza mortal de L\u00facifer.<\/p>\n<p><a href=\"http:\/\/www.mediafire.com\/download\/tujtnclitye\/Leichenschrei.zip\" target=\"_blank\">Leichenschrei<\/a><br \/>\n<a href=\"http:\/\/lix.in\/-cdfab8\" target=\"_blank\">Information Overload Unit<\/a><br \/>\n<a href=\"https:\/\/mega.co.nz\/#!BwtzyQzK!Xq4Y7lsC4kIpHqHcnRJB2sDP1ME48oWtyLKPUpOAlZE\" target=\"_blank\">Zamia Lehmanni &#8211; Songs Of Byzantine Flowers<\/a><\/p>\n<p><center><br \/>\n<iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xXcs_hgIHH8\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<br \/>\n<iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cxdbL2jSQ-w\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<br \/>\n<iframe loading=\"lazy\" width=\"420\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/V6nFf2Sc9xk\" frameborder=\"0\" allowfullscreen><\/iframe><br \/>\n<\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pop Rock 27 JANEIRO 1993 REEDI\u00c7\u00d5ES CONTRA A NATUREZA SPK Leichenschrei (3) Information Overload Unit (5) Zamia Lehmanni \u2013 Songs of Byzantine Flowers (8) CD Side Effects, distri. Edisom De enfermeiro num hospital psiqui\u00e1trico, Graeme Revell chegou a autor da banda sonora de \u201cAt\u00e9 ao Fim do Mundo\u201d, de Wim Wenders. Antes da chegada aos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[369,1022,7,14,83,107,945,105],"tags":[1031],"class_list":["post-3797","post","type-post","status-publish","format-standard","hentry","category-avant-gard","category-criticas-1993","category-electronica","category-experimental","category-industrial","category-new-wave","category-noise","category-post-punk","tag-spk"],"views":2188,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/3797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=3797"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/3797\/revisions"}],"predecessor-version":[{"id":3801,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/3797\/revisions\/3801"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=3797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=3797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=3797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}