{"id":3014,"date":"2012-02-02T10:29:40","date_gmt":"2012-02-02T17:29:40","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=3014"},"modified":"2012-02-02T10:32:47","modified_gmt":"2012-02-02T17:32:47","slug":"wim-mertens-skopos","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2012\/02\/02\/wim-mertens-skopos\/","title":{"rendered":"Wim Mertens &#8211; &#8220;Skopos&#8221;"},"content":{"rendered":"<p><strong>06.02.2004<\/strong><\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 336;\ngoogle_ad_height = 280;\ngoogle_ad_format = \"336x280_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p><strong>Wim Mertens<\/strong><br \/>\nSkopos<br \/>\nUsura, distri. Megam\u00fasica<br \/>\n6\/10<\/p>\n<p><a href=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2012\/02\/wimMertens.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2012\/02\/wimMertens.jpg\" alt=\"\" title=\"wimMertens\" width=\"300\" height=\"300\" class=\"alignnone size-full wp-image-3015\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2012\/02\/wimMertens.jpg 300w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2012\/02\/wimMertens-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/depositfiles.com\/files\/7ook3blm7\" target=\"_blank\">LINK<\/a><\/p>\n<p>Wim Mertens tem um dilema. Empenhado na cria\u00e7\u00e3o de uma obra monumental, nalguns casos impenetr\u00e1vel, dispersa por trilogias, tetralogias e infinitologias, sente-se, por outro lado, impelido a mostrar um lado mais acess\u00edvel e \u201cf\u00e1cil\u201d da sua m\u00fasica. \u201cSkopos\u201d pertence \u00e0 categoria do Mertens \u201cligeiro\u201d e \u201cmainstream\u201d. Armado do seu \u201censemble\u201d, o compositor flamengo cria um h\u00edbrido de estilos e sonoridades ex\u00f3ticas capazes de seduzir o ouvido pelo imediatismo. Flamenco e m\u00fasica \u00e1rabe fazem a sua apari\u00e7\u00e3o em \u201cAdd growth can be heard\u201d, \u201cFurther Hunting\u201d \u00e9 pretexto para percuss\u00f5es em compasso de \u201chouse\u201d subliminar e \u201cSwirling backwards\u201d reinventa o lado erudito dos Tuxedomoon, enquanto \u201cFrom out of which\u201d retoma as velhas poanadas num registo pop pr\u00f3ximo dos Penguin Cafe Orchestra e \u201cBold forgetting\u201d e \u201cWorking the Ploughs\u201d apostam no minimalismo rom\u00e2ntico que depois de \u201cO Piano\u201d de Nyman n\u00e3o cessou de se repetir. Sem d\u00favida bonito, mas longe da estranha m\u00fasica de \u201cVergessen\u201d, \u201cStruggle for Pleasure\u201d e \u201cMaximizing the Audience\u201d, aqui apenas igualada pelo bel\u00edssimo ( e Nyman\u00edssimo&#8230;) ep\u00edlogo, \u201cBewildering din\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>06.02.2004 Wim Mertens Skopos Usura, distri. Megam\u00fasica 6\/10 LINK Wim Mertens tem um dilema. Empenhado na cria\u00e7\u00e3o de uma obra monumental, nalguns casos impenetr\u00e1vel, dispersa por trilogias, tetralogias e infinitologias, sente-se, por outro lado, impelido a mostrar um lado mais acess\u00edvel e \u201cf\u00e1cil\u201d da sua m\u00fasica. \u201cSkopos\u201d pertence \u00e0 categoria do Mertens \u201cligeiro\u201d e \u201cmainstream\u201d. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[81,676,50,812,707,813],"tags":[469],"class_list":["post-3014","post","type-post","status-publish","format-standard","hentry","category-contemporanea","category-criticas-2004","category-instrumental","category-minimal","category-muzak","category-piano","tag-wim-mertens"],"views":1903,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/3014","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=3014"}],"version-history":[{"count":2,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/3014\/revisions"}],"predecessor-version":[{"id":3017,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/3014\/revisions\/3017"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=3014"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=3014"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=3014"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}