{"id":12957,"date":"2026-05-05T03:37:57","date_gmt":"2026-05-05T10:37:57","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=12957"},"modified":"2026-05-05T03:37:57","modified_gmt":"2026-05-05T10:37:57","slug":"christoph-heeman-invisible-barrier-mo-boma-myths-of-the-near-future-part-two-pablos-eye-you-love-chinese-food-vidna-obmana-the-spiritual-bonding","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2026\/05\/05\/christoph-heeman-invisible-barrier-mo-boma-myths-of-the-near-future-part-two-pablos-eye-you-love-chinese-food-vidna-obmana-the-spiritual-bonding\/","title":{"rendered":"Christoph Heeman &#8211; &#8220;Invisible Barrier&#8221; + Mo Boma &#8211; &#8220;Myths Of The Near Future, Part Two&#8221; + Pablo\u2019s Eye &#8211; &#8220;You Love Chinese Food&#8221; + Vidna Obmana &#8211; &#8220;The Spiritual Bonding&#8221;"},"content":{"rendered":"<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 300;\ngoogle_ad_height = 250;\ngoogle_ad_format = \"300x250_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>pop rock >> quarta-feira >> 01.11.1995<br \/>\n<strong>curtas<\/strong><br \/>\n<center><br \/>\n<strong>Christoph Heeman<br \/>\nInvisible Barrier<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/1.jpg\" alt=\"\" width=\"496\" height=\"492\" class=\"alignnone size-full wp-image-12958\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/1.jpg 496w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/1-150x150.jpg 150w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/1-300x298.jpg 300w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/1-100x100.jpg 100w\" sizes=\"auto, (max-width: 496px) 100vw, 496px\" \/><br \/>\n<\/center><br \/>\nMesmo no cat\u00e1logo de excentricidades que \u00e9 a Extreme, torna-se dif\u00edcil enquadrar um disco como \u201cExcess of Free Speech\u201d, embora a p\u00e1gina ao lado possa ser ocupada, na mesma editora, pelos Social Interiors. Tomando o \u201cambiental\u201d e o \u201cindustrial\u201d como refer\u00eancias extremas, Heeman teoriza sonicamente sobre os estratos subliminares da banda-sonora, retirando-lhe quaisquer veleidades de um discurso descritivo. M\u00fasica electr\u00f3nica em flutua\u00e7\u00e3o onde os sintetizadores, a samplagem de acontecimentos musicais distantes e grava\u00e7\u00f5es em fitas de sons naturais se misturam na cria\u00e7\u00e3o de um espa\u00e7o sonoro sem fronteiras ao qual se poderia chamar \u201cm\u00fasica concreta ecol\u00f3gica\u201d. <strong>(8)<\/strong><br \/>\n<center><br \/>\n<strong>Mo Boma<br \/>\nMyths Of The Near Future, Part Two<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/2.jpg\" alt=\"\" width=\"488\" height=\"487\" class=\"alignnone size-full wp-image-12959\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/2.jpg 488w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/2-150x150.jpg 150w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/2-300x300.jpg 300w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/2-100x100.jpg 100w\" sizes=\"auto, (max-width: 488px) 100vw, 488px\" \/><br \/>\n<\/center><br \/>\nSe Heeman representa a dificuldade de leitura e a aus\u00eancia de par\u00e2metros convencionais, a segunda parte dos \u201cmitos do futuro pr\u00f3ximo\u201d dos Mo Boma \u00e9, pelo contr\u00e1rio, imediatamente localiz\u00e1vel em pleno territ\u00f3rio das \u201cm\u00fasicas do quarto mundo\u201d aberto por Jon Hassell, neste caso tomando como ponto de partida duas novelas de J.G. Ballard, escritor de F.C.. Percuss\u00f5es l\u00edquidas e sintetizadores a murmurarem no meio da selva, se n\u00e3o chegam para alcan\u00e7ar a grandeza do mito, proporcionam contudo um passeio agrad\u00e1vel (e seguro) pelos labirintos da imagina\u00e7\u00e3o. <strong>(7)<\/strong><br \/>\n<center><br \/>\n<strong>Pablo\u2019s Eye<br \/>\nYou Love Chinese Food<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/3.jpg\" alt=\"\" width=\"484\" height=\"485\" class=\"alignnone size-full wp-image-12960\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/3.jpg 484w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/3-150x150.jpg 150w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/3-300x300.jpg 300w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/3-100x100.jpg 100w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><br \/>\n<\/center><br \/>\nDo t\u00edtulo \u00e0s gravures e literature inclusa, passando pela pr\u00f3pria sequ\u00eancia dos temas, tudo clama pelo termo \u201csurrealismo\u201d para carimbar este filme sem legendas realizado pelos Pablo\u2019s Eye, quarteto de origem belga. Como no cinema de Bunuel, o que, neste caso os sons, deixam perceber \u00e9 uma l\u00f3gica decorrente do sonho e do inconsciente. A primeira parte sugere um cerimonial \u201c\u00e9tnico\u201d celebrado numa noite sem lua, interrompido pelo registo declamat\u00f3rio da voz de Marie Mandi. A segunda passa rapidamente da puls\u00e3o industrial para as ru\u00ednas ensanguentadas outrora ocupadas pelos This Mortal Coil. Na terceira, tudo se volta a dissolver num charco de venenos e \u00e1cidos ambientais. Comida chinesa estragada. <strong>(7)<\/strong><br \/>\n<center><br \/>\n<strong>Vidna Obmana<br \/>\nThe Spiritual Bonding<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/4.jpg\" alt=\"\" width=\"468\" height=\"485\" class=\"alignnone size-full wp-image-12961\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/4.jpg 468w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/4-289x300.jpg 289w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2026\/05\/4-96x100.jpg 96w\" sizes=\"auto, (max-width: 468px) 100vw, 468px\" \/><br \/>\n<\/center><br \/>\nO deserto tem vindo a conquistar um n\u00famero crescente de adeptos entre os praticantes da nova escola electr\u00f3nica californiana, como espa\u00e7o privilegiado de sil\u00eancio e, ao mesmo tempo, carregado de sugest\u00f5es on\u00edricas. Vidna Obmana, projecto de um m\u00fasico s\u00f3, encontrou nele a plataforma ideal de \u201ccomunica\u00e7\u00e3o e eleva\u00e7\u00e3o espiritual\u201d, bem como a fonte de inspira\u00e7\u00e3o de uma m\u00fasica t\u00e3o pr\u00f3xima do batimento r\u00edtmico de um Steve Roach (ele e Robert Rich, dois navegantes das dunas do Arizona, participam justamente no disco) como da veia ritualista de um Jorge Reyes. Viagem astral garantida. <strong>(8)<\/strong><\/p>\n<p><strong>TODOS EXTREME, DISTRI. ANANANA<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>pop rock >> quarta-feira >> 01.11.1995 curtas Christoph Heeman Invisible Barrier Mesmo no cat\u00e1logo de excentricidades que \u00e9 a Extreme, torna-se dif\u00edcil enquadrar um disco como \u201cExcess of Free Speech\u201d, embora a p\u00e1gina ao lado possa ser ocupada, na mesma editora, pelos Social Interiors. Tomando o \u201cambiental\u201d e o \u201cindustrial\u201d como refer\u00eancias extremas, Heeman teoriza [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[231,40,369,370,1162,213,7,14,1754,83,50,107,945,69,105],"tags":[2462,4157,3982,4156,4158,4159,312],"class_list":["post-12957","post","type-post","status-publish","format-standard","hentry","category-alemaes","category-ambient","category-avant-gard","category-avant-rock","category-criticas-1995","category-droning","category-electronica","category-experimental","category-improvisacao","category-industrial","category-instrumental","category-new-wave","category-noise","category-percussao","category-post-punk","tag-ananana","tag-christoph-heeman","tag-curtas","tag-extreme","tag-mo-boma","tag-pablos-eye","tag-vidna-obmana"],"views":97,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/12957","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=12957"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/12957\/revisions"}],"predecessor-version":[{"id":12962,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/12957\/revisions\/12962"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=12957"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=12957"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=12957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}