{"id":11623,"date":"2024-04-30T11:14:37","date_gmt":"2024-04-30T18:14:37","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=11623"},"modified":"2024-04-30T11:23:54","modified_gmt":"2024-04-30T18:23:54","slug":"escritos-de-fernando-magalhaes-vol-4-1996-edicao-revista-e-aumentada-publicado-hoje","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2024\/04\/30\/escritos-de-fernando-magalhaes-vol-4-1996-edicao-revista-e-aumentada-publicado-hoje\/","title":{"rendered":"Escritos de Fernando Magalh\u00e3es &#8211; Vol. 4 &#8211; 1996 (edi\u00e7\u00e3o revista e aumentada) &#8211; PUBLICADO HOJE &#8211;"},"content":{"rendered":"<p><a href=\"https:\/\/www.bubok.pt\/livros\/267979\/escritos-de-fernando-magalhaes---vol-4-1996-edicao-revista-e-aumentada-com-prefacio-de-joao-goncalves\" rel=\"noopener noreferrer\" target=\"_blank\">Escritos de Fernando Magalh\u00e3es &#8211; Vol. 4 &#8211; 1996 (edi\u00e7\u00e3o revista e aumentada), com Pref\u00e1cio de Jo\u00e3o Gon\u00e7alves<\/a><\/p>\n<p>Mais um dos 15 volumes que comp\u00f5em a obra completa de um dos maiores cr\u00edticos musicais portugueses de todos os tempos.<\/p>\n<p>Esta \u00e9 vers\u00e3o final e completa do ano de 1995. O mesmo j\u00e1 acontece desde o ano de 1989 nos 5 precedentes volumes. Seguir-se-\u00e3o os restantes volumes at\u00e9 2005 e, depois, finalmente, um volume final com os (poucos) textos &#8220;perdidos&#8221;, posts do FM no F\u00f3rum Sons (internet), \u00edndice remissivo\/onom\u00e1stico e o que entretanto aparecer ou for sugerido e julgado pertinente.<\/p>\n<p>Revis\u00e3o da Mat\u00e9ria Dada<\/p>\n<p>Bubok \u2013 Todos os livros publicados cont\u00eam todos os escritos publicados por Fernando Magalh\u00e3es, nos respetivos anos, da\u00ed a indica\u00e7\u00e3o de \u201cedi\u00e7\u00e3o revista e aumentada\u201d<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Volume 1.1. (1988\/1990) (edi\u00e7\u00e3o revista e aumentada) \u2013 415 p\u00e1ginas<\/p>\n<p>Pref\u00e1cio: V\u00edtor Junqueira<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 1.2 (1991) (edi\u00e7\u00e3o revista e aumentada) \u2013 547 p\u00e1ginas<\/p>\n<p>Pref\u00e1cio: M\u00e1rio Ferreira<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 2.1 (1992) (edi\u00e7\u00e3o revista e aumentada) \u2013 559 p\u00e1ginas<\/p>\n<p>Pref\u00e1cio: Miguel Augusto Silva<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 2.2 (1993) (edi\u00e7\u00e3o revista e aumentada) \u2013 623 p\u00e1ginas<\/p>\n<p>Pref\u00e1cio: Jorge Dias<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 2.3 (1994) (edi\u00e7\u00e3o revista e aumentada) \u2013 659 p\u00e1ginas<\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 300;\ngoogle_ad_height = 250;\ngoogle_ad_format = \"300x250_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>Pref\u00e1cio: V\u00edtor Belanciano.<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 3 (1995) (edi\u00e7\u00e3o revista e aumentada) \u2013 601 p\u00e1ginas<\/p>\n<p>Pref\u00e1cio: Lu\u00eds Marv\u00e3o.<\/p>\n<p><a href=\"https:\/\/www.bubok.pt\/livros\/267979\/escritos-de-fernando-magalhaes---vol-4-1996-edicao-revista-e-aumentada-com-prefacio-de-joao-goncalves\" rel=\"noopener noreferrer\" target=\"_blank\">Escritos de Fernando Magalh\u00e3es &#8211; Vol. 4 (1996) (edi\u00e7\u00e3o revista e aumentada) \u2013 615 p\u00e1ginasPref\u00e1cio: Jo\u00e3o Gon\u00e7alves<\/a><\/p>\n<p>A publicar, ainda na Bubok, as edi\u00e7\u00f5es revista e aumentadas = escritos completos, dos anos<\/p>\n<p>1997 (brevemente)<\/p>\n<p>1998<\/p>\n<p>Lulu<\/p>\n<p>Todos os livros publicados (excepto 1996, 1997 e 1998) cont\u00eam todos os escritos publicados por Fernando Magalh\u00e3es, nos respetivos anos<\/p>\n<p>Escritos de Fernando Magalh\u00e3es Vol. III &#8211; 1995 \u2013 336 p\u00e1ginas Pref\u00e1cio: Lu\u00eds Marv\u00e3o<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 4 \u2013 1996 \u2013 330 p\u00e1ginas Pref\u00e1cio: Jo\u00e3o Gon\u00e7alves<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 5 \u2013 1997 \u2013 632 p\u00e1ginas Pref\u00e1cio: M\u00e1rio Correia<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 6 \u2013 1998 \u2013 412 p\u00e1ginas S\/ Pref\u00e1cio<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 7 \u2013 1999 \u2013 556 p\u00e1ginas Pref\u00e1cio: Paulo Somsen<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 8 \u2013 2000 \u2013 630 p\u00e1ginas Pref\u00e1cio: Nuno Magalh\u00e3es (irm\u00e3o)<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 9 \u2013 2001 \u2013 510 p\u00e1ginas Pref\u00e1cio: Tiago Carvalho<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 10 \u2013 2002 \u2013 428 p\u00e1ginas Pref\u00e1cio: Lu\u00eds Jer\u00f3nimo<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 11 \u2013 2003 \u2013 592 p\u00e1ginas Pref\u00e1cio: Victor Afonso<\/p>\n<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 12 &#8211; 2004\/2005 \u2013 476 p\u00e1ginas Pref\u00e1cio: V\u00edtor Joaquim<\/p>\n<p>Em resumo, para a \u201cobra completa\u201d falta completar (passe a redund\u00e2ncia) e publicar os anos de 1996, 1997 e 1998\u2026.<\/p>\n<p>Estamos quase\u2026<\/p>\n<p>Seguir-se-\u00e1 em princ\u00edpio, uma compila\u00e7\u00e3o dos textos mais marcantes e intemporais, em que todos poder\u00e3o participar \/ escolher textos que queiram ver inclu\u00eddos. Mesmo para quem n\u00e3o tem nada, existe um blog\/site onde venho publicando os textos do Fernando Magalh\u00e3es. N\u00e3o est\u00e1 t\u00e3o avan\u00e7ado como os livros mas j\u00e1 cont\u00e9m mais de 3000 textos. Aqui: https:\/\/www.profelectro.info\/fm\/<\/p>\n<p>E depois, finalmente, um \u00edndice remissivo\/onom\u00e1stico.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2024\/04\/capa4_1996.jpg\" alt=\"\" width=\"500\" height=\"900\" class=\"alignnone size-full wp-image-11624\" \/><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2024\/04\/ContraCapa4_1996_finalBubok.jpg\" alt=\"\" width=\"500\" height=\"900\" class=\"alignnone size-full wp-image-11625\" \/><\/p>\n<p><strong>\u00cdNDICE<\/strong><\/p>\n<style type=\"text\/css\">\n\ttable.tableizer-table {\n\t\tfont-size: 12px;\n\t\tborder: 1px solid #CCC; \n\t\tfont-family: Arial, Helvetica, sans-serif;\n\t} \n\t.tableizer-table td {\n\t\tpadding: 4px;\n\t\tmargin: 3px;\n\t\tborder: 1px solid #CCC;\n\t}\n\t.tableizer-table th {\n\t\tbackground-color: #104E8B; \n\t\tcolor: #FFF;\n\t\tfont-weight: bold;\n\t}\n<\/style>\n<table class=\"tableizer-table\">\n<thead>\n<tr class=\"tableizer-firstrow\">\n<th>P\u00fablico >><\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Sec\u00e7\u00e3o >><\/td>\n<\/tr>\n<tr>\n<td>Subsec\u00e7\u00e3o<\/td>\n<td>Data<\/td>\n<td>Banda \/ Artista<\/td>\n<td>T\u00edtulo<\/td>\n<td>Tipo de Artigo<\/td>\n<td>P\u00e1gina<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Balan\u00e7o 95 da M\u00fasica Portuguesa<\/td>\n<td>3 de janeiro<\/td>\n<td>Brigada Victor Jara, Gaiteiros de Lisboa, Realejo, Quadrilha, &#8220;Idanha-a-Nova, Toques e Cantares&#8221;<\/td>\n<td>O futuro sem fantasmas<\/td>\n<td>Opini\u00e3o<\/td>\n<td>5<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Balan\u00e7o 95 da M\u00fasica Portuguesa<\/td>\n<td>3 de janeiro<\/td>\n<td>Frei Fado d&#8217;el Rey, Dan\u00e7as Ocultas, P\u00f3lo Norte, Ala dos Namorados<\/td>\n<td>Her\u00f3is do mar<\/td>\n<td>Opini\u00e3o<\/td>\n<td>7<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Balan\u00e7o 95 da M\u00fasica Portuguesa<\/td>\n<td>3 de janeiro<\/td>\n<td>V\u00e1rios Artistas (Manuel Faria, Fernando Gir\u00e3o, Jos\u00e9 Peixoto, Diana Lucas\/Pedro d&#8217;Orey, Lu\u00eds Mateus, &#8220;Roma Mega Rock&#8221;<\/td>\n<td>Tudo boa gente<\/td>\n<td>Opini\u00e3o<\/td>\n<td>9<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>3 de janeiro<\/td>\n<td>Albert Marcoeur<\/td>\n<td>Sports Et Percussions<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>11<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>6 de janeiro<\/td>\n<td>Grammies\/ Maria Jo\u00e3o Pires, Ces\u00e1ria \u00c9vora<\/td>\n<td>&#8220;Chopin e Cabo Verde v\u00e3o a concurso&#8221;<\/td>\n<td>Opini\u00e3o<\/td>\n<td>12<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>10 de janeiro<\/td>\n<td>J\u00falio Pereira e Kepa Junkera<\/td>\n<td>A quatro m\u00e3os e uma voz<\/td>\n<td>Opini\u00e3o<\/td>\n<td>13<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>10 de janeiro<\/td>\n<td>Os Vindimadores, Amigos do Cante, As Camponesas de Castro Verde, Os Ceifeiros, Alma Alentejana, Pedro Abrunhosa<\/td>\n<td>&#8220;Cante&#8221; de Natal seduz Abrunhosa<\/td>\n<td>Opini\u00e3o<\/td>\n<td>14<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>10 de janeiro<\/td>\n<td>Faust<\/td>\n<td>Rien<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>16<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>17 de janeiro<\/td>\n<td>Aimee Man<\/td>\n<td>I&#8217;m With Stupid<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>18<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>17 de janeiro<\/td>\n<td>Squeeze<\/td>\n<td>Ridiculous<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>19<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de janeiro<\/td>\n<td>\u00d6kros Ensemble<\/td>\n<td>Transylvanian Portraits<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>20<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de janeiro<\/td>\n<td>Istanbul Oriental Ensemble<\/td>\n<td>Gypsy Rum<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>22<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de janeiro<\/td>\n<td>JPP<\/td>\n<td>Devil&#8217;s Polska<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>23<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de janeiro<\/td>\n<td>Tommy Makem<\/td>\n<td>From The Archives<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>24<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>24 de janeiro<\/td>\n<td>Alexander Balanescu<\/td>\n<td>Angels &#038; Insects<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>25<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>24 de janeiro<\/td>\n<td>Kevin Braheny &#038; Tim Clark<\/td>\n<td>Rain<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>26<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>24 de janeiro<\/td>\n<td>J. A. Deane<\/td>\n<td>Nomad<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>27<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>24 de janeiro<\/td>\n<td>Didier Malherbe<\/td>\n<td>Zeff + Fluvius<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>28<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>24 de janeiro<\/td>\n<td>Steve Shehan<\/td>\n<td>Indigo Dreams<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>29<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>24 de janeiro<\/td>\n<td>Jeff Greinke<\/td>\n<td>\u00datero de pedra<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>30<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>24 de janeiro<\/td>\n<td>Paolo Conte<\/td>\n<td>Una Faccia In Prestito<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>32<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Os Melhores de Sempre &#8211; M\u00fasica Portuguesa<\/td>\n<td>24 de janeiro<\/td>\n<td>Brigada Victor Jara<\/td>\n<td>Eito Fora<\/td>\n<td>Opini\u00e3o \/ Cr\u00edtica de Discos<\/td>\n<td>34<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>26 de janeiro<\/td>\n<td>Miso Ensemble <\/td>\n<td>A sa\u00edda do computador da f\u00e1brica de conservas<\/td>\n<td>Opini\u00e3o<\/td>\n<td>38<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>31 de janeiro<\/td>\n<td>Jos\u00e9 Medeiros<\/td>\n<td>Feiti\u00e7o nas ondas hertzianas<\/td>\n<td>Opini\u00e3o<\/td>\n<td>40<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>31 de janeiro<\/td>\n<td>World Music &#8211; Panorama em v\u00e1rios pa\u00edses<\/td>\n<td>Estado de fus\u00e3o ou as virtudes do martelo<\/td>\n<td>Opini\u00e3o \/ Ensaio<\/td>\n<td>42<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>31 de janeiro<\/td>\n<td>Ux\u00eda<\/td>\n<td>Verdes s\u00e3o os campos do c\u00e9u<\/td>\n<td>Entrevista<\/td>\n<td>46<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>31 de janeiro<\/td>\n<td>Goran Bregovic<\/td>\n<td>Music Inspired And Taken From Underground<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>48<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>31 de janeiro<\/td>\n<td>John Hiatt<\/td>\n<td>Walk On<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>49<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>31 de janeiro<\/td>\n<td>Temps Perdu? + V\u00e1rios<\/td>\n<td>&#8220;Terra Incognita&#8221; + &#8220;Twilight Earth&#8221;<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>50<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Os Melhores de Sempre &#8211; M\u00fasica Portuguesa<\/td>\n<td>7 de fevereiro<\/td>\n<td>Tantra<\/td>\n<td>Mist\u00e9rios E Maravilhas<\/td>\n<td>Opini\u00e3o \/ Cr\u00edtica de Discos<\/td>\n<td>51<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>9 de fevereiro<\/td>\n<td>Vydia Ensemble<\/td>\n<\/tr>\n<tr>\n<td>(V\u00edtor Rua)<\/td>\n<td>As sete &#8220;vydias&#8221; de Lucky Luke&#8221;<\/td>\n<td>Opini\u00e3o<\/td>\n<td>55<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>14 de fevereiro<\/td>\n<td>Ren\u00e9 Bertholo<\/td>\n<td>M\u00fasico-reparadora mec\u00e2nica de Bertholo, Lda.<\/td>\n<td>Opini\u00e3o<\/td>\n<td>56<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>14 de fevereiro<\/td>\n<td>Maddy Prior And The Carnival Band<\/td>\n<td>Hang Up Sorrow &#038; Care<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>58<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>14 de fevereiro<\/td>\n<td>Libred\u00f3n<\/td>\n<td>Los Pasos Perdidos<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>60<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>14 de fevereiro<\/td>\n<td>Joanie Madden<\/td>\n<td>Song Of The Irish Whistle<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>61<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>14 de fevereiro<\/td>\n<td>M\u00e1rta Sebesty\u00e9n<\/td>\n<td>Kismet<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>62<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>14 de fevereiro<\/td>\n<td>Rosa Zaragoza<\/td>\n<td>L&#8217;Esperit d&#8217;Al-Andalus<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>63<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>14 de fevereiro<\/td>\n<td>Brigada Victor Jara<\/td>\n<td>Contraluz<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>64<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>14 de fevereiro<\/td>\n<td>Ant\u00f3nio Menano<\/td>\n<td>Fados, Volume II<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>65<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Os Melhores de Sempre &#8211; M\u00fasica Portuguesa<\/td>\n<td>14 de fevereiro<\/td>\n<td>Jos\u00e9 M\u00e1rio Branco<\/td>\n<td>Ser Solid\u00e1rio \/ FMI<\/td>\n<td>Opini\u00e3o \/ Cr\u00edtica de Discos<\/td>\n<td>66<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>21 de fevereiro<\/td>\n<td>Companhia Tango Session, Nestor Marcondi e El Borde, Companhia de Jorge Arduh<\/td>\n<td>Arrebatamentos sob controlo<\/td>\n<td>Opini\u00e3o<\/td>\n<td>71<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>21 de fevereiro<\/td>\n<td>Dan\u00e7as Ocultas (Artur Fernandes)<\/td>\n<td>As concertinas tamb\u00e9m choram<\/td>\n<td>Entrevista<\/td>\n<td>74<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>21 de fevereiro<\/td>\n<td>Ivan Kral<\/td>\n<td>Nostalgia<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>77<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>21 de fevereiro<\/td>\n<td>Yoko Ono &#038; Ima<\/td>\n<td>Rising<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>78<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>21 de fevereiro<\/td>\n<td>Mathilde Santing<\/td>\n<td>Choosy Live!<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>79<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>21 de fevereiro<\/td>\n<td>J\u00falio Pereira &#038; Kepa Junkera<\/td>\n<td>Lau Eskutara<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>80<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>27 de fevereiro<\/td>\n<td>Festival Interc\u00e9ltico do Porto \/ Gaiteiros de Lisboa, Carlos Nu\u00f1ez, Arcady, V\u00e4rttin\u00e4, Strobinell, Brigada Victor Jara<\/td>\n<td>Ter\u00e7o de sortil\u00e9gios<\/td>\n<td>Opini\u00e3o<\/td>\n<td>82<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>28 de fevereiro<\/td>\n<td>Rockfellas<\/td>\n<td>Taco a taco com os anos 60 \/ Nascidos para ser selvagens<\/td>\n<td>Debate \/ Dossier<\/td>\n<td>83<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>28 de fevereiro<\/td>\n<td>Non Credo<\/td>\n<td>Happy Wretched Family<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>92<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>28 de fevereiro<\/td>\n<td>Cyrille Verdeaux<\/td>\n<td>Messenger Of The Sun<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>93<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>28 de fevereiro<\/td>\n<td>Michael R\u00fcsenberg &#038; Hans Ulrich Werner<\/td>\n<td>Lisboa! A Soundscape Portrait<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>94<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>28 de fevereiro<\/td>\n<td>V\u00e1rios<\/td>\n<td>Heat<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>95<\/td>\n<\/tr>\n<tr>\n<td>Zap >> M\u00fasicas<\/td>\n<td>1 de mar\u00e7o<\/td>\n<td>Penguin Cafe Orchestra<\/td>\n<td>Doce ou travessura<\/td>\n<td>Opini\u00e3o<\/td>\n<td>96<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>4 de mar\u00e7o<\/td>\n<td>Companhia de Jorge Arduh<\/td>\n<td>Tango dito!<\/td>\n<td>Concertos<\/td>\n<td>98<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>5 de mar\u00e7o<\/td>\n<td>Penguin Cafe Orchestra<\/td>\n<td>Pinguins \u00e0 mesa com Pit\u00e1goras<\/td>\n<td>Entrevista<\/td>\n<td>100<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>6 de mar\u00e7o<\/td>\n<td>Pedra d&#8217;Hera<\/td>\n<td>Ventos<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>104<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>6 de mar\u00e7o<\/td>\n<td>Quinta Do Bill<\/td>\n<td>No Trilho Do Sol<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>105<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>6 de mar\u00e7o<\/td>\n<td>Franco Battiato<\/td>\n<td>Shadow, Light<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>106<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Os Melhores De Sempre &#8211; M\u00fasica Portuguesa<\/td>\n<td>6 de mar\u00e7o<\/td>\n<td>Vai De Roda<\/td>\n<td>Vai De Roda<\/td>\n<td>Opini\u00e3o \/ Cr\u00edtica de Discos<\/td>\n<td>107<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>9 de mar\u00e7o<\/td>\n<td>Penguin Cafe Orchestra<\/td>\n<td>Na jaula com Jo\u00e3o Pestana<\/td>\n<td>Concertos<\/td>\n<td>112<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>13 de mar\u00e7o<\/td>\n<td>Dan\u00e7as Ocultas<\/td>\n<td>Dan\u00e7as Ocultas<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>114<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>20 de mar\u00e7o<\/td>\n<td>J\u00falio Pereira e Kepa Junkera<\/td>\n<td>Ib\u00e9ria imagin\u00e1ria<\/td>\n<td>Entrevista<\/td>\n<td>115<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>20 de mar\u00e7o<\/td>\n<td>Quinta Do Bill<\/td>\n<td>Reserva de 96<\/td>\n<td>Opini\u00e3o<\/td>\n<td>118<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>20 de mar\u00e7o<\/td>\n<td>Stereolab<\/td>\n<td>Emperor Tomato Ketchup<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>120<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>20 de mar\u00e7o<\/td>\n<td>Bel Canto<\/td>\n<td>Magic Box<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>122<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>20 de mar\u00e7o<\/td>\n<td>Third Ear Band<\/td>\n<td>Magic Music + Brain Waves<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>123<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>20 de mar\u00e7o<\/td>\n<td>Pink Floyd<\/td>\n<td>Rel\u00edquias do para\u00edso perdido<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>124<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>20 de mar\u00e7o<\/td>\n<td>The Beatles<\/td>\n<td>Anthology, Vol. 2<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>125<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>20 de mar\u00e7o<\/td>\n<td>Spencer Davis Group<\/td>\n<td>Eight Gigs a Week &#8211; The Steve Winwood Years<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>126<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>27 de mar\u00e7o<\/td>\n<td>Tr\u00eas Tristes Tigres<\/td>\n<td>O ano do tigre<\/td>\n<td>Opini\u00e3o<\/td>\n<td>127<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>27 de mar\u00e7o<\/td>\n<td>Gaiteiros de Lisboa + Brigada Victor Jara<\/td>\n<td>Afinar ou n\u00e3o os t\u00fabaros e o ravanastr\u00e3o<\/td>\n<td>Entrevista \/ Audi\u00e7\u00e3o \u00c0s Escuras<\/td>\n<td>129<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>27 de mar\u00e7o<\/td>\n<td>V\u00e4rttin\u00e4<\/td>\n<\/tr>\n<tr>\n<td>(Sari Kaasinen)<\/td>\n<td>Mulheres \u00e0 beira de um ataque de j\u00fabilo<\/td>\n<td>Entrevista<\/td>\n<td>133<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>27 de mar\u00e7o<\/td>\n<td>Eskaton<\/td>\n<td>4 Visions<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>136<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>27 de mar\u00e7o<\/td>\n<td>Bo Hansson<\/td>\n<td>Attic Thoughts<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>136<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>27 de mar\u00e7o<\/td>\n<td>Aksak Maboul<\/td>\n<td>Un Peu De L&#8217;\u00c2me Des Bandits<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>137<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>27 de mar\u00e7o<\/td>\n<td>Moebius &#038; Plank<\/td>\n<td>En Route<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>138<\/td>\n<\/tr>\n<tr>\n<td>Zap >> M\u00fasicas<\/td>\n<td>29 de mar\u00e7o<\/td>\n<td>Festival Interc\u00e9ltico do Porto \/ Gaiteiros de Lisboa, Carlos Nu\u00f1ez, Strobinell e Varttina, Brigada Victor Jara e Arcady<\/td>\n<td>Invas\u00f5es c\u00e9lticas<\/td>\n<td>Opini\u00e3o<\/td>\n<td>139<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>31 de mar\u00e7o<\/td>\n<td>Festival Interc\u00e9ltico \/ Carlos Nu\u00f1ez, Gaiteiros de Lisboa<\/td>\n<td>S\u00edndrome das gaitas loucas<\/td>\n<td>Concertos<\/td>\n<td>142<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>1 de abril<\/td>\n<td>Festival Interc\u00e9ltico \/ V\u00e4rttin\u00e4, Strobinell<\/td>\n<td>LiV\u00e4rttin\u00e4s!<\/td>\n<td>Concertos<\/td>\n<td>144<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>2 de abril<\/td>\n<td>Festival Interc\u00e9ltico do Porto \/ Brigada Victor Jara, Arcady<\/td>\n<td>Semear para colher, no Porto<\/td>\n<td>Concertos<\/td>\n<td>146<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>3 de abril<\/td>\n<td>Peter Hammill<\/td>\n<td>X My Heart<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>148<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>3 de abril<\/td>\n<td>F\u00e1tima Miranda<\/td>\n<td>Concierto En Canto<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>149<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>3 de abril<\/td>\n<td>N.A.D.<\/td>\n<td>Ghosts<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>150<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>3 de abril<\/td>\n<td>O Yuki Conjugate<\/td>\n<td>Sunchemical<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>151<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>3 de abril<\/td>\n<td>Pendragon<\/td>\n<td>The Masquerade Overture<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>152<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>3 de abril<\/td>\n<td>Tr\u00eas Tristes Tigres<\/td>\n<td>Guia Espiritual<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>153<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>4 de abril<\/td>\n<td>Hil\u00e1rio e Edmundo de Bettencourt<\/td>\n<td>Artistas, na bo\u00e9mia e na academia<\/td>\n<td>Opini\u00e3o<\/td>\n<td>155<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>10 de abril<\/td>\n<td>Compras de discos na internet<\/td>\n<td>Cr\u00f3nica de um v\u00edcio como outro qualquer<\/td>\n<td>Opini\u00e3o<\/td>\n<td>157<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>10 de abril<\/td>\n<td>V\u00e1rios &#8220;The X-Files&#8221;<\/td>\n<td>Visitantes ao raio X<\/td>\n<td>Opini\u00e3o<\/td>\n<td>159<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>10 de abril<\/td>\n<td>Clannad<\/td>\n<td>Lore<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>160<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Os Melhores de Sempre &#8211; M\u00fasica Portuguesa<\/td>\n<td>10 de abril<\/td>\n<td>Grupo Etnogr\u00e1fico de Cantares e Trajes de Manhouce<\/td>\n<td>Cantares da Beira<\/td>\n<td>Opini\u00e3o \/ Cr\u00edtica de Discos<\/td>\n<td>161<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>17 de abril<\/td>\n<td>Tetvocal<\/td>\n<td>\u00c1guas de abril<\/td>\n<td>Entrevista<\/td>\n<td>166<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>17 de abril<\/td>\n<td>Sons de Lisboa<\/td>\n<td>Soltando o fado<\/td>\n<td>Opini\u00e3o<\/td>\n<td>169<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>17 de abril<\/td>\n<td>Jon Anderson<\/td>\n<td>Angels Embrace<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>170<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>17 de abril<\/td>\n<td>Cocteau Twins<\/td>\n<td>Milk &#038; Kisses<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>171<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>17 de abril<\/td>\n<td>Hawkwind<\/td>\n<td>&#8220;Strip-tease&#8221; no espa\u00e7o<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>172<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de abril<\/td>\n<td>Arcady + Patrick Street + Trian<\/td>\n<td>A tradi\u00e7\u00e3o j\u00e1 \u00e9 o que era<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>174<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de abril<\/td>\n<td>Battlefield Band<\/td>\n<td>Threads<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>176<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de abril<\/td>\n<td>Eliza Carthy &#038; Nancy Kerr<\/td>\n<td>Shape Of Scrape<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>177<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de abril<\/td>\n<td>N\u00f3irin N\u00ed Riain<\/td>\n<td>Celtic Soul<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>178<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>20 de abril<\/td>\n<td>V\u00e1rios (projeto de m\u00fasica irlandesa &#8220;Common Ground&#8221;)<\/td>\n<td>Irlanda interativa<\/td>\n<td>Opini\u00e3o<\/td>\n<td>179<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>24 de abril<\/td>\n<td>Cocteau Twins (Robin Guthrie)<\/td>\n<td>Nervos e inseguran\u00e7a<\/td>\n<td>Entrevista<\/td>\n<td>181<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>24 de abril<\/td>\n<td>Cramol<\/td>\n<td>O poder do c\u00edrculo<\/td>\n<td>Entrevista<\/td>\n<td>184<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>24 de abril<\/td>\n<td>Cramol<\/td>\n<td>Cramol<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>188<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Os Melhores de Sempre &#8211; M\u00fasica Portuguesa<\/td>\n<td>24 de abril<\/td>\n<td>Ra\u00edzes<\/td>\n<td>Diabo Do Belho!&#8230;<\/td>\n<td>Opini\u00e3o \/ Cr\u00edtica de Discos<\/td>\n<td>189<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>1 de maio<\/td>\n<td>Cocteau Twins<\/td>\n<td>Mercearia de emo\u00e7\u00f5es<\/td>\n<td>Opini\u00e3o<\/td>\n<td>194<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>1 de maio<\/td>\n<td>O \u00d3 Que Som Tem<\/td>\n<\/tr>\n<tr>\n<td>(Rui J\u00fanior, Fernando Molina, Jos\u00e9 Salgueiro)<\/td>\n<td>Na catedral do tambor<\/td>\n<td>Entrevista<\/td>\n<td>196<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>1 de maio<\/td>\n<td>Rui J\u00fanior &#038; O \u00d3 Que Som Tem<\/td>\n<td>\u00d3 Tambor<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>200<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>1 de maio<\/td>\n<td>Quinta do Bill<\/td>\n<td>Bill na feira de divers\u00f5es<\/td>\n<td>Concertos \/ Digress\u00e3o<\/td>\n<td>201<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>1 de maio<\/td>\n<td>Richard Thompson<\/td>\n<td>Me? You? Us?<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>205<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>1 de maio<\/td>\n<td>The High Llamas<\/td>\n<td>Hawaii<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>207<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>1 de maio<\/td>\n<td>Michael Rother<\/td>\n<td>Esperanza<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>208<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>1 de maio<\/td>\n<td>Tetvocal<\/td>\n<td>Desafinados<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>209<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>6 de maio<\/td>\n<td>V\u00e1rios (M\u00fasica tradicional)<\/td>\n<td>Caminhos para o para\u00edso<\/td>\n<td>Opini\u00e3o<\/td>\n<td>210<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>6 de maio<\/td>\n<td>Festival Cantigas do Maio \/ Salif Keita, La Ciapa Rusa, Sainkho, Berrog\u00fcetto, Njava, Cramol, Gaiteiros de Lisboa, Tuna de Carvalhais, Muyeres<\/td>\n<td>Contra o individualismo, cantam as vozes do mundo<\/td>\n<td>Opini\u00e3o<\/td>\n<td>212<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Bandas Novas<\/td>\n<td>8 de maio<\/td>\n<td>Icon Vadis<\/td>\n<td>Bater o latim<\/td>\n<td>Opini\u00e3o<\/td>\n<td>214<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>8 de maio<\/td>\n<td>Raincoats<\/td>\n<td>Sombras no nirvana&#8221;<\/td>\n<td>Opini\u00e3o<\/td>\n<td>216<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>8 de maio<\/td>\n<td>The Residents<\/td>\n<td>Sexta-feira, 13<\/td>\n<td>Opini\u00e3o<\/td>\n<td>218<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>8 de maio<\/td>\n<td>Discos Hearts of Space \/ Robert Rich &#038; B. Lustmord, Steve Roach, Michael Stearns &#038; Ron Sunsinger, Michael Stearns<\/td>\n<td>Gaia no vazio<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>221<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>8 de maio<\/td>\n<td>Brian McNeill, Brian McNeill &#038; Tom McDonagh, Iain Mackintosh &#038; Brian McNeill<\/td>\n<td>A vida de Brian<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>224<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>8 de maio<\/td>\n<td>The Chieftains<\/td>\n<td>Film Cuts<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>226<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>11 de maio<\/td>\n<td>Concerto &#8220;Yes for Europe&#8221; \/ diversos<\/td>\n<td>18.624: euro, p\u00e1!<\/td>\n<td>Concertos<\/td>\n<td>227<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>15 de maio<\/td>\n<td>V\u00e1rios Artistas: &#8220;Common Ground&#8221;<\/td>\n<td>Irlanda todo-o-terreno<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>228<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>15 de maio<\/td>\n<td>Ren\u00e9 Lussier &#038; NOW Orchestra<\/td>\n<td>Le Tour du Bloc<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>236<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>15 de maio<\/td>\n<td>Ninerain<\/td>\n<td>Ninerain<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>237<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>15 de maio<\/td>\n<td>The Orb<\/td>\n<td>John Peel Sessions<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>238<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>15 de maio<\/td>\n<td>Luis Paniagua<\/td>\n<td>La Bolsa O La Vida + Muy Fr\u00e1gil<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>239<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>15 de maio<\/td>\n<td>The Residents<\/td>\n<td>Have A Bad Day<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>240<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>22 de maio<\/td>\n<td>Dulce Pontes<\/td>\n<td>&#8220;Uma avaria qualquer no universo&#8221;<\/td>\n<td>Entrevista<\/td>\n<td>241<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>22 de maio<\/td>\n<td>The Byrds<\/td>\n<td>Mais jovens do que ontem<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>244<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>22 de maio<\/td>\n<td>Curved Air<\/td>\n<td>Live At The BBC<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>247<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>24 de maio<\/td>\n<td>Festival Cantigas do Maio \/ Cramol, Tuna de Carvalhais, Muyeres, La Ciapa Rusa, Gaiteiros de Lisboa<\/td>\n<td>Maio est\u00e1 maduro<\/td>\n<td>Opini\u00e3o<\/td>\n<td>248<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>27 de maio<\/td>\n<td>Festival Cantigas do Maio \/ Cramol, Tuna de Carvalhais, Muyeres, Gaiteiros de Lisboa, La Ciapa Rusa<\/td>\n<td>Guerra santa contra os bate-chapas<\/td>\n<td>Concertos<\/td>\n<td>249<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>22 de maio<\/td>\n<td>Despe e Siga<\/td>\n<\/tr>\n<tr>\n<td>(Lu\u00eds Varatojo)<\/td>\n<td>E que os Peste v\u00e3o para o inferno&#8230;<\/td>\n<td>Entrevista<\/td>\n<td>251<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>29 de maio<\/td>\n<td>Pascal Comelade<\/td>\n<td>Musiques Pour Films, Vol.2<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>254<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>29 de maio<\/td>\n<td>Martin Stephenson<\/td>\n<td>Sweet Misdemeanour<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>255<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>29 de maio<\/td>\n<td>Jos\u00e9 M\u00e1rio Branco<\/td>\n<td>Mudam-se os Tempos, Mudam-se as Vontades + Margem de Certa Maneira + A M\u00e3e + Ser Solid\u00e1rio<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>256<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>29 de maio<\/td>\n<td>GNR<\/td>\n<td>Tudo O Que Voc\u00ea Queria Ouvir<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>258<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>29 de maio<\/td>\n<td>B\u00f9rach<\/td>\n<td>The Weird Set<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>259<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>29 de maio<\/td>\n<td>Ray Lema<\/td>\n<td>Green Light<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>260<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>29 de maio<\/td>\n<td>Steeleye Span<\/td>\n<td>Time<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>261<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>31 de maio<\/td>\n<td>Festival Cantigas do Maio \/ Berrog\u00fcetto, Salif Keita, Njava, Sainkho Namtchylak<\/td>\n<td>Toda a verdade sobre a bifonia<\/td>\n<td>Opini\u00e3o<\/td>\n<td>262<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>1 de junho<\/td>\n<td>Timothy Leary<\/td>\n<td>&#8220;Leary in the sky with diamonds&#8221;<\/td>\n<td>Obitu\u00e1rio<\/td>\n<td>265<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>3 de junho<\/td>\n<td>Festival Cantigas do Maio \/ Berrog\u00fcetto, Salif Keita, Njava, Sainkho Namtchylak<\/td>\n<td>A estrela que devorou o buraco negro<\/td>\n<td>Concertos<\/td>\n<td>267<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>5 de junho<\/td>\n<td>V\u00e1rio (Dicion\u00e1rio de Rock Progressivo)<\/td>\n<td>&#8220;Work in progress&#8221;<\/td>\n<td>Opini\u00e3o \/ Dossier<\/td>\n<td>269<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>5 de junho<\/td>\n<td>Peter Apfelbaum<\/td>\n<td>Luminous Charms<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>275<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>7 de junho<\/td>\n<td>Carey Bell Blues Band<\/td>\n<td>A locomotiva que sorri<\/td>\n<td>Concertos<\/td>\n<td>276<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>12 de junho<\/td>\n<td>Ryuichi Sakamoto<\/td>\n<td>Com os impressionistas no sangue<\/td>\n<td>Entrevista<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>277<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>12 de junho<\/td>\n<td>Dead Can Dance<\/td>\n<td>Spiritchaser<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>279<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>12 de junho<\/td>\n<td>Anna Homler, Geert Waegeman &#038; Pavel Fajt<\/td>\n<td>Macaronic Sines<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>281<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>12 de junho<\/td>\n<td>The Raincoats<\/td>\n<td>Looking In The Shadows<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>282<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>12 de junho<\/td>\n<td>Material + V\u00e1rios<\/td>\n<td>Hallucination Engine + Lost In The Translation<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>283<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>12 de junho<\/td>\n<td>Ryuichi Sakamoto<\/td>\n<td>1996<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>284<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>12 de junho<\/td>\n<td>Tom Verlaine<\/td>\n<td>The Miller&#8217;s Tale<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>285<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses <\/td>\n<td>12 de junho<\/td>\n<td>Sons de Lisboa<\/td>\n<td>Soltando Amarras<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>286<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>13 de junho<\/td>\n<td>Festas de Lisboa \/ Pedro Castro<\/td>\n<td>H\u00e1 corvos na nau<\/td>\n<td>Opini\u00e3o<\/td>\n<td>287<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>13 de junho<\/td>\n<td>Ciclo &#8220;Tons Deste S\u00e9culo&#8221; \/ Telectu, <\/td>\n<\/tr>\n<tr>\n<td>Paulo de Carvalho, Coro Lopes Gra\u00e7a<\/td>\n<td>M\u00fasica portuguesa atrair\u00e1 milh\u00f5es<\/td>\n<td>Opini\u00e3o<\/td>\n<td>289<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>18 de junho<\/td>\n<td>Ciclo &#8220;Tons Deste S\u00e9culo&#8221; \/ Telectu<\/td>\n<td>Um saxofone-fera<\/td>\n<td>Opini\u00e3o<\/td>\n<td>290<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>19 de junho<\/td>\n<td>Vitorino e Janita Salom\u00e9<\/td>\n<td>Novas polifonias alentejanas<\/td>\n<td>Opini\u00e3o<\/td>\n<td>291<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>19 de junho<\/td>\n<td>The Divine Comedy<\/td>\n<td>Lasc\u00edvia animal<\/td>\n<td>Entrevista<\/td>\n<td>292<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>19 de junho<\/td>\n<td>Mickey Hart<\/td>\n<td>Mystery Box<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>296<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>19 de junho<\/td>\n<td>Boides + Felpeyu + Llan De Cubel<\/td>\n<td>Peregrinos do para\u00edso<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>297<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>26 de junho<\/td>\n<td>Encontros Musicais da Tradi\u00e7\u00e3o Europeia \/ (Freyja, Trame,  Equidad Bar\u00e8s, The Equation<\/td>\n<td>Mestres gauleses encontram supermulheres<\/td>\n<td>Opini\u00e3o<\/td>\n<td>299<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>26 de junho<\/td>\n<td>Dead Can Dance<\/td>\n<td>Espanta esp\u00edritos<\/td>\n<td>Concertos<\/td>\n<td>300<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>26 de junho<\/td>\n<td>Rhys Chatham &#038; Martin Wheeler<\/td>\n<td>Neon<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>302<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>26 de junho<\/td>\n<td>Milladoiro<\/td>\n<td>As Fadas de Estra\u00f1o Nome<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>303<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>26 de junho<\/td>\n<td>Shooglenifty<\/td>\n<td>Venus In Tweeds<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>305<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>26 de junho<\/td>\n<td>Fairport Convention<\/td>\n<td>O mapa do tesouro<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>306<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>26 de junho<\/td>\n<td>Alma Anima<\/td>\n<td>Alma Anima<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>307<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>26 de junho<\/td>\n<td>Norma Waterson<\/td>\n<td>Norma Waterson<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>308<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>27 de junho<\/td>\n<td>Festival Ritmos &#8211; Festas do Mundo \/ E Zezi, Cool Hipnoise,  General D, Baaba Maal, Netos de N&#8217;Gumb\u00e9, Tabanka Djaz,  Angelique Kidjo<\/td>\n<td>Ves\u00favio em \u00c1frica<\/td>\n<td>Opini\u00e3o<\/td>\n<td>310<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>2 de julho<\/td>\n<td>Encontros Musicais da Tradi\u00e7\u00e3o Europeia \/ Freyja, Trame, The Equation, Equidad Bar\u00e8s, Balada do Atl\u00e2ntico, Lucilla Galeazzi, Ando Drom, Mestre Ambr\u00f3sio<\/td>\n<td>Ningu\u00e9m &#8220;trama&#8221; a Europa<\/td>\n<td>Opini\u00e3o<\/td>\n<td>311<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>3 de julho<\/td>\n<td>\u00c9vasion<\/td>\n<td>O Bairro, a cidade e o mundo<\/td>\n<td>Entrevista<\/td>\n<td>314<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>3 de julho<\/td>\n<td>Art Zoyd<\/td>\n<td>Faust<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>318<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>3 de julho<\/td>\n<td>Linda Thompson<\/td>\n<td>Dreams Fly Away<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>319<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>3 de julho<\/td>\n<td>The Whistlebinkies<\/td>\n<td>Inner Sound + A Wanton Fling<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>321<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>3 de julho<\/td>\n<td>Tannas<\/td>\n<td>Oighreachd + R\u00f9-R\u00e0<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>323<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>3 de julho<\/td>\n<td>Canto Ch\u00e3o + Grupo Coral e Etnogr\u00e1fico Os Camponeses de Pias + Grupo Coral e Etnogr\u00e1fico As Camponesas de Castro Verde<\/td>\n<td>Entre o c\u00e9u e o ch\u00e3o<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>324<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>5 de julho<\/td>\n<td>Encontros Musicais da Tradi\u00e7\u00e3o Europeia \/ Freyja, Trame<\/td>\n<td>Sem nervo<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>326<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>10 de julho<\/td>\n<td>Encontros Musicais da Tradi\u00e7\u00e3o Europeia \/ Equidad Bar\u00e8s, Ando Drom<\/td>\n<td>As Espanhas do interior<\/td>\n<td>Opini\u00e3o<\/td>\n<td>327<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>10 de julho<\/td>\n<td>Pedro J\u00f3ia<\/td>\n<td>&#8220;H\u00e1 um certo romance em torno do &#8216;duende'&#8221;<\/td>\n<td>Entrevista<\/td>\n<td>329<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>10 de julho<\/td>\n<td>Patti Smith<\/td>\n<td>Gone Again<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>333<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>10 de julho<\/td>\n<td>Despe e Siga<\/td>\n<td>Os Primos<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>335<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>10 de julho<\/td>\n<td>Nomos<\/td>\n<td>I Won&#8217;t Be Afraid Anymore<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>336<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>10 de julho<\/td>\n<td>Stravaig<\/td>\n<td>Movin&#8217; On<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>338<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>10 de julho<\/td>\n<td>Hamish Moore<\/td>\n<td>Stepping The Bridge<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>339<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> V\u00eddeo<\/td>\n<td>10 de julho<\/td>\n<td>Gerald Potterton<\/td>\n<td>&#8220;Heavy Metal&#8221;<\/td>\n<td>Cr\u00edtica de Filme \/ VHS<\/td>\n<td>340<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>12 de julho<\/td>\n<td>Ryuichi Sakamoto<\/td>\n<td>&#8220;Apenas melodias, muitas melodias&#8221;<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>Opini\u00e3o<\/td>\n<td>342<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>13 de julho<\/td>\n<td>Encontros Musicais da Tradi\u00e7\u00e3o Europeia \/ Mestre Ambr\u00f3sio, Balada do Atl\u00e2ntico, Equidad Bar\u00e8s, Ando Drom<\/td>\n<td>Mestre, eles vivem!<\/td>\n<td>Concertos<\/td>\n<td>344<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>14 de julho<\/td>\n<td>Ryuichi Sakamoto<\/td>\n<td>R\u00f3tulo de qualidade<\/td>\n<td>Concertos<\/td>\n<td>346<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>17 de julho<\/td>\n<td>Paulo Bragan\u00e7a<\/td>\n<td>&#8220;N\u00e3o existiria sem voz<\/td>\n<td>Entrevista<\/td>\n<td>348<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>17 de julho<\/td>\n<td>Jethro Tull<\/td>\n<td>Aqualung<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>352<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de julho<\/td>\n<td>Oumou Sangar\u00e9 + Ali Farka Tour\u00e9<\/td>\n<td>Worotan + Radio Mali<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>354<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>17 de julho<\/td>\n<td>Old Blind Dogs<\/td>\n<td>Legacy<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>356<\/td>\n<\/tr>\n<tr>\n<td>Zap >> M\u00fasicas<\/td>\n<td>19 de julho<\/td>\n<td>Mark Knopfler<\/td>\n<td>O sult\u00e3o com cora\u00e7\u00e3o de ouro<\/td>\n<td>Opini\u00e3o<\/td>\n<td>357<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>24 de julho<\/td>\n<td>GNR (Rui Reininho)<\/td>\n<td>Mais uma volta mais uma viagem<\/td>\n<td>Entrevista<\/td>\n<td>358<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>31 de julho<\/td>\n<td>Dulce Pontes, Carlos Nu\u00f1ez<\/td>\n<td>Dulce Pontes em constela\u00e7\u00e3o galega<\/td>\n<td>Opini\u00e3o<\/td>\n<td>368<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>31 de julho<\/td>\n<td>Paul Sch\u00fctze<\/td>\n<td>Os sons s\u00e3o murm\u00farios do ar<\/td>\n<td>Entrevista<\/td>\n<td>369<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>31 de julho<\/td>\n<td>Linda Thompson<\/td>\n<td>&#8220;Gosto que a minha m\u00fasica seja triste, triste, triste&#8221;<\/td>\n<td>Entrevista<\/td>\n<td>373<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>31 de julho<\/td>\n<td>John Surman<\/td>\n<td>A Biography of the Rev. Absalom Dawe<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>376<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>31 de julho<\/td>\n<td>Heidi Berry<\/td>\n<td>Miracle<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>377<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>31 de julho<\/td>\n<td>Fiona Apple<\/td>\n<td>Tidal<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>378<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>31 de julho<\/td>\n<td>Cathal Coughlan<\/td>\n<td>Grand Necropolitan<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>379<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>31 de julho<\/td>\n<td>Eileen Ivers<\/td>\n<td>Wild Blue<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>380<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>31 de julho<\/td>\n<td>Amalgama<\/td>\n<td>Encuentro<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>382<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>31 de julho<\/td>\n<td>Jez Love &#038; The Bad Pennies<\/td>\n<td>Tenterhooks<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>383<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>31 de julho<\/td>\n<td>New Celeste<\/td>\n<td>The Celtic Connection<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>384<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>6 de setembro<\/td>\n<td>Diamanda Galas<\/td>\n<td>A sangue-frio<\/td>\n<td>Concertos<\/td>\n<td>385<\/td>\n<\/tr>\n<tr>\n<td>Zap >> M\u00fasicas<\/td>\n<td>6 de setembro<\/td>\n<td>Festa do &#8220;Avante!&#8221; \/ Open House, Eddie Bo, Walter &#8220;Wolfman&#8221; Washington<\/td>\n<td>Um capricho na relva<\/td>\n<td>Opini\u00e3o<\/td>\n<td>387<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>9 de setembro<\/td>\n<td>Festa do &#8220;Avante!&#8221; \/ Open House<\/td>\n<td>Irlandeses bu\u00e9 de fixes<\/td>\n<td>Concertos<\/td>\n<td>389<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>11 de setembro<\/td>\n<td>Patti Smith<\/td>\n<td>The Patti Smith Masters<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>391<\/td>\n<\/tr>\n<tr>\n<td>Zap >> M\u00fasicas<\/td>\n<td>13 de setembro<\/td>\n<td>&#8220;Tr\u00eas Dias no Pal\u00e1cio&#8221; \/ Tenar\u00e8ze<\/td>\n<td>Tenar\u00e8ze, a inven\u00e7\u00e3o e o prazer<\/td>\n<td>Opini\u00e3o<\/td>\n<td>394<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>15 de setembro<\/td>\n<td>F\u00f3rum &#8220;Posi\u00e7\u00f5es da Dan\u00e7a&#8221;<\/td>\n<td>Quanto custa dan\u00e7ar<\/td>\n<td>Opini\u00e3o<\/td>\n<td>396<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>18 de setembro<\/td>\n<td>Suzanne Vega<\/td>\n<td>Nine Objects Of Desire<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>399<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>18 de setembro<\/td>\n<td>Lisa Germano<\/td>\n<td>Excerpts From A Love Circus<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>400<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>18 de setembro<\/td>\n<td>V\u00e1rios<\/td>\n<td>Eyesore: A Stab at the Residents<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>402<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>18 de setembro<\/td>\n<td>Sheila Chandra<\/td>\n<td>ABoneCroneDrone<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>405<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>18 de setembro<\/td>\n<td>Pentangle<\/td>\n<td>So Early In The Morning<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>406<\/td>\n<\/tr>\n<tr>\n<td>Zap >> M\u00fasicas<\/td>\n<td>20 de setembro<\/td>\n<td>Tina Turner<\/td>\n<td>Sonhos selvagens<\/td>\n<td>Opini\u00e3o<\/td>\n<td>408<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>22 de setembro<\/td>\n<td>Tina Turner<\/td>\n<td>Tina e o Top Ten<\/td>\n<td>Opini\u00e3o<\/td>\n<td>409<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>24 de setembro<\/td>\n<td>Tina Turner<\/td>\n<td>Dan\u00e7as privadas, p\u00fablicas virtudes<\/td>\n<td>Concertos<\/td>\n<td>413<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>25 de setembro<\/td>\n<td>Nuno Rebelo<\/td>\n<td>&#8220;M2&#8221;, como uma G3<\/td>\n<td>Opini\u00e3o<\/td>\n<td>416<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>25 de setembro<\/td>\n<td>Boris Ex Machina<\/td>\n<\/tr>\n<tr>\n<td>(Armando Teixeira)<\/td>\n<td>Retorno ao interior<\/td>\n<td>Entrevista<\/td>\n<td>417<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>25 de setembro<\/td>\n<td>Roger Eno<\/td>\n<td>Swimming<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>421<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>25 de setembro<\/td>\n<td>XTC<\/td>\n<td>Fossil Fuel: The XTC Singles, 1977-92<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>422<\/td>\n<\/tr>\n<tr>\n<td>Zap >> M\u00fasicas<\/td>\n<td>27 de setembro<\/td>\n<td>Wim Mertens Ensemble<\/td>\n<td>O \u00e9pico que nunca o foi<\/td>\n<td>Opini\u00e3o<\/td>\n<td>424<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>29 de setembro<\/td>\n<td>Wim Mertens Ensemble<\/td>\n<td>Minimal progressivo<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>Concertos<\/td>\n<td>426<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>2 de outubro<\/td>\n<td>XTC (Colin Moulding)<\/td>\n<td>&#8220;The XTC Files&#8221;<\/td>\n<td>Entrevista<\/td>\n<td>428<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Pop Rock<\/td>\n<td>2 de outubro<\/td>\n<td>Tracy Bonham<\/td>\n<td>The Burdens Of Being Upright<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>431<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>2 de outubro<\/td>\n<td>Boris Ex Machina<\/td>\n<td>Tango Infernal<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>432<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>2 de outubro<\/td>\n<td>Seamus Egan<\/td>\n<td>When Juniper Sleeps<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>433<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>2 de outubro<\/td>\n<td>Alasdair Fraser<\/td>\n<td>Dawn Dance<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>434<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>2 de outubro<\/td>\n<td>Dave Swarbrick<\/td>\n<td>Dave Swarbrick<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>435<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>9 de outubro<\/td>\n<td>More Rep\u00fablica Mas\u00f3nica<\/td>\n<td>\u00c1cido no equalizador<\/td>\n<td>Opini\u00e3o<\/td>\n<td>436<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>9 de outubro<\/td>\n<td>Roger Eno e Brian Eno<\/td>\n<td>Um mar que lhe deu<\/td>\n<td>Entrevista<\/td>\n<\/tr>\n<tr>\n<td>(Roger Eno)<\/td>\n<td>438<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>9 de outubro<\/td>\n<td>Marianne Faithfull + The Rolling Stones &#038; V\u00e1rios<\/td>\n<td>20th Century Blues &#8211; An Evening in the Weimar Republic + Rolling Stones Rock and Roll Circus<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>442<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>9 de outubro<\/td>\n<td>Nuno Rebelo<\/td>\n<td>M2<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>444<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>9 de outubro<\/td>\n<td>Carlos Nu\u00f1ez<\/td>\n<td>A Irmandade Das Estrelas<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>446<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>16 de outubro<\/td>\n<td>Lisa Germano<\/td>\n<td>&#8220;\u00c9 a crian\u00e7a que tenho na cabe\u00e7a&#8221;<\/td>\n<td>Entrevista<\/td>\n<td>448<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>16 de outubro<\/td>\n<td>Harold Budd<\/td>\n<td>Luxa<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>452<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>16 de outubro<\/td>\n<td>Kula Shaker<\/td>\n<td>K<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>453<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>16 de outubro<\/td>\n<td>Orchestral Manoeuvres In The Dark<\/td>\n<td>Universal<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>455<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>16 de outubro<\/td>\n<td>Rodrigo Le\u00e3o &#038; Vox Ensemble<\/td>\n<td>Theatrum<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>456<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>16 de outubro<\/td>\n<td>Vai De Roda<\/td>\n<td>Polas Ondas<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>457<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>16 de outubro<\/td>\n<td>\u00c9vasion<\/td>\n<td>Cantos Do Mundo<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>459<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>16 de outubro<\/td>\n<td>Koun<\/td>\n<td>An Dro<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>460<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>16 de outubro<\/td>\n<td>Kate and Anna McGarrgle<\/td>\n<td>Matapedia<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>461<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>16 de outubro<\/td>\n<td>Whirligig<\/td>\n<td>Celtic Dawn<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>462<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>23 de outubro<\/td>\n<td>Isabel Silvestre<\/td>\n<td>&#8220;Cantar \u00e9 trabalhar do peito&#8221;<\/td>\n<td>Opini\u00e3o<\/td>\n<td>463<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>23 de outubro<\/td>\n<td>Vai De Roda<\/td>\n<td>Viagem dentro de um b\u00fazio<\/td>\n<td>Opini\u00e3o<\/td>\n<td>465<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>23 de outubro<\/td>\n<td>Nicola Alesini &#038; Pier Luigi Andreoni<\/td>\n<td>Marco Polo<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>468<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>23 de outubro<\/td>\n<td>V\u00e1rios + V\u00e1rios<\/td>\n<td>In Memoriam &#8211; Gilles Deleuze + Folds and Rhizomes for Gilles Deleuze<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>469<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> World<\/td>\n<td>23 de outubro<\/td>\n<td>The Chieftains<\/td>\n<td>Santiago<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>472<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> World<\/td>\n<td>23 de outubro<\/td>\n<td>Any Old Time<\/td>\n<td>Crossing<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>474<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> World<\/td>\n<td>23 de outubro<\/td>\n<td>Jackie Daly<\/td>\n<td>Domhnach Is D\u00e1lach<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>475<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>24 de outubro<\/td>\n<td>Davy Spillane + Lu\u00eds Represas<\/td>\n<td>O amigo irland\u00eas<\/td>\n<td>Opini\u00e3o<\/td>\n<td>476<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>26 de outubro<\/td>\n<td>Lu\u00eds Represas<\/td>\n<td> &#8220;Profiss\u00e3o, m\u00fasico, e m\u00fasico de profiss\u00e3o<\/td>\n<td>Concertos<\/td>\n<td>477<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>30 de outubro<\/td>\n<td>Philip Glass<\/td>\n<td>&#8220;Devo ter a alma em saldo&#8230;&#8221;<\/td>\n<td>Entrevista<\/td>\n<td>479<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>30 de outubro<\/td>\n<td>Julian Cope<\/td>\n<td>Interpreter<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>484<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>30 de outubro<\/td>\n<td>Sheryl Crow<\/td>\n<td>Sheryl Crow<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>486<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>30 de outubro<\/td>\n<td>Frank Zappa<\/td>\n<td>L\u00e4ther<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>487<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>30 de outubro<\/td>\n<td>Rabih Abou-Khalil<\/td>\n<td>Arabian Waltz<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>489<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>2 de novembro<\/td>\n<td>Rabih Abou-Khalil<\/td>\n<td>Metade intelecto metade cora\u00e7\u00e3o<\/td>\n<td>Entrevista<\/td>\n<td>491<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>2 de novembro<\/td>\n<td>Vicente Amigo<\/td>\n<td>O pr\u00edncipe que queria ser rei<\/td>\n<td>Opini\u00e3o<\/td>\n<td>494<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>4 de novembro<\/td>\n<td>Rabih Abou-Khalil<\/td>\n<td>&#8220;Sheik, baby, sheik&#8221;<\/td>\n<td>Concertos<\/td>\n<td>496<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>6 de novembro<\/td>\n<td>Medeski, Martin and Wood + Oranj Symphonette<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Shack-Man + Plays Mancini<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>498<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>6 de novembro<\/td>\n<td>Alan Vega, Alex Chilton, Ben Vaughn<\/td>\n<td>Cubist Blues<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>499<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>6 de novembro<\/td>\n<td>Donovan + Michelle Shocked<\/td>\n<td>Sutras + Kind Hearted Woman<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>501<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>6 de novembro<\/td>\n<td>Art + Spooky Tooth<\/td>\n<td>Supernatural Fairy Tales + It&#8217;s All About<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>502<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Redi\u00e7\u00f5es<\/td>\n<td>6 de novembro<\/td>\n<td>Tir Na Nog<\/td>\n<td>A Tear and a Smile + Strong in the Sun<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>503<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>6 de novembro<\/td>\n<td>More Rep\u00fablica Mas\u00f3nica<\/td>\n<td>Equalizer<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>504<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>13 de novembro<\/td>\n<td>UHF<\/td>\n<td>Novas posi\u00e7\u00f5es em UHF est\u00e9reo<\/td>\n<td>Opini\u00e3o<\/td>\n<td>505<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>13 de novembro<\/td>\n<td>Dulce Pontes<\/td>\n<td>&#8220;Fica tudo levezinho, doce&#8230;&#8221;<\/td>\n<td>Entrevista<\/td>\n<td>507<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>13 de novembro<\/td>\n<td>Ry Cooder<\/td>\n<td>Last Man Standing<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>510<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>13 de novembro<\/td>\n<td>Isabel Silvestre<\/td>\n<td>A Portuguesa<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>511<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>13 de novembro<\/td>\n<td>Maria Jo\u00e3o<\/td>\n<td>F\u00e1bula<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>513<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>13 de novembro<\/td>\n<td>Jos\u00e9 M\u00e1rio Branco<\/td>\n<td>A Noite + Correspond\u00eancias<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>514<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> World<\/td>\n<td>13 de novembro<\/td>\n<td>Amazing Blondel<\/td>\n<td>Fantasia Lindum + Englishe Musicke<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>516<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>13 de novembro<\/td>\n<td>Chouteira<\/td>\n<td>Chouteira<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>517<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>13 de novembro<\/td>\n<td>Lena Willemark &#038; Ale M\u00f6ller<\/td>\n<td>Agram<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>518<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>20 de novembro<\/td>\n<td>The Heads<\/td>\n<td>No Talking, Just Head<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>519<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>20 de novembro<\/td>\n<td>Shawn Colvin<\/td>\n<td>A Few Small Repairs<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>521<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>20 de novembro<\/td>\n<td>Arto Lindsay<\/td>\n<td>O Corpo Sutil<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>522<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>20 de novembro<\/td>\n<td>V\u00e1rios<\/td>\n<td>Phenomenon<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>523<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>20 de novembro<\/td>\n<td>Dulce Pontes<\/td>\n<td>Caminhos<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>524<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>20 de novembro<\/td>\n<td>Radio Tarifa<\/td>\n<td>Temporal<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>525<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>20 de novembro<\/td>\n<td>Alain Pennec<\/td>\n<td>Alcoves<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>527<\/td>\n<\/tr>\n<tr>\n<td>P\u00fablica<\/td>\n<td>24 de novembro<\/td>\n<td>Monty Python<\/td>\n<td>&#8220;And now, for something completely different&#8230;&#8221;<\/td>\n<td>Cr\u00edtica de VHS<\/td>\n<td>528<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Bandas Novas<\/td>\n<td>27 de novembro<\/td>\n<td>Croniamantal<\/td>\n<td>Estados fabris<\/td>\n<td>Opini\u00e3o<\/td>\n<td>533<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>27 de novembro<\/td>\n<td>Calamus<\/td>\n<td>Barroco, destino do fado<\/td>\n<td>Opini\u00e3o<\/td>\n<td>535<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>27 de novembro<\/td>\n<td>Carlos Zel e Carlos do Carmo<\/td>\n<td>Falar Fado<\/td>\n<td>Entrevista<\/td>\n<td>536<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>3 de dezembro<\/td>\n<td>Ensemble J.E.R.<\/td>\n<\/tr>\n<tr>\n<td>(Jos\u00e9 Eduardo Rocha)<\/td>\n<td> &#8220;As \u00f3peras de Wagner s\u00e3o uma droga forte&#8221;<\/td>\n<td>Entrevista<\/td>\n<td>544<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>4 de dezembro<\/td>\n<td>Rio Grande (Jo\u00e3o Gil, Rui Veloso, Tim)<\/td>\n<td>&#8220;Onde vais rio que eu canto&#8221;<\/td>\n<td>Entrevista<\/td>\n<td>548<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>4 de dezembro<\/td>\n<td>Edita Ambiances Mang\u00e9tiques \/ Bruire, Jean Derome et les Dangereux Zhoms, Joane H\u00e9tu, Diane Labrosse, Justine<\/td>\n<td>Magnetismo na r\u00e1dio fantasma<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>551<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>11 de dezembro<\/td>\n<td>R\u00e3o Kyao<\/td>\n<td>&#8220;Cada fado destes \u00e9 uma &#8216;raga'&#8221;<\/td>\n<td>Opini\u00e3o<\/td>\n<td>556<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>11 de dezembro<\/td>\n<td>Enigma<\/td>\n<td>Le Roi Est Mort, Vive Le Roi<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>558<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>11 de dezembro<\/td>\n<td>Lightning Seeds<\/td>\n<td>Dizzy Heights<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>559<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>11 de dezembro<\/td>\n<td>Pete Townshend<\/td>\n<td>Who Came First<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>560<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>11 de dezembro<\/td>\n<td>UHF<\/td>\n<td>69 Stereo<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>561<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>11 de dezembro<\/td>\n<td>Vidya Ensemble<\/td>\n<td>Stress\/Relax<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>562<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>11 de dezembro<\/td>\n<td>Lu\u00eds Represas<\/td>\n<td>Ao Vivo No CCB<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>564<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>11 de dezembro<\/td>\n<td>R\u00e3o Kyao<\/td>\n<td>Viva O Fado<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>565<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>11 de dezembro<\/td>\n<td>Fausto<\/td>\n<td>Atr\u00e1s Dos Tempos V\u00eam Tempos<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>566<\/td>\n<\/tr>\n<tr>\n<td>Zap >> M\u00fasicas<\/td>\n<td>13 de dezembro<\/td>\n<td>Homenagem a Carlos Paredes \/ V\u00e1rios<\/td>\n<td>Conta-corrente<\/td>\n<td>Opini\u00e3o<\/td>\n<td>567<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>18 de dezembro<\/td>\n<td>Carlos Paredes (Lu\u00edsa Amaro e Hugo Ribeiro)<\/td>\n<td>Paredes do outro lado do espelho<\/td>\n<td>Entrevista<\/td>\n<td>569<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Poprock<\/td>\n<td>18 de dezembro<\/td>\n<td>Yes<\/td>\n<td>Keys To Ascension<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>572<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>18 de dezembro<\/td>\n<td>Grateful Dead<\/td>\n<td>Dozin&#8217; at the Knick + <\/td>\n<\/tr>\n<tr>\n<td>The Arista Years<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>573<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>18 de dezembro<\/td>\n<td>Durutti Column<\/td>\n<td>The Return of the Durutti Column + LC<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>575<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Reedi\u00e7\u00f5es<\/td>\n<td>18 de dezembro<\/td>\n<td>Paul Sch\u00fctze<\/td>\n<td>New Maps of Hell + <\/td>\n<\/tr>\n<tr>\n<td>New Maps of Hell II: The Rapture of Metals<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>576<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>18 de dezembro<\/td>\n<td>Liisa Matveinen<\/td>\n<td>Ottilia<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>577<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>18 de dezembro<\/td>\n<td>Loituma<\/td>\n<td>Loituma<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>578<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>18 de dezembro<\/td>\n<td>Pirnales<\/td>\n<td>Aquas<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>579<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>18 de dezembro<\/td>\n<td>Tallari<\/td>\n<td>Konsta<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>580<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>18 de dezembro<\/td>\n<td>Sirmakka<\/td>\n<td>Sirmakka<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>581<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> \u00c1lbuns World<\/td>\n<td>18 de dezembro<\/td>\n<td>Troka<\/td>\n<td>Troka<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>582<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>18 de dezembro<\/td>\n<td>Carlos Paredes<\/td>\n<td>Na Corrente<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>583<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Portugueses<\/td>\n<td>18 de dezembro<\/td>\n<td>Rio Grande<\/td>\n<td>Rio Grande<\/td>\n<td>Cr\u00edtica de Discos<\/td>\n<td>584<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Top Portugueses 1996<\/td>\n<td>24 de dezembro<\/td>\n<td>Dan\u00e7as Ocultas, Irm\u00e3os Catita, Rui J\u00fanior e O \u00d3 Que Som Tem, Tr\u00eas Tristes Tigres, Rodrigo Le\u00e3o &#038; Vox Ensemble, UHF, Vai de Roda, Primitive Reason, Nuno Rebelo, Isabel Silvestre<\/td>\n<td>Top Portugueses 1996<\/td>\n<td>Opini\u00e3o <\/td>\n<\/tr>\n<tr>\n<td>(textos n\u00e3o assinados)<\/td>\n<td>585<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock >> Balan\u00e7o Portugueses 1996<\/td>\n<td>24 de dezembro<\/td>\n<td>Jos\u00e9 Afonso, Jos\u00e9 M\u00e1rio Branco, As Camponesas de Castro Verde, Os Camponeses de Pias, GNR, Carlos Paredes<\/td>\n<td>Antologias<\/td>\n<td>Opini\u00e3o <\/td>\n<\/tr>\n<tr>\n<td>(textos n\u00e3o assinados)<\/td>\n<td>588<\/td>\n<\/tr>\n<tr>\n<td>Pop Rock<\/td>\n<td>24 de dezembro<\/td>\n<td>F\u00e1tima Miranda, Faust, Richard Thompson, Diane Labrosse, Steve Roach, Michael Stearns e Ron Sunsinger<\/td>\n<td>MAIS 5 de Fernando Magalh\u00e3es<\/td>\n<td>Opini\u00e3o<\/td>\n<td>590<\/td>\n<\/tr>\n<tr>\n<td>Cultura<\/td>\n<td>28 de dezembro<\/td>\n<td>Top ing\u00eas \/ Spice Girls, George Michael, etc<\/td>\n<td>Spice Girls e George Michael supers\u00f3nicos<\/td>\n<td>Opini\u00e3o<\/td>\n<td>592<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Escritos de Fernando Magalh\u00e3es &#8211; Vol. 4 &#8211; 1996 (edi\u00e7\u00e3o revista e aumentada), com Pref\u00e1cio de Jo\u00e3o Gon\u00e7alves Mais um dos 15 volumes que comp\u00f5em a obra completa de um dos maiores cr\u00edticos musicais portugueses de todos os tempos. Esta \u00e9 vers\u00e3o final e completa do ano de 1995. O mesmo j\u00e1 acontece desde o [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[292,3677],"tags":[1435,3678],"class_list":["post-11623","post","type-post","status-publish","format-standard","hentry","category-listas","category-livros","tag-fernando-magalhaes","tag-livros"],"views":664,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/11623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=11623"}],"version-history":[{"count":4,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/11623\/revisions"}],"predecessor-version":[{"id":11629,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/11623\/revisions\/11629"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=11623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=11623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=11623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}