{"id":10919,"date":"2023-05-18T04:12:39","date_gmt":"2023-05-18T11:12:39","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=10919"},"modified":"2023-05-18T04:12:39","modified_gmt":"2023-05-18T11:12:39","slug":"fernando-magalhaes-no-forum-sons-intervencao-183-o-pos-rock-e-o-electro-que-ficou","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2023\/05\/18\/fernando-magalhaes-no-forum-sons-intervencao-183-o-pos-rock-e-o-electro-que-ficou\/","title":{"rendered":"Fernando Magalh\u00e3es no &#8220;F\u00f3rum Sons&#8221; &#8211; Interven\u00e7\u00e3o #183 &#8211; &#8220;O p\u00f3s-rock e o electro que ficou&#8230;&#8221;"},"content":{"rendered":"<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 300;\ngoogle_ad_height = 250;\ngoogle_ad_format = \"300x250_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p><strong>#183 &#8211; &#8220;O p\u00f3s-rock e o electro que ficou&#8230;&#8221;<\/strong><\/p>\n<p><strong>O p\u00f3s-rock e electro que ficou\u2026<\/strong><\/p>\n<p><strong>Fernando Magalh\u00e3es<br \/>\n10 de Fevereiro 2003 \u00c0s 13:16<\/strong><\/p>\n<p>Do muito que passou, das bandas de p\u00f3s-rock e da electr\u00f3nica n\u00e3o \u201cerudita\u201d que ouvi nos anos 90, eis aquilo que ficou e de que continuo a gostar.<br \/>\n* s\u00e3o obras-primas, algumas delas n\u00e3o suficientemente valorizadas quando escrevi as respectivas cr\u00edticas (apenas o tempo e a dist\u00e2ncia permitem a perspectiva mais correcta).<\/p>\n<p>+ s\u00e3o discos fundamentais, dentro dos respectivos g\u00e9neros ou categorias musicais.<\/p>\n<p>AMON TOBIN \u2013 Supermodified (Ninja Tune, 2000)*<br \/>\nBERND FRIEDMANN \u2013 Leisure Zones (Ash International, 1996)<br \/>\nB. FLEISCHMANN \t\u2013 Pop Loops For Breakfast (Charhizma, 1999) +<br \/>\n\t\t\t&#8211; A Choir of Empty Beds (Fuzzy Box, 2000)<br \/>\nBIOSPHERE \t\t\u2013 Cirque (Touch, 2000) *<br \/>\n\t\t\t&#8211; Substrata 2 2XCD (Touch, 2001) +<br \/>\n\t\t\t&#8211; Shenzhou (Touch, 2002)<br \/>\nBLECTUM FROM BLECHDOM \u2013 The Messy Jesse Fiesta (Deluxe, 2000)<br \/>\nBLUTSIPHON \u2013 Tammus (Gefriem, 1999)<br \/>\nCURD DUCA \u2013 Elevator 3 (Mille Plateaux, 2000)<br \/>\nDAKOTA OAK \u2013 Am Deister (Twisted Nerve, 2000)<br \/>\nDAT POLITICS \u2013 Villiger (a-Musik, 2000) +<br \/>\nDYLAN GROUP (THE) \t\u2013 More Adventures in Lying Down\u2026 (Bubble Core, 1999)<br \/>\n\t\t\t&#8211; Ur-Klang Search (Bubble Core, 2000)<br \/>\nEARDRUM \u2013 Last Light (The Leaf, 1999)<br \/>\nEXPLODING THUMBS \u2013 Flying Without Wings (Holistic, 1998)<br \/>\nEXPERIMENTAL AUDIO RESEARCH \t\u2013 The K\u00f6ner Experiment (Mille Plateaux, 1997)<br \/>\n\t\t\t\t\t&#8211; Millenium Music, A Meta-Musical Portrait (Atavistic, 1997)*<br \/>\nFAULTLINE \u2013 Closer Colder (The Leaf, 1999)*<br \/>\nFENNESZ \t\u2013 Plus Forty Seven Degrees 56\u2019 37\u201d Minus Sixteen Degrees 51\u2019 08\u201d (Touch, 1999) +<br \/>\n\t\t&#8211; Field Recordings, 1995-2002 (Touch, 2002)<br \/>\nFENNESZ, O\u2019ROURKE, REHBERG \u2013 The Magic Sound of Fenn o\u2019Berg (Mego, 1999)<br \/>\nFORT LAUDERDALE \u2013 Time Is Of The Essence (Memphis Industries, 2001)<br \/>\nFRIDGE \u2013 Ceefax (Output, 1997) +<br \/>\n\t&#8211; Eph (Go Beat, 1999)<br \/>\nFUXA \t\u2013 3 Field Rotation (Ch\u00e9, 1996) +<br \/>\n\t&#8211; Very Well Organized (Ch\u00e9, 1996)<br \/>\n\t&#8211; Accretion (Mind Expansion, 1998)<br \/>\nF. X. RANDOMIZ \u2013 Goflex (a-Musik, 1997)*<br \/>\nGAS \u2013  Pop (Mille Plateaux, 2000) +<br \/>\nGASTR DEL SOL \t\u2013 Upgrade &#038; Afterlife (Drag City, 1996) +<br \/>\n\t\t\t&#8211; Camoufleur (Domino, 1998) +<br \/>\nGENERAL MAGIC \u2013 Rechenk\u00f6nig (Mego, 2000)<br \/>\nGUSTAVO LAMAS \t\u2013 Celeste (Traum, 1999)<br \/>\n\t\t\t&#8211; Plural (Fragil, 2000)<br \/>\nHOLGER HILLER \t\u2013 As Is (Mute, 1991) +<br \/>\n\t\t\t&#8211; Holger Hiller (Mute, 2000)<br \/>\nHOLOSUD \u2013 Fijnewas Afpompen (a-Musik, 1998)*<br \/>\nILPO VAISANEN \u2013 Asuma (Mego, 2001)<br \/>\nISAN \t\u2013 Beautronics (Tugboat, 1998) +<br \/>\n\t&#8211; Salamander (Morr Music, 1999)<br \/>\nISOTOPE 217 \t\u2013 The Unstable Molecule (Thrill Jockey, 1997) +<br \/>\n\t\t&#8211; Utonian Automatic (Thrill Jockey, 1999)<br \/>\n\t\t&#8211; Who Stole the I Walkman? (Thrill Jockey, 2000)<br \/>\nJAN JELINEK \u2013 Computer Soup (Audiosphere, 2002)<br \/>\nJESSAMINE \u2013 Another Fictionalized History (Histrionic, 1997)<br \/>\nJIM O\u2019ROURKE \u2013 Bad Timing (Drag City, 1997)*<br \/>\nKLANKRIEG \u2013 Radionik (Cling Film, 1999)<br \/>\nKONRAD KRAFT \u2013 Alien Atmospheres (Elektro-Smog, 1996) +<br \/>\nKREIDLER \t\u2013 Weekend (Kiff, 1996) +<br \/>\n\t\t&#8211; Appearance In The Park (Kiff, 1998)*<br \/>\nLABRADFORD \u2013 E Luxo So (Blast First, 2000)<br \/>\nL@N \u2013 L@N (a-Musik, 1996)<br \/>\nMOUSE ON MARS \t\u2013 Vulvaland (Too Pure, 1994)<br \/>\n\t\t\t&#8211; Iaora Tahiti (Too Pure, 1995)*<br \/>\n\t\t\t&#8211; Autoditacker (Too Pure, 1997)<br \/>\n\t\t\t&#8211; Instrumentals \u2013 Sonig, 1998)<br \/>\n\t\t\t&#8211; Niun Niggung (Rough Trade, 1999) +<br \/>\n\t\t\t&#8211; Idiology (Sonig, 2001)<br \/>\nOCSID \u2013 Opening Sweep (Ash International, 2001) +<br \/>\nOLIVIA TREMOR CONTROL \u2013 Black Foliage, Animation Music. Volume One (Flydaddy Inc. 1999)<br \/>\nORCHESTER 33 1\/3 \t\u2013 Orchester 33 1\/3 (Plag Dich Nicht, 1997)*<br \/>\n\t\t\t&#8211; Maschine Brennt (Charhizma, 1999)<br \/>\nPAN SONIC \t\u2013 A (Blast First, 2000)*<br \/>\n\t\t&#8211; Aaltopiiri (Blast First, 2000)<br \/>\nPETE NAMLOOK \t\u2013 Namlook VI (Fax, 1994)<br \/>\n\t\t\t&#8211; Syn 2XCD (Fax, 1994) +<br \/>\n\t\t\t&#8211; Namlook XI (Fax, 1996)<br \/>\nPETE NAMLOOK &#038; CHARLES UZZELL EDWARDS \u2013 A New Consciousness 2 (Fax, 1994)<br \/>\nPETE NAMLOOK &#038; LUDWIG REHBERG \u2013 The Putney II (Fax, 1994)<br \/>\nPLURAMON \u2013 Render Bandits (Mille Plateaux, 1998)<br \/>\nRADIAN \u2013 Rec.Extern (Thrill Jockey, 2002)<br \/>\nRECHENZENTRUM \t\u2013 Rechenzentrum (Kitty-Yo, 2000) +<br \/>\n\t\t\t&#8211; The John Peel Session (Kitty-Yo, 2001)<br \/>\nREZNICEK \u2013 Stube (Odd Size, 1996) +<br \/>\nROME \u2013 Rome (Thrill Jockey, 1996)<br \/>\nSACK &#038; BLUMM \u2013 Sack &#038; Blumm (Tom, 1999)*<br \/>\nSALARYMAN \t\u2013 Salaryman (City Slang, 1996)<br \/>\n\t\t&#8211; Karoshi (City Slang, 1999)<br \/>\nSATOR ROTAS \u2013 Sator Rotas (a-Musik, 1999)<br \/>\nSCHLAMMPEITZIGER \u2013 Spacerokkmountainrutschquartier (a-Musik, 1997)*<br \/>\nSHABOTINSKI \u2013 (B)ypass (K)ill (Charhizma, 1999)<br \/>\nSOUL CENTER \u2013 Soul Center (W.v.B. Enterprises, 2000) +<br \/>\nSPRING HEEL JACK \t&#8211; Oddities (Thirsty Ear, 2000)<br \/>\n\t\t\t&#8211; Disappeared (Thirsty Ear, 2000)<br \/>\n\t\t\t&#8211; Masses (Thirsty Ear, 2001)<br \/>\n\t\t\t&#8211; Amassed (Thirsty Ear, 2002)*<br \/>\nSTARS OF THE LID \t\u2013 Avec Laudenum (sub Rosa, 1996)<br \/>\n\t\t\t&#8211; Gravitational Pull vs. The Desire for an Aquatic Life (Kranky, 1997)<br \/>\n\t\t\t&#8211; The Tired Sounds of Stars of the Lid 2xCD (Kranky, 2001)<br \/>\nSTEREOLAB \u2013 Emperor Tomato Ketchup (Elektra, 1996)<br \/>\nSTEVE FISK \u2013 999 Levels of Undo (Sub Pop, 2001)<br \/>\nSUPERSILENT \u2013 Supersilent 4 (Rune Grammofon, 1998)<br \/>\nTELE.FUNKEN \u2013 A Collection of Ice-Cream Vans Vol. 2 (Domino, 2000) +<br \/>\nTHOMAS BRINKMANN \u2013 Rosa (Max Ernst, 2000) +<br \/>\nTHOMAS KONER \u2013 Nunatak Gongamur (Barooni, 1990)<br \/>\nTIED + TICKLED TRIO \u2013 EA1 EA2 (Payola, 1999) +<br \/>\nTONE REC \t&#8211; Pholcus (Sub Rosa, 1998)*<br \/>\n\t\t&#8211; Coucy-Pack (Sub Rosa, 1999)<br \/>\nTO ROCOCO ROT\t&#8211; CD (Kitty-Yo, 1996) +<br \/>\n\t\t\t&#8211; Veiculo (City Slang, 1997)*<br \/>\n\t\t\t&#8211; The Amateur View (City Slang, 1999)*<br \/>\nTO ROCOCO ROT &#038; I-SOUND \u2013 Music is a Hungry Ghost (City Slang, 2001) +<br \/>\nTORTOISE\t&#8211; A Digest Compendium of the Tortoise\u2019s World (Thrill Jockey, 1994\/95) +<br \/>\n\t\t&#8211; Millions Now Living Will Never Die (City Slang, 1996)*<br \/>\n\t\t&#8211; TNT (City Slang, 1998)<br \/>\n\t\t&#8211; Standards (Thrill Jockey, 2000)<br \/>\nTRANS AM  \t&#8211; Surrender to the Night (City Slang, 1997) +<br \/>\n\t\t&#8211; Futureworld (Thrill Jockey, 1999)<br \/>\n\t\t&#8211; Red Line (Thrill Jockey, 2000)<br \/>\nUI \t\t\u2013 Lifelike (Southern, 1998)*<br \/>\n\t\t&#8211; The Iron Apple (Southern, 1999)<br \/>\nUSER (THE) \u2013 Symphony #1 for Dot Matrix Printers (Staalplaat, 1999) +<br \/>\nVAINIO, VAISANEN, VEGA \u2013 Endless (Blast First, 1998)<br \/>\nVERT \t\u2013The K\u00f6ln Konzert (Sonig, 2000)<br \/>\n\t&#8211; Nine Types of Ambiguity (Sonig, 2001)<br \/>\nWORKSHOP \t&#8211; Welcome back the Workshop (Captain Trip, 1990)<br \/>\n\t\t&#8211; Talent (L\u2019Age d\u2019Or, 1995)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>#183 &#8211; &#8220;O p\u00f3s-rock e o electro que ficou&#8230;&#8221; O p\u00f3s-rock e electro que ficou\u2026 Fernando Magalh\u00e3es 10 de Fevereiro 2003 \u00c0s 13:16 Do muito que passou, das bandas de p\u00f3s-rock e da electr\u00f3nica n\u00e3o \u201cerudita\u201d que ouvi nos anos 90, eis aquilo que ficou e de que continuo a gostar. * s\u00e3o obras-primas, algumas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[231,266,7,3270,292,18],"tags":[853,3432,3609,3610],"class_list":["post-10919","post","type-post","status-publish","format-standard","hentry","category-alemaes","category-electro","category-electronica","category-forum-sons","category-listas","category-pos-rock","tag-listas","tag-listas-do-fm","tag-listas-pos-rock","tag-listas-post-rock"],"views":571,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=10919"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10919\/revisions"}],"predecessor-version":[{"id":10920,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10919\/revisions\/10920"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=10919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=10919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=10919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}