{"id":10689,"date":"2023-03-01T08:27:54","date_gmt":"2023-03-01T15:27:54","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=10689"},"modified":"2023-03-01T08:28:13","modified_gmt":"2023-03-01T15:28:13","slug":"fernando-magalhaes-no-forum-sons-intervencao-163-p-herbsman","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2023\/03\/01\/fernando-magalhaes-no-forum-sons-intervencao-163-p-herbsman\/","title":{"rendered":"Fernando Magalh\u00e3es no &#8220;F\u00f3rum Sons&#8221; &#8211; Interven\u00e7\u00e3o #163 &#8211; &#8220;P. Herbsman&#8221;"},"content":{"rendered":"<p><strong>#163 &#8211; &#8220;P. Herbsman&#8221;<\/strong><br \/>\nFri Jan 19 16:03:05 2001<\/p>\n<p>Lista de \u00e1lbuns para audi\u00e7\u00f5es com surpresa, deslumbramento, divers\u00e3o, mist\u00e9rio, descoberta, desafio, curti\u00e7\u00e3o, alucina\u00e7\u00e3o, pop, jazz, experimental, progressivo, desbunda, eletr\u00f3nica de todas cores, psicadelismo, grandes can\u00e7\u00f5es, excentricidades, esoterismo, humor.<\/p>\n<p><strong>Todos de 8\/10 para cima!&#8230;<\/strong><\/p>\n<p>AFTER DINNER<\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 336;\ngoogle_ad_height = 280;\ngoogle_ad_format = \"336x280_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>Paradise of Replica (Rec Rec, 1989)<\/p>\n<p>AGITATION FREE<\/p>\n<p>2nd (Spalax, 1973)<\/p>\n<p>AKSAK MABOUL<\/p>\n<p>Un peu de l\u2019\u00c2me des Bandits (Atem\/Crammed, 1979)<\/p>\n<p>ALBERT MARCOEUR<\/p>\n<p>Sports &#038; Percussions (Concord, 1994)<\/p>\n<p>AMON D\u00dc\u00dcL II<\/p>\n<p>Yeti (Repertoire, 1970)<br \/>\nTanz der Lemminge (Captain Trip, 1971)<br \/>\nWolf City (Captain Trip, 1972)<\/p>\n<p>ANNETTE PEACOCK<\/p>\n<p>X-Dreams (Aura, 1978)<\/p>\n<p>ANTHONY MOORE<\/p>\n<p>Flying Doesn\u2019t Help (Blueprint, 1979)<\/p>\n<p>AREA<\/p>\n<p>Arbeit Macht Frei (Cramps, 1973)<br \/>\nCaution Radioation Area (Cramps, 1974)<\/p>\n<p>ARNE NORDHEIM<\/p>\n<p>Electric (Rune Grammofon, 1974)<\/p>\n<p>ART BEARS<\/p>\n<p>Hopes and Fears (R\u00e9, 1978)<\/p>\n<p>ART ZOYD<\/p>\n<p>Le Marriage du Ciel et de l\u2019Enfer (Cryonic, 1985)<br \/>\nBerlin (Cryonic, 1987)<br \/>\nMarathonnerre (Atonal, 1992)<br \/>\nMarathonnerre II (Atonal, 1992)<\/p>\n<p>ASH RA TEMPEL\/ASHRA<\/p>\n<p>Le Berceau de Cristal (Spalax, 1975)<br \/>\nNew Age of Earth (Virgin, 1976)<\/p>\n<p>BARRY ADAMSON<\/p>\n<p>Moss Side Story (Mute, 1989)<\/p>\n<p>BEACH BOYS (THE)<\/p>\n<p>Pet Sounds (Capitol, 1967)<br \/>\nSmiley Smile (Brother, 1967) \/<br \/>\nWild Honey (1968)<br \/>\nFriends (Capitol, 1968) \/<br \/>\n20\/20 (1969)<\/p>\n<p>BEATLES (THE)<\/p>\n<p>A Hard Day\u2019s Night (Parlophone, 1964)<br \/>\nHelp! (Parlophone, 1965)<br \/>\nRubber Soul (Parlophone, 1965)<br \/>\nRevolver (Parlophone, 1966)<br \/>\nSgt. Peppers Lonely Hearts Club Band (Apple, 1967)<br \/>\nMagical Mystery Tour (EMI, 1967)<br \/>\nThe Beatles 2xCD (EMI, 1968)<\/p>\n<p>BEAU HUNKS (THE)<\/p>\n<p>Celebration on the Planet Mars, A Tribute to Raymond Scott (Basta, 1994)<br \/>\nThe Beau Hunks Saxophone Soctette (Basta, 1999)<\/p>\n<p>BENJAMIN LEW &#038; STEVEN BROWN<\/p>\n<p>Douzi\u00e8me Jorn\u00e9e: Le Verbe, la Parure, l\u2019Amour (Made to Measure, 1983)<\/p>\n<p>BERNARD PARMEGIANI<\/p>\n<p>Pop\u2019Ecletic (Plate Lunch, 1966 &#8211; 1973)<\/p>\n<p>BIOTA<\/p>\n<p>Object Holder (ReR, 1985)<\/p>\n<p>BIRDSONGS OF THE MESOZOIC<\/p>\n<p>Faultline (Cuneiform, 1989)<\/p>\n<p>BOULEVARD OF BROKEN DREAMS<\/p>\n<p>It\u2019s the Talk of the Town and Other Sad Stories (Hannibal, 1989)<\/p>\n<p>BRAINTICKET<\/p>\n<p>Cottonwoodhill (Hallelujah, 1970)<\/p>\n<p>BRIAN ENO<\/p>\n<p>Here Come the Warm Jets (EG, 1973)<br \/>\nTaking Tiger Mountain (by Strategy) (EG, 1974)<br \/>\nAnother Green World (Polydor DeLuxe, 1975)<br \/>\nBefore and After Science (EG, 1977<br \/>\nMusic for Films (EG, 1978)<br \/>\nAmbient #1 Music for Airports (Virgin EG, 1978)<br \/>\nAmbient #4 On Land (Virgin EG, 1982)<br \/>\nApollo Atmospheres &#038; Soundtracks (Virgin EG, 1983)<\/p>\n<p>BRYAN FERRY<\/p>\n<p>These Foolish Things (Virgin EG, 1973)<br \/>\nAnother Time, Another Place (Virgin EG, 1974)<\/p>\n<p>BYRDS (THE)<\/p>\n<p>Younger than Yesterday (Columbia, 1967)<br \/>\nThe Notorious Byrd Brothers (Columbia, 1968)<\/p>\n<p>CAN<\/p>\n<p>Tago Mago (Spoon, 1971)<br \/>\nEge Bamyasi (Spoon, 1972)<br \/>\nFuture Days (Spoon, 1973)<br \/>\nSoon over Babaluma (Spoon, 1974)<\/p>\n<p>CAPTAIN BEEFHEART &#038; HIS MAGIC BAND<\/p>\n<p>Trout Mask Replica (Reprise, 1969)<br \/>\nShiny Beast (Bat Chain Puller) (Virgin, 1979)<\/p>\n<p>CARAVAN<\/p>\n<p>In the Land of Grey and Pink (Deram, 1971)<\/p>\n<p>CARLA BLEY<\/p>\n<p>Tropic Appetites (Watt, 1974)<br \/>\nDinner Music (Watt, 1977)<br \/>\nMusique Mecanique (Watt, 1979)<br \/>\nSocial Studies (Watt, 1981)<\/p>\n<p>CHARLES W. VRTACEK<\/p>\n<p>Learning to be Silent (Cuneiform, 1986) \/<br \/>\nWhen Heaven Comes do Town (1988)<\/p>\n<p>CLEARLIGHT<\/p>\n<p>Clearlight Symphony (Virgin, 1975)<\/p>\n<p>CLUSTER<\/p>\n<p>Cluster II (Spalax, 1972)<br \/>\nZuckerzeit (Spalax, 1974)<br \/>\nSowiesoso (Sky, 1976)<\/p>\n<p>CLUSTER &#038; ENO<\/p>\n<p>Cluster &#038; Eno (Sky, 1977)<br \/>\nAfter the Heat (Sky, 1978)<\/p>\n<p>CONRAD SCHNITZLER<\/p>\n<p>Rot (Plate Lunch, 1973)<\/p>\n<p>CONVENTUM<\/p>\n<p>A L\u2019Aff\u00fbt d\u2019un Complot (Kozak, 1977)<br \/>\nLe Bureau Central des Utopies (Kozak, 1979)<\/p>\n<p>CORNUCOPIA<\/p>\n<p>Full Horn (Repertoire, 1973)<\/p>\n<p>CREAM<\/p>\n<p>Disraeli Gears (Polydor, 1967)<\/p>\n<p>CURVED AIR<\/p>\n<p>Second Album (Warner Bros, 1971)<br \/>\nPhantasmagoria (Warner Bros, 1972) <\/p>\n<p>DAEVID ALLEN<\/p>\n<p>Banana Moon (Spalax, 1971)<\/p>\n<p>DANIEL SCHELL &#038; KARO<\/p>\n<p>If Windows They Have (Made to Measure, 1986)<\/p>\n<p>DASHIELL HEDAYAT<\/p>\n<p>Obsolete (Mantra, 1971)<\/p>\n<p>DAVID BOWIE<\/p>\n<p>David Bowie (Deram, 1967)<br \/>\nSpace Oddity (EMI, 1969)<br \/>\nThe Man Who Sold the World (EMI, 1970)<br \/>\nThe Rise and Fall of Ziggy Stardust and the Spiders from Mars (EMI, 1972)<br \/>\nAlladin Sane (EMI, 1973)<br \/>\nDiamond Dogs (EMI, 1974)<br \/>\nLow (EMI, 1977)<\/p>\n<p>DAVID BYRNE<\/p>\n<p>The Complete Score from \u201cThe Catherine Wheel\u201d (Sire, 1981)<\/p>\n<p>DAVID GARLAND<\/p>\n<p>Control Songs (Review, 1986)<\/p>\n<p>DAVID VORHAUS<\/p>\n<p>White Noise 2 \u2013 Concerto for Synthesizer (Virgin, 1975)<\/p>\n<p>DEBILE MENTHOL<\/p>\n<p>Emile au Jardin Patrologique (Rec Rec, 1981) \/<br \/>\nBattre Campagne (1984)<\/p>\n<p>DEVO<\/p>\n<p>Q: Are we not Men? A: We are Devo! (Warner Bros, 1978)<br \/>\nDuty Now for the Future (Virgin, 1979) \/<br \/>\nNew Traditionalists (1981)<\/p>\n<p>DONOVAN<\/p>\n<p>A Gift from a Flower to a Garden (BGO, 1968)<\/p>\n<p>DOORS (THE)<\/p>\n<p>The Doors (Elektra, 1967)<br \/>\nStrange Days (Elektra, 1967)<\/p>\n<p>EAST OF EDEN<\/p>\n<p>Mercator Projected (Si-Wan, 1969)<br \/>\nSnafu (Si-Wan, 1970)<\/p>\n<p>EDGAR FROESE<\/p>\n<p>Aqua (Virgin, 1974)<\/p>\n<p>EDWARD KA-SPEL<\/p>\n<p>The Blue Room (Soleilmoon, 1998)<\/p>\n<p>EGG<\/p>\n<p>The Polite Force (Deram, 1970)<\/p>\n<p>ELLIOTT SHARP<\/p>\n<p>In the Land of the Yahoos (SST, 1987)<\/p>\n<p>ELMER GANTRY\u2019S VELVET OPERA<\/p>\n<p>Elmer Gantry\u2019s Velvet Opera (Repertoire, 1967)<\/p>\n<p>EMBRYO<\/p>\n<p>Opal (Materiali Sonori, 1970)<br \/>\nEmbryo\u2019s Rache (Materiali Sonori, 1971)<\/p>\n<p>ERIC BURDON &#038; THE ANIMALS<\/p>\n<p>Winds of Change (Polydor, 1967)<br \/>\nThe Twain Shall Meet (Polydor, 1968)<\/p>\n<p>ERIK W\u00d8LLO<\/p>\n<p>Traces (Badland, 1988)<\/p>\n<p>ERSATZ<\/p>\n<p>Ersatz (Pinpoint, 1990)<br \/>\nErsatz II (G3G, 1992)<\/p>\n<p>FAIRFIELD PARLOUR<\/p>\n<p>From Home to Home (Repertoire, 1970)<\/p>\n<p>FAMILY<\/p>\n<p>Family Entertainment (See for Miles, 1969)<\/p>\n<p>FAUST<\/p>\n<p>Faust (Polydor, 1971)<br \/>\nSo Far (Polydor, 1972)<br \/>\nThe Faust Tapes (Recommended, 1973)<br \/>\nFaust IV (Virgin, 1973)<\/p>\n<p>FRANK ZAPPA<\/p>\n<p>Absolutely Free (Ryko, 1967)<br \/>\nWe\u2019re Only in it for the Money (Ryko, 1967)<br \/>\nLumpy Gravy (Ryko, 1968)<br \/>\nCruising with Ruben and the Jets (Ryko, 1968)<br \/>\nUncle Meat 2xCD (Ryko, 1969)<br \/>\nBurnt Weeny Sandwich (Ryko, 1969)<br \/>\nHot Rats (Ryko, 1969)<br \/>\nWeasels Ripped my Flesh (Ryko, 1970)<br \/>\nChunga\u2019s Revenge (Ryko, 1970)<br \/>\nWaka\/Jawaka (Ryko, 1972)<br \/>\nThe Grand Wazoo (Ryko, 1972)<\/p>\n<p>FRED FRITH<\/p>\n<p>Gravity (Ralph, 1980)<br \/>\nSpeechless (Ralph, 1981)<br \/>\nCheap at Half the Price (Ralph, 1983)<\/p>\n<p>GENESIS<\/p>\n<p>Nursery Cryme (Virgin, 1972)<br \/>\nFoxtrot (Virgin, 1972)<br \/>\nSelling England by the Pound (Virgin, 1973)<br \/>\nThe Lamb Lies Down on Brodway 2xCD (Virgin, 1974)<\/p>\n<p>GENTLE GIANT<\/p>\n<p>Gentle Giant (Vertigo, 1970)<br \/>\nAcquiring the Taste (Vertigo, 1971)<br \/>\nThree Friends (Line, 1972)<br \/>\nOctupus (Vertigo, 1973)<br \/>\nIn a Glass House (The Road Goes on Forever, 1973)<br \/>\nThe Power and the Glory (The Road Goes on Forever, 1974)<br \/>\nFree Hand (One Way, 1975)<\/p>\n<p>GEORGE HARRISON<\/p>\n<p>Electronic Sounds (Apple, 1969)<\/p>\n<p>GILA<\/p>\n<p>Free Electric Sound (Second Battle, 1971)<\/p>\n<p>GONG<\/p>\n<p>Camembert Electrique (Spalax, 1971)<br \/>\nRadio Gnome Invisible, Part 1: The Flying Teapot (Spalax, 1973)<br \/>\nRadio Gnome Invisible, Part 2: Angel\u2019s Egg (Virgin, 1973)<br \/>\nYou (Virgin, 1974)<\/p>\n<p>GROUNDHOGS<\/p>\n<p>Thank Christ for the Bomb (BGO, 1970)<br \/>\nSplit (BGO, 1971)<\/p>\n<p>GRYPHON<\/p>\n<p>Midnight Mushrumps (Canyon International, 1974)<\/p>\n<p>GURU GURU<\/p>\n<p>K\u00e4nguru (Brain, 1972)<\/p>\n<p>HANS-JOACHIM ROEDELIUS<\/p>\n<p>Theater Works (Multimood, 1994)<br \/>\nSinfonia Contempora No. 1 (Prudence, 1994)<br \/>\nLa Nordica (Multimood, 1996)<\/p>\n<p>HARALD WEISS<\/p>\n<p>Die Anders Paradies (Gingko, 1995)<\/p>\n<p>HARMONIA<\/p>\n<p>Musik von Harmonia (Brain, 1974)<br \/>\nDeLuxe (Brain, 1975)<\/p>\n<p>HATFIELD AND THE NORTH<\/p>\n<p>Hatfield and the North (Virgin, 1973)<\/p>\n<p>HAWKWIND<\/p>\n<p>In Search of Space (EMI Premier, 1971)<br \/>\nWarrior on the Edge of Time (Dojo, 1975)<br \/>\nLevitation (Castle Communications, 1980)<\/p>\n<p>HECTOR ZAZOU\/BONI BIKAYE\/CY 1<\/p>\n<p>Noir et Blanc (Crammed, 1983)<\/p>\n<p>HECTOR ZAZOU<\/p>\n<p>Reivax au Bongo (Made to Measure, 1986)<\/p>\n<p>HELDON<\/p>\n<p>Un R\u00eave sans Cons\u00e9quence Sp\u00e9ciale (Cuneiform, 1976)<\/p>\n<p>HENRY COW<\/p>\n<p>The Henry Cow Legend (East Side Digital, 1973)<\/p>\n<p>HOLGER CZUKAY<\/p>\n<p>Movies (EMI, 1979)<br \/>\nOn the Way to the Peak of Normal (EMI-Electrola, 1980)<\/p>\n<p>HOLGER HILLER<\/p>\n<p>Ein B\u00fcndel Faulnis in der Grube (Mute, 1984) \/<br \/>\nOben im Eck (1986)<\/p>\n<p>HOLLIES (THE)<\/p>\n<p>Evolution (EMI, 1967)<\/p>\n<p>HUGH HOPPER<\/p>\n<p>1984 (Cuneiform, 1972)<\/p>\n<p>HUMAN LEAGUE (THE)<\/p>\n<p>Travelogue (Virgin, 1980)<\/p>\n<p>ILDEFONSO AGUILAR<\/p>\n<p>Erosi\u00f3n (No-CD, 1978)<\/p>\n<p>INCREDIBLE STRING BAND (THE)<\/p>\n<p>The Hangman\u2019s Beautiful Daughter (Elektra, 1968)<br \/>\nWee Tamm (Elektra, 1968)<br \/>\nThe Big Huge (Elektra, 1968)<br \/>\nChanging Horses (hannibal, 1969)<br \/>\nBe Glad for the Song Has no Ending (Edsel, 1970)<br \/>\nLiquid Acrobat as Regards the Air (Island, 1971)<\/p>\n<p>ISTV\u00c1N M\u00c1RTA<\/p>\n<p>T\u00e1mad Asz\u00e9l (The Wind Rises) (Recommended, 1987)<\/p>\n<p>JEFFERSON AIRPLANE<\/p>\n<p>Surrealistic Pillow (RCA, 1967)<br \/>\nAfter Bathing at Baxter\u2019s (RCA, 1967)<br \/>\nCrown of Creation (RCA, 1968)<\/p>\n<p>JEFF GREINKE<\/p>\n<p>Timbral Planes (Linden, 1987)<\/p>\n<p>JESSAMINE<\/p>\n<p>Another Fictionalized History (Histrionic, 1997)<\/p>\n<p>JESSICA LAUREN<\/p>\n<p>Film (M.E.L.T. 2000, 1999)<\/p>\n<p>JETHRO TULL<\/p>\n<p>Thick as a Brick (Chrysalis, 1972)<br \/>\nA Passion Play (Chrysalis, 1973)<\/p>\n<p>JIMI HENDRIX<\/p>\n<p>Electric Ladyland (MCA\/Experience Hendrix, 1969)<\/p>\n<p>JOCELYN ROBERT<\/p>\n<p>La Th\u00e9orie des Nerfs Creux (Ohm\/Avatar, 1993)<\/p>\n<p>JOHN &#038; BEVERLY MARTYN<\/p>\n<p>Stormbringer (Island, 1970)<\/p>\n<p>JOHN CALE<\/p>\n<p>Fear (Island, 1974)<br \/>\nMusic for a New Society (FNAC, 1982)<\/p>\n<p>JOHN GREEVES &#038; PETER BLEGVAD<\/p>\n<p>Kew. Rhone (Voiceprint, 1977)<\/p>\n<p>JOHN MARTYN<\/p>\n<p>Bless the Weather (Island, 1971)<br \/>\nSolid Air (Island, 1973)<br \/>\nInside Out (Island, 1973)<\/p>\n<p>JOHN MAYALL<\/p>\n<p>Bare Wires (London, 1968)<br \/>\nBlues from Laurel Canyon (Deram, 1968)<\/p>\n<p>JOHN SURMAN<\/p>\n<p>The Amazing Adventures of Simon Simon (ECM, 1981)<\/p>\n<p>JOHN ZORN<\/p>\n<p>The Big Gundown (Icon, 1986)<\/p>\n<p>JON HASSELL<\/p>\n<p>Dream Theory in Malaya (Editions EG, 1981)<br \/>\nAka, Darbari, Java Magic Realism (Editions EG, 1983)<br \/>\nCity: Works of Fiction (Land, 1990)<\/p>\n<p>JON HASSELL\/BRIAN ENO<\/p>\n<p>Fourth World, Vol. 1: Possible Musics (Editions EG, 1980)<\/p>\n<p>JON HASSELL\/FARAFINA<\/p>\n<p>Flash of the Spirit (Intuition, 1988)<\/p>\n<p>JONI MITCHELL<\/p>\n<p>The Hissing of Summer Lawns (Asylum, 1975)<\/p>\n<p>JORGE REYES<\/p>\n<p>Mexican Music Prehispanic (Param\u00fasica, 1990)<br \/>\nBajo el Sol Jaguar (No-CD, 1992)<br \/>\nEl Costumbre (Lejos del Paraiso, 1993)<\/p>\n<p>JORGE REYES &#038; SUSO SAIZ<\/p>\n<p>Cronicas de Castas (No-CD, 1991)<\/p>\n<p>JULIAN COPE<\/p>\n<p>20 Mothers (Echo, 1995)<br \/>\nInterpreter (Echo, 1996)<\/p>\n<p>KALAHARI SURFERS<\/p>\n<p>Volume 1: The Eighties (col. incl. Living in the Heart of the Beast (ReR, 1994)<\/p>\n<p>KATE BUSH<\/p>\n<p>The Dreaming (EMI, 1982)<\/p>\n<p>KENNETH NEWBY<\/p>\n<p>Ecology of Souls (Hearts of Space, 1994)<\/p>\n<p>KEVIN AYERS<\/p>\n<p>Joy of a Toy (BGO, 1970)<br \/>\nShooting at the Moon (BGO, 1971)<br \/>\nThe Confessions of Dr. Dream (BGO, 1974)<\/p>\n<p>KING CRIMSON<\/p>\n<p>In the Court of the Crimson King (Virgin, 1969)<br \/>\nIn the Wake of Poseidon (Virgin, 1970)<br \/>\nLizard (Virgin, 1970)<br \/>\nIslands (Virgin, 1971)<br \/>\nLarks\u2019 Tongues in Aspic (Virgin EG, 1973)<br \/>\nStarless and Bible Black (EG, 1974)<br \/>\nRed (EG, 1974)<\/p>\n<p>KINGDOM COME<\/p>\n<p>Kingdom Come (Blueprint, 1972)<br \/>\nJourney (Voiceprint, 1973)<\/p>\n<p>KINKS (THE)<\/p>\n<p>Face to Face (Essential, 1966)<br \/>\nSomething Else (Essential, 1967)<br \/>\nThe Kinks are Village Green Preservation Society<\/p>\n<p>JPP- \u201cString Tease\u201d (8\/10) E<br \/>\nKATHRYN TICKELL- \u201cThe Northumberland Collection\u201d \u2013 OP<br \/>\nKINKS- \u201cArthur or the Decline and Fall of the British Empire\u201d (8\/10)<br \/>\nKINKS- \u201cFace to Face\u201d (8\/10) E<br \/>\nKINKS- \u201cSomething Else\u201d (10\/10) OP<br \/>\nKINKS- \u201cThe Kinks are the Village Green Preservation Society\u201d (8\/10) E<br \/>\nKINKS- \u201cThe Kinks, part 1: Lola versus Powerman and the Moneyground\u201d (8\/10) E<br \/>\nKISS MY JAZZ- \u201cIn the Lost Souls Convention\u201d- (8\/10)<br \/>\nK\u00d6HN- \u201c(K\u00f6hn)2\u201d- (8\/10) TTC &#8211; brain damage\u2026<br \/>\nL. VOAG- \u201cThe Way Out\u201d- (8\/10) \u2013 Ananana<br \/>\nLA! NEU?- \u201cRembrandt\u201d (8\/10)<br \/>\nLA! NEU?- \u201cYear of the Tiger\u201d- (8\/10)<br \/>\nLABRADFORD- \u201cE Luxo So\u201d (8\/10) E<br \/>\nLABRADFORD- \u201cMi Media Naranja\u201d- (8\/10)<br \/>\nLADYTRON- \u201cLadytron\u201d (7\/10) AT<br \/>\nLISA GERMANO- \u201cSlide\u201d- (9\/10) E<br \/>\nMAGMA- \u201cMagma\u201d (19\/10) OP<br \/>\nMALICORNE- \u201cL\u2019Extraordinaire Tour de France d\u2019Ad\u00e9lard Rousseau\u201d (9\/10) E<br \/>\nMALICORNE- \u201cLe Bestiaire\u201d- (9\/10) \u2013 E<br \/>\nMARIA JO\u00c3O &#038; M\u00c1RIO LAGINHA- \u201cLobos, Raposas e Coiotes\u201d- (8\/10)<br \/>\nMIKRON 64- \u201cSys 49152\u201d- (7\/10)<br \/>\nMILLADOIRO- \u201cAuga de Maio\u201d- (8\/10)<br \/>\nMILLENNIUM- \u201cBegin\u201d- (9\/10) E<br \/>\nMONO- \u201cFormica Blues\u201d- (8\/10)<br \/>\nMONOCHROME SET- \u201cEligible Bachelore\u201d (9\/10) E<br \/>\nMONOCHROME SET- \u201cLove Zombies\u201d (9\/10) E<br \/>\nMONOCHROME SET- \u201cStrange Boutique\u201d (8\/10)<br \/>\nMOODY BLUES- \u201cIn search of the Lost Chord\u201d- (9\/10) E<br \/>\nMOONDOG- \u201cH\u2019art Songs\u201d- (9\/10) AT<br \/>\nMOONDOG- \u201cIn Europe\u201d- (9\/10) AT<br \/>\nMOONDOG- \u201cSax Pax for a Sax\u201d- (8\/10) AT<br \/>\nOSKAR SALA- \u201cElektronische Impressionen\u201d- (8\/10)<br \/>\nPALINCKX- \u201cIt\u2019s a Frontal Dog\u201d- (8\/10) TTC rockrockrock<br \/>\nPAOLO CONTE- \u201cTourn\u00e9e 2\u201d- (9\/10) E<br \/>\nPASCAL COMELADE- \u201cSeptember Song\u201d- (8\/10)<br \/>\nPAUL McCARTNEY- \u201cRun Devil Run\u201d- (8\/10) TTC, AT<br \/>\nPAUL SCH\u00dcTZE- \u201cApart\u201d (8\/10)<br \/>\nPEETER V\u00c4HI- \u201cSupreme Silence\u201d- (8\/10) Aumzennnnnnnn\u2026 AT<br \/>\nPETER HAMMILL- \u201cA Black Box\u201d- (9\/10) OP<br \/>\nPETER HAMMILL- \u201cChameleon in the Shadow of the Night\u201d- (10\/10) OP<br \/>\nPETER HAMMILL- \u201cEnter K\u201d- (8\/10)<br \/>\nPETER HAMMILL- \u201cIn Camera\u201d- (10\/10) 3xOP<br \/>\nPETER HAMMILL- \u201cNone of the Above\u201d- (9\/10) E<br \/>\nPETER HAMMILL- \u201cOver\u201d- (9\/10) E<br \/>\nPETER HAMMILL- \u201cPh 7\u201d- (8\/10) E<br \/>\nPETER HAMMILL- \u201cThe Future Now\u201d- (9\/10) OP<br \/>\nPETER HAMMILL- \u201cThe Silent Corner and the Empty\u2026\u201d (10\/10) OP<br \/>\nPIERRE BASTIEN- \u201cMusiques Parallo\u00efdres\u201d- (7\/10)<br \/>\nPINK FLOYD- \u201cMeddle\u201d (8\/10)<br \/>\nPINK FLOYD- \u201cWish You Were Here\u201d (7\/10)<br \/>\nPLUXUS- \u201cFaz 2\u201d- (7\/10)<br \/>\nPOLE- \u201cPole 2\u201d- (7\/10)<br \/>\nPOTHOLE- \u201cDirty Picnic\u201d- (7\/10) AT jazzjazzjazz electro<br \/>\nPRESENT- \u201cN\u00ba6\u201d (8\/10) os mais antigos s\u00e3o melhores<br \/>\nPRETTY THINGS- \u201cS.F. Sorrow\u201d- (8\/10) AT<br \/>\nPYROLATOR- \u201cWonderland\u201d (70\u2019s) (8\/10) se encontrares em CD diz-me!<br \/>\nRED KRAYOLA- \u201cFingerpainting\u201d- (8\/10)<br \/>\nRICHARD PINHAS- \u201cIceland\u201d- (8\/10)<br \/>\nRICHARD THOMPSON- \u201cI Want to See the Bright Lights Tonight\u201d 10\/10 OP<br \/>\nROEDELIUS- \u201cJardin au Fou\u201d- (8\/10)<br \/>\nROXY MUSIC- \u201cRoxy Music\u201d- (10\/10) OP<br \/>\nROXY MUSIC- \u201cStranded\u201d- (10\/10) OP<br \/>\nRUI J\u00daNIOR &#038; O \u00d3 QUE SOM TEM- \u201cO Mundo N\u00e3o Quer Acabar\u201d- (8\/10)<br \/>\nSAND- \u201cUltrasonic Seraphin\u201d- (8\/10) E, numa lista de krautrock<br \/>\nSATOR ROTAS- \u201cSator Rotas\u201d- (8\/10)<br \/>\nSCHNEIDER TM- \u201cMoist\u201d- (8\/10)<br \/>\nSEVERED HEAD- \u201cClifford Darling Please Don\u2019t Live in the Past\u201d (9\/10) \u2013 N\u00e3o h\u00e1 em CD\u2026<br \/>\nSHANNON WRIGHT- \u201c**** Flightsafety\u201d- (8\/10)<br \/>\nSNAKEFINGER- \u201cChewing Hides the Sound\u201d- (8\/10)<br \/>\nSOFT MACHINE- \u201cThird\u201d (10\/10) OP mas AT, jazz dif\u00edcil com can\u00e7\u00f5es de 20m fabulosa de Robert Wyatt no meio<br \/>\nSOLAS- \u201cThe Words that Remain\u201d- (9\/10) E<br \/>\nSOUL CENTER- \u201cSoul Center\u201d- (8\/10) E :))))))<br \/>\nSTACKRIDGE- \u201cThe Man in the Bowler Hat\u201d- (9\/10) E, Beatles progressivos!<br \/>\nSTEELEYE SPAN- \u201cBelow the Salt\u201d- (9\/10) E<br \/>\nSTEELEYE SPAN- \u201cParcell of Rogues\u201d- (8\/10)<br \/>\nSTEREOLAB- \u201cEmperor Tomato Ketchup\u201d- (8\/10)<br \/>\nSTEREOLAB- \u201cThe First of the Microbe\u201d (8\/10)<br \/>\nSTEVE SHEHAN- \u201cSafar\u201d (9\/10) E, mas num esp\u00edrito de world\/fus\u00e3o<br \/>\nSTRAWBS- \u201cGrave New World\u201d- (8\/10) AT<br \/>\nSUSANA SEIVANE- \u201cSusana Seivane c\/M\u00e1rio Z\u201d (9\/10) E<br \/>\nTALKING HEADS- \u201cTrue Stories\u201d (7\/10)<br \/>\nTARWATER- \u201cAnimals, Suns &#038; Atoms\u201d- (7\/10)<br \/>\nTHE USER- \u201cSymphony #1\u2026\u201d- (8\/10) E<br \/>\nTRAFFIC- \u201cJohn Barleycorn Must Die\u201d (8\/10) AT<br \/>\nTRAFFIC- \u201cMr. Fantasy\u201d- (9\/10) E<br \/>\nTRIO DE PATRICK BOUFFARD- \u201cRabaterie\u201d (9\/10) E<br \/>\nTRIO DE PATRICK BOUFFARD- \u201cRevenant de Paris\u201d (9\/10) E<br \/>\nTUU- \u201cMesh\u201d- (8\/10)<br \/>\nTYRANNOSSAURUS REX- \u201cUnicorn\u201d- (8\/10) AT<br \/>\nUI- \u201cThe Iron Apple\u201d- (8\/10)<br \/>\nVAN DYKE PARKS- \u201cSong Cycle\u201d- (9\/10) E<br \/>\nV\u00c1RIOS- \u201cPortugal Deluxe, volume 2: Um Cocktail Swingante\u201d- (8\/10) TTC :)))<br \/>\nV\u00c1RIOS- \u201cSonig\u201d- (8\/10) E<br \/>\nV\u00c1RIOS- \u201cThe Beat Scene\u201d- (8\/10)<br \/>\nV\u00c1RIOS- \u201cThe Psychedelic Scene\u201d- (8\/10) E<br \/>\nWIBUTEE- \u201cNewborn Thing\u201d- (7\/10)<br \/>\nZOMBIES- \u201cOdessey and Oracle\u201d- (10\/10) OP<\/p>\n<p>Sauda\u00e7\u00f5es<\/p>\n","protected":false},"excerpt":{"rendered":"<p>#163 &#8211; &#8220;P. Herbsman&#8221; Fri Jan 19 16:03:05 2001 Lista de \u00e1lbuns para audi\u00e7\u00f5es com surpresa, deslumbramento, divers\u00e3o, mist\u00e9rio, descoberta, desafio, curti\u00e7\u00e3o, alucina\u00e7\u00e3o, pop, jazz, experimental, progressivo, desbunda, eletr\u00f3nica de todas cores, psicadelismo, grandes can\u00e7\u00f5es, excentricidades, esoterismo, humor. Todos de 8\/10 para cima!&#8230; AFTER DINNER Paradise of Replica (Rec Rec, 1989) AGITATION FREE 2nd (Spalax, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1639,7,14,3270,50,764,12,280,852,65,292,107,44,18,105,16,58,10,146],"tags":[853,3570,3432],"class_list":["post-10689","post","type-post","status-publish","format-standard","hentry","category-electronic-pioneers","category-electronica","category-experimental","category-forum-sons","category-instrumental","category-japoneses","category-jazz","category-jazz-rock","category-king-crimson","category-krautrock","category-listas","category-new-wave","category-pop","category-pos-rock","category-post-punk","category-progressivo","category-rio","category-rock","category-rock-psicadelico","tag-listas","tag-listas-2001","tag-listas-do-fm"],"views":641,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10689","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=10689"}],"version-history":[{"count":3,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10689\/revisions"}],"predecessor-version":[{"id":10692,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10689\/revisions\/10692"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=10689"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=10689"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=10689"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}