{"id":10500,"date":"2023-01-09T05:25:20","date_gmt":"2023-01-09T12:25:20","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=10500"},"modified":"2023-01-09T05:25:20","modified_gmt":"2023-01-09T12:25:20","slug":"fernando-magalhaes-no-forum-sons-intervencao-143-forum-sons-listas-fm-o-melhor-dos-anos-80","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2023\/01\/09\/fernando-magalhaes-no-forum-sons-intervencao-143-forum-sons-listas-fm-o-melhor-dos-anos-80\/","title":{"rendered":"Fernando Magalh\u00e3es no &#8220;F\u00f3rum Sons&#8221; &#8211; Interven\u00e7\u00e3o #143 &#8211; &#8220;F\u00f3rum Sons &#8211; Listas FM &#8211; O melhor dos anos 80&#8221;"},"content":{"rendered":"<p>#143 &#8211; &#8220;F\u00f3rum Sons &#8211; Listas FM &#8211; O melhor dos anos 80&#8221;<br \/>\n<center><br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2023\/01\/logo.jpg\" alt=\"\" width=\"168\" height=\"100\" class=\"alignnone size-full wp-image-10501\" srcset=\"https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2023\/01\/logo.jpg 168w, https:\/\/www.profelectro.info\/fm\/wp-content\/uploads\/2023\/01\/logo-100x60.jpg 100w\" sizes=\"auto, (max-width: 168px) 100vw, 168px\" \/><\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 336;\ngoogle_ad_height = 280;\ngoogle_ad_format = \"336x280_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p><strong>O melhor dos anos 80: POP, ROCK, JAZZ, ELECTR\u00d3NICA&#8230; <\/strong><br \/>\n<\/center><\/p>\n<p>AFTER DINNER &#8211; Paradise of Replica (Rec Rec, 1989)<br \/>\nANDRE DUCHESNES &#8211; Le Temps des Bombes (Ambiances Magn\u00e9tiques, 1984)<br \/>\nANDREW POPPY &#8211; The Beating of Wings (ZTT, 1985)<br \/>\nANNETTE PEACOCK &#8211; Sky-Skating (Ironic, 1982)<br \/>\nART BEARS &#8211; The World as it is Today (Ralph, 1980)<br \/>\nART ZOYD &#8211; G\u00e9n\u00e9ration sans Futur (Mantra, 1980)<br \/>\n&#8211; Symphonie pour le Jour ou Bruleront les Cit\u00e9s (1980)<br \/>\n&#8211; Les Espaces Inquiets (1983)<br \/>\n&#8211; Le Marriage du Ciel et de l&#8217; Enfer (Cryonic, 1985)<br \/>\n&#8211; Berlin (Cryonic, 1987)<br \/>\nBENJAMIN LEW &#038; STEVEN BROWN &#8211; Douzi\u00e8me Journ\u00e9e: Le Verbe, la Parure, l&#8217; Amour (Made to Measure, 1983)<br \/>\n&#8211; A Propos d&#8217;un Paysage (Made to Measure, 1985)<br \/>\nBIOTA \u2013 Vagabones &#038; Rackabones (1985)<br \/>\nBIRDSONGS OF THE MESOZOIC &#8211; Faultline (Cuneiform, 1989)<br \/>\nBORIS KOVAC &#8211; Ritual Nova (Recommended, 1986\/1989)<br \/>\nBOULEVARD OF BROKEN DREAMS &#8211; It&#8217;s the Talk of the Town and other Sad Stories (Hannibal, 1989)<br \/>\nCABARET VOLTAIRE: Voice of America (1980)<br \/>\nCAPTAIN BEEFHEART &#038; HIS MAGIC BAND &#8211; Doc at the Radar Station (Virgin, 1980)<br \/>\nCARLA BLEY &#8211; Social Studies (Watt, 1981)<br \/>\nCASSIBER &#8211; Beauty and the Beast (Recommended, 1984)<br \/>\n&#8211; Perfect Worlds (Recommended, 1986)<br \/>\nCHARLES W. VRTACEK &#8211; Learning to be Silent (Cuneiform, 1986)<br \/>\n&#8211; When Heaven Comes to Town (1988)<br \/>\nCHRISTIAN MARCLAY &#8211; More Encores (Recommended, 1988)<br \/>\nCHROME \u2013 Red Exposure (1980)<br \/>\nCLUSTER &#8211; Curiosum (Sky, 1981)<br \/>\nCOLIN WALCOTT, DON CHERRY, NANA VASCONCELOS &#8211; Codona (ECM, 1981)<br \/>\nCONRAD SCHNITZLER &#038; MICHAEL OTTO \u2013 Micon in Italia (1986)<br \/>\nDANIEL SCHELL &#038; KARO &#8211; If Windows they Have (Made to Measure, 1986)<br \/>\nDAVID BYRNE &#8211; The Complete Score from &#8220;The Catherine Wheel&#8221; (Sire, 1981)<br \/>\n&#8211; Rei Momo (Luaka Bop\/Sire, 1989)<br \/>\nDAVID GARLAND &#8211; Control Songs (Review, 1986)<br \/>\nDAVID MURRAY &#8211; The Hill (Black Saint, 1988)<br \/>\nDEBILE MENTHOL &#8211; Emile au Jardin Patrologique (Rec Rec, 1981)<br \/>\n&#8211; Battre Campagne (1984)<br \/>\nDEPECHE MODE &#8211; Construction Time again (Mute, 1983)<br \/>\nDEROME\/LUSSIER- Soyer Vigilants, Restez Vivants (1986)<br \/>\n&#8211; Le Retour des Granules (1987)<br \/>\nDEVO &#8211; New Traditionalists (1981)<br \/>\nDOCTOR NERVE &#8211; Out to Bomb Fesh Kings (Cuneiform, 1985)<br \/>\n&#8211; Armed Observations (1987)<br \/>\nDOUBLE-X-PROJECT \u2013 Fallobst (1987)<br \/>\nEDWARD KA-SPEL \u2013 Perhaps we\u2019ll only See a Thin Blue Line (1989)<br \/>\nEDWARD VESALA &#8211; Lumi (ECM, 1987)<br \/>\nEINSTUERZENDE NEUBAUTEN &#8211; Zeischnungen des Patienten OT (1983)<br \/>\n&#8211; Halber Mensch (1985)<br \/>\n&#8211; Haus der Luge (1989)<br \/>\nELLIOTT SHARP &#8211; In the Land of the Yahoos (SST, 1987)<br \/>\n&#8211; Virtual Stance (1986)<br \/>\nETRON FOU LELOUBLAN &#8211; Les Poumons Gonfles (1982)<br \/>\nFELA ANIKULAPO KUTI &#8211; Beasts of no Nation (Shanachie, 1989)<br \/>\nTHE FLYING LIZARDS: The Flying Lizards (1980)<br \/>\nFOETUS &#8211; Hole (1984)<br \/>\n&#8211; Nail (1985)<br \/>\nFRANK ZAPPA &#8211; Them or Us (Ryko, 1984)<br \/>\nFRED FRITH &#8211; Gravity (Rec Rec, 1980)<br \/>\n&#8211; Speechless (Rec Rec, 1981)<br \/>\n&#8211; Cheap at Half the Price (Rec Rec, 1983)<br \/>\n&#8211; The Technology of Tears (Rec Rec, 1988)<br \/>\nFRENCH, FRITH, KAISER &#038; THOMPSON &#8211; Live, Love, Larf and Loaf (Demon, 1988)<br \/>\nGEORGE RUSSELL &#8211; New York Big Band (Soul Note, 1982)<br \/>\nGLENN BRANCA &#8211; The Ascension (Robi Droli, 198?)<br \/>\nGLEN VELEZ &#8211; Internal Combustion (CMP, 1985)<br \/>\nGRAEME REVELL \u2013 The Insect Musicians (1986)<br \/>\nHAROLD BUDD &#8211; Lovely Thunder (Editions EG, 1986)<br \/>\nHARRY PEPL, HERBERT JOOS, JON CHRISTENSEN &#8211; Cracked Mirrors (ECM, 1988)<br \/>\nHAWKWIND &#8211; Levitation (Castle Communications, 1980)<br \/>\nHECTOR ZAZOU\/BONI BIKAYE\/C Y 1 &#8211; Noir et Blanc (Crammed, 1983)<br \/>\nHECTOR ZAZOU &#8211; G\u00e9ographies (Made to Measure, 1984)<br \/>\n&#8211; Reivax au Bongo (Made to Measure, 1986)<br \/>\n&#8211; G\u00e9ologies (Made to Measure, 1989)<br \/>\nHENRI TEXIER &#8211; Izlaz (Label Bleu, 1988)<br \/>\nHOLGER CZUKAY &#8211; On the Way to the Peak of Normal (EMI-Electrola, 1980)<br \/>\n&#8211; Rome Remains Rome (Virgin, 1987)<br \/>\nHOLGER HILLER &#8211; Ein B\u00fcndel Faulnis in der Grube (Mute, 1984)<br \/>\n&#8211; Oben im Eck (1986)<br \/>\nHUBERT BOGNERMAYR &#038; HARALD ZUSCHRADER &#8211; Begpredigt (Erdenklang, 1983)<br \/>\nHUMAN LEAGUE (THE) &#8211; Travelogue (Virgin, 1980)<br \/>\nIGGY POP &#8211; Zombie Birdhouse (I.R.S., 1982)<br \/>\nISTV\u00c1N M\u00c1RTA &#8211; T\u00e1mad Asz\u00e9l (The Wind Rises) (Recommended, 1987)<br \/>\nJACK DeJOHNETTE\u2019S SPECIAL EDITION- Special Edition (ECM, 1980)<br \/>\n&#8211; Tin Can Alley (ECM, 1981)<br \/>\nJEFF GREINKE &#8211; Timbral Planes (Linden, 1987)<br \/>\nJOCELYN ROBERT \u2013 Stat \u2013Live-Moniteur (1987)<br \/>\nJOHN CALE &#8211; Honi Soit (A&#038;M, 1981)<br \/>\n&#8211; Music for a New Society (FNAC, 1982)<br \/>\nJOHN SURMAN &#8211; The Amazing Adventures of Simon Simon (ECM, 1981)<br \/>\n&#8211; Such Winters of Memory (ECM, 1983)<br \/>\n&#8211; Witholding Pattern (ECM, 1985)<br \/>\n&#8211; Private City (ECM, 1988)<br \/>\nJOHN ZORN &#8211; The Big Gundown (Icon, 1986)<br \/>\n&#8211; Spillane (Elektra Nonesuch, 1987)<br \/>\nJON HASSELL &#8211; Dream Theory in Malaya (Editions EG, 1981)<br \/>\n&#8211; Aka, Darbari, Java Magic Realism (Editions EG, 1983)<br \/>\nJON HASSELL &#038; BRIAN ENO &#8211; Fourth World, Vol. 1 Possible Musics (Editions EG, 1980)<br \/>\nJON HASSELL\/FARAFINA &#8211; Flash of the Spirit (Intuition, 1988)<br \/>\nJORGE REYES &#8211; Ek-Tunkul (Lejos del Paraiso, 1987)<br \/>\nKAHONDO STYLE \u2013 Green Tea &#038; Crocodiles (Nato, 1987)<br \/>\nKALAHARI SURFERS &#8211; Living in the Heart of the Beast (ReR, 1985)<br \/>\nKATE BUSH &#8211; The Dreaming (EMI, 1982)<br \/>\nKLAUS SCHULZE &#8211; Audentity 2xCD (Innovative Communication, 1983)<br \/>\nKRAFTWERK &#8211; Computer World (Elektra\/Asylum, 1981)<br \/>\n&#8211; Electric Caf\u00e9 (1986)<br \/>\nLACRYMOSA &#8211; Bugbear (SE, 1984)<br \/>\nLARAAJI &#8211; Day of Radiance (Editions EG, 1980)<br \/>\nLARS HOLLMER &#8211; XII Sibiriska Cyklar (Resource, 1981)<br \/>\n&#8211; Vill du H\u00f6ra Mer (1982)<br \/>\n&#8211; Ton\u00f6ga (Resource, 1985)<br \/>\n&#8211; Fran Natt Idag (1985)<br \/>\n&#8211; Vendeltid (1987)<br \/>\nLAURIE ANDERSON &#8211; Big Science (Warner Bros., 1982)<br \/>\n&#8211; Mr. Heartbreak (Warner Bros., 1984)<br \/>\n&#8211; Home of the Brave (Warner Bros., 1986)<br \/>\n&#8211; Strange Angels (Warner Bros., 1989)<br \/>\nLEGENDARY PINK DOTS (THE) &#8211; Asylum (Play it again Sam, 1985)<br \/>\n&#8211; Any Day now (Play it again Sam, 1987)<br \/>\n&#8211; The Golden Age (Play it again Sam, 1988)<br \/>\n&#8211; The Crushed Velvet Apocalypse (Play it again Sam, 1989)<br \/>\nLIGHTS IN A FAT CITY &#8211; Somewhere (City of Tribes, 1988)<br \/>\nLOUIS SCLAVIS &#8211; Chine (IDA, 1987)<br \/>\nLOUNGE LIZARDS (THE) &#8211; The Lounge Lizards (Editions EG, 1981)<br \/>\n&#8211; Voice of Chunk (Milan, 1989)<br \/>\n&#8211; LUCIANO MARGORANI \u2013 Home Recording is Killing Studios (1988)<br \/>\nMARC HOLLANDER: Onze Danses pour Combattre la Migraine (1981)<br \/>\nMARIANNE FAITHFULL &#8211; Strange Weather (Island, 1987)<br \/>\nMARKUS STOCKAUSEN &#038; GARY PEACOCK &#8211; Cosi Lontano Quasi Dentro (ECM, 1989)<br \/>\nMARTIN REV &#8211; Martin Rev (Daft, 1980)<br \/>\n&#8211; Clouds of Glory (Mau Mau, 1985)<br \/>\nMARTY EHRLICH &#8211; The Welcome (Sound Aspects, 1984)<br \/>\nMARY COUGHLAN &#8211; Tired and Emotional (Mystery, 1987)<br \/>\n&#8211; Under the Influence (WEA, 1987)<br \/>\nMATILDE SANTING &#8211; Water under the Bridge (Megadisc, 1985)<br \/>\nMEREDITH MONK &#8211; Dolmen Music (ECM, 1981)<br \/>\n&#8211; Turtle Dreams (ECM, 1983)<br \/>\n&#8211; Do you be (ECM, 1987)<br \/>\nMICHAEL BROOK &#8211; Hybrid (Editions EG, 1985)<br \/>\nMICHAEL NYMAN &#8211; The Draughtsman\u2019s Contract (Charisma, 1982)<br \/>\nMICHAEL ROTHER &#8211; Fernw\u00fcrme (Random, 1981)<br \/>\nMICHEL PORTAL &#8211; Dejarme Solo! (Dreyfus, 1980)<br \/>\n&#8211; Turbulence (Harmonia Mundi, 1987)<br \/>\nMICHEL REDOLFI &#8211; Desert Tracks (Ina.grm, 1988)<br \/>\nMIRIODOR &#8211; Miriodor (Cuneiform, 1988)<br \/>\nMIROSLAV VITOUS &#8211; Journey\u2019s End (ECM, 1983)<br \/>\nMOEBIUS &#8211; Tonspuren (Sky, 1983)<br \/>\nMOEBIUS &#038; BEERBOHM &#8211; Double Cut (Sky, 1983)<br \/>\nMOEBIUS &#038; PLANK &#8211; Rastakraut Pasta (Sky, 1980)<br \/>\n&#8211; Material (1981)<br \/>\n&#8211; En Route (No-CD, 1986)<br \/>\nMOEBIUS, PLANK, NEUMEIER &#8211; Zero Set (Sky, 1983)<br \/>\nMONOCHROME SET (THE) &#8211; Strange Boutique (Virgin, 1980)<br \/>\n&#8211; Love Zombies (1980)<br \/>\n&#8211; Eligible Bachelors (Cherry Red, 1982)<br \/>\nMOTHER GONG &#8211; Wild Child (Spalax, 1989)<br \/>\nMOTOR TOTEMIST GUILD &#8211; Infra Dig (No Man\u2019s Land, 1984)<br \/>\n&#8211; Contact with Veils (1986)<br \/>\n&#8211; Shapuno Zoo (No Man\u2019s Land, 1988)<br \/>\nNEGATIVLAND &#8211; Negativland (Seeland, 1980)<br \/>\n&#8211; Points (Seeland, 1981)<br \/>\n&#8211; A Big 10 &#8211; 8 Place (Seeland, 1983)<br \/>\n&#8211; Escape from Noise (Seeland, 1987)<br \/>\nNEWS FROM BABEL &#8211; Work Resumed from the Tower (Re, 1984)<br \/>\n&#8211; Letters Home (1986)<br \/>\nNICK MASON &#8211; Nick Mason&#8217;s Fictitious Sports (Harvest, 1981)<br \/>\nNICO &#8211; Drama of Exile (Buda, 1981)<br \/>\nNON CREDO &#8211; Reluctant Hosts (No Man\u2019s Land, 1988)<br \/>\nNURSE WITH WOUND &#8211; The Sylvie and Babs High-Thigh Companion (United Diaries, 1985)<br \/>\n&#8211; Spiral Insana (1986)<br \/>\nOFFICER: Ossification (1984)<br \/>\nO YUKI CONJUGATE &#8211; Into Dark Water\/Undercurrents (Final Image, 1986)<br \/>\nPAOLO CONTE &#8211; Paris Milonga (RCA, 1981)<br \/>\nPASCAL COMELADE \u2013 D\u00e9tail Monochrome (1984)<br \/>\n&#8211; El Primitivismo (Les Disques du Soleil et de l\u2019Acier, 1988)<br \/>\nPAT METHENY &#038; LYLE MAYS &#8211; As Falls Wichita, so Falls Wichita Falls (ECM, 1981)<br \/>\nPAT METHENY (GROUP) &#8211; 80\/81 2xCD (ECM, 1980)<br \/>\n&#8211; Offramp (ECM, 1982)<br \/>\nPAUL MOTIAN &#8211; It Should\u2019ve Happened a Long Time ago (ECM, 1985)<br \/>\nPENGUIN CAFE ORCHESTRA &#8211; Penguin Cafe Orchestra (Editions EG, 1981)<br \/>\n&#8211; Broadcasting from Home (Editions EG, 1984)<br \/>\nPERE UBU &#8211; The Art of Walking (Cooking Vinyl, 1980)<br \/>\n&#8211; Song of the Bailing Man (Cooking Vinyl, 1982)<br \/>\n&#8211; The Tenement Year (Fontana, 1988)<br \/>\n&#8211; Cloudland (Fontana, 1989)<br \/>\nPETER BLEGVAD &#8211; The Naked Shakespeare (Virgin, 1983)<br \/>\n&#8211; Downtime (Recommended, 1988)<br \/>\nPETER HAMMILL &#8211; A Black Box (Static, 1980)<br \/>\n&#8211; Sitting Targets (Virgin, 1981)<br \/>\n&#8211; Enter K (Fie!, 1982)<br \/>\n&#8211; Patience (Fie!, 1983)<br \/>\n&#8211; Skin (Line, 1986)<br \/>\nPFS \u2013 Illustrative Problems (1986)<br \/>\nPHANTOM BAND &#8211; Nowhere (Spoon, 1983)<br \/>\nPOPULAR MECHANICS \u2013 Insect Culture (1987)<br \/>\nPOULES (LES) \u2013 Contes de l\u2019Am\u00e8re-Loi (1986)<br \/>\nPRESENT &#8211; Triskadekaphobie (Cuneiform, 1989)<br \/>\n&#8211; Le Poison qui Rend Fou (1989)<br \/>\nPROPELLER ISLAND &#8211; Hermeneutic Music (Erdenklang, 1988)<br \/>\n&#8211; The Secret Convention (Badland, 1988)<br \/>\nPYROLATOR &#8211; Wunderland (Ata Tak, 1984)<br \/>\nRABIH ABOU-KHALIL &#8211; Between Dusk and Dawn (Enja, 1987)<br \/>\nRECOIL &#8211; 1+2 (Mute, 1986)<br \/>\n&#8211; Hydrology (1988)<br \/>\nRENALDO AND THE LOAF &#8211; The Elbow is Taboo (Some Bizarre, 1987)<br \/>\nREN\u00c9 LUSSIER &#8211; Fin du Travail (Version 1) (Ambiances Magn\u00e9tiques, 1983)<br \/>\n&#8211; Le Tr\u00e9sor de la Langue (Ambiances Magn\u00e9tiques, 1989)<br \/>\nRESIDENTS (THE) &#8211; Commercial Album (Euro Ralph, 1980)<br \/>\n&#8211; Mark of the Mole (East Side Digital, 1981)<br \/>\n&#8211; The Tunes of Two Cities (East Side Digital, 1982)<br \/>\n&#8211; The Big Bubble (Black Shroud, 1985)<br \/>\nRICHARD PINHAS &#8211; L&#8217;\u00c9thique (Cuneiform, 1981)<br \/>\nRICHARD THOMPSON &#8211; Strict Tempo (Topic, 1981)<br \/>\nROBERT-MARCEL LePAGE \u2013 La Travers\u00e9e de la M\u00e9moire Morte (1987)<br \/>\nROBERTO MUSCI &#8211; The Loa of Music (Lowlands, 1984)<br \/>\nROBERTO MUSCI &#038; GIOVANNI VENOSTA &#8211; Water Messages on Desert Sand (Recommended, 1987)<br \/>\n&#8211; Urban and Tribal Portraits (1988)<br \/>\nROBERT RICH &#8211; Trances\/Drones 2xCD (Extreme, 1983)<br \/>\n&#8211; Numena (Fathom, 1987)<br \/>\nROBERT WYATT &#8211; Old Rottenhat (Rough Trade, 1985)<br \/>\nROBIN WILLIAMSON &#8211; Winter&#8217;s Turning (Plant Life, 1986)<br \/>\nROGER ENO &#8211; Voices (Editions EG, 1985)<br \/>\nR. STEVIE MOORE \u2013 Everything you always Wanted to Know&#8230; (1984)<br \/>\nSAMMLA MAMMAS MANNA &#8211; FamilyCracks (Silence, 1980)<br \/>\n&#8211; Zamlaramanna (Resource, 1982)<br \/>\nSCOTT JOHNSON &#8211; John Somebody (Icon, 1986)<br \/>\nSEVERED HEADS &#8211; Since the Accident (Nettwerk, 1983)<br \/>\n&#8211; City Slab Horror (Nettwerk, 1985)<br \/>\nSHANKAR &#8211; Who&#8217;s to Know (ECM, 1981)<br \/>\nSHELLEY HIRSCH &#038; DAVID WEINSTEIN &#8211; Haiku Lingo (Review, 1989)<br \/>\nSKELETON CREW &#8211; Learn to Talk (Rec Rec, 1984)<br \/>\n&#8211; The Country of Blinds (1986)<br \/>\nSNAKEFINGER &#8211; Greener Postures (1980)<br \/>\n&#8211; Manual of Errors (Torso, 1982)<br \/>\nSPACEBOX &#8211; Kick up (Captain Trip, 1984)<br \/>\nSPK \u2013 Zamia Lehmani (1986)<br \/>\nSTEPHAN MICUS &#8211; Wings over Water (ECM, 1982)<br \/>\n&#8211; Ocean (ECM, 1986)<br \/>\n&#8211; The Music of Stones (ECM, 1989)<br \/>\nSTEVE BERESFORD, DAVID TOOP, JOHN ZORN, TONIE MARSHALL &#8211; Deadly Weapons (NATO, 1986)<br \/>\nSTEVE FISK- 448 Deathless Days (SST, 1987)<br \/>\nSTEVE MOORE \u2013 A Quiet Gathering (1988)<br \/>\nSTEVE REICH &#8211; Sextet\/Six Marimbas (Elektra Nonesuch, 1986)<br \/>\nSTEVE ROACH &#8211; Dreamtime Return 2xCD (Fortuna, 1988)<br \/>\nSTEVE ROACH &#038; KEVIN BRAHENY &#8211; Western Spaces (Fortuna, 1987)<br \/>\n&#8211; Desert Solitaire (Fortuna, 1989)<br \/>\nSTEVE TIBBETTS &#8211; Yr (ECM, 1980)<br \/>\nSUSSAN DEIHIM &#038; RICHARD HOROWITZ &#8211; Desert Equations: Azax Attra (Made to Measure, 1986)<br \/>\nTEARDROP EXPLODES (THE) &#8211; Wilder (Mercury, 1981)<br \/>\nTERJE RYPDAL &#8211; Blue (ECM, 1987)<br \/>\nTEST DEPT \u2013 Beating the Retreat (1984)<br \/>\n&#8211; The Unnaceptable Face of Freedom (1986)<br \/>\nTHINKING PLAGUE &#8211; \u2026A Thinking Plague (Cuneiform, 1984)<br \/>\n&#8211; Moonsongs (1986)<br \/>\n&#8211; In this Life (Recommended, 1989)<br \/>\nTHOMAS DINGER &#8211; F\u00fcr Mich (Captain Trip, 1982)<br \/>\nTOM RECCHION &#8211; Chaotica (Birdman, 1986)<br \/>\nTUXEDOMOON &#8211; Half-Mute (Cramboy, 1980)<br \/>\n&#8211; Desire (Cramboy, 1981)<br \/>\n&#8211; Suite en Sous-Sol (Cramboy, 1982)<br \/>\nUNDERTONES (THE) &#8211; Hypnotised (Dojo, 1980)<br \/>\nUNIVERS ZERO &#8211; Ceux du Dehors (Cuneiform, 1980)<br \/>\n&#8211; Heatwave (Cuneiform, 1987)<br \/>\n&#8211; Uzed (Cuneiform, 1988)<br \/>\nURBAN SAX &#8211; Fraction sur le Temps (EPM, 1985)<br \/>\n5 UU&#8217;S &#8211; Bel Marduk &#038; Tiamat (Cuneiform, 1984)<br \/>\n&#8211; Elements (1988)<br \/>\nVANGELIS &#8211; Invisible Connections (Deutsche Grammophon, 1985)<br \/>\nVIRGINIA ASTLEY &#8211; From Gardens where we Feel Secure (Happy Valley, 1983)<br \/>\nVLADIMIR ESTRAGON &#8211; Three Quarks for Muster Mark (Tip Toe, 1989)<br \/>\nVOG\u00cbL EUROPAS (DIE) &#8211; Best Before: (Creative Works, 1989)<br \/>\nWEATHER REPORT &#8211; Night Passage (Columbia, 1980)<br \/>\nWHA HA HA \u2013 Wha Ha Ha (1983)<br \/>\nWHEN \u2013 Death in the Blue Lake (1988)<br \/>\nWIM MERTENS\/SOFT VERDICT &#8211; Vergessen (Les Disques du Cr\u00e9puscule, 1982)<br \/>\n&#8211; For Amusement only (Les Disques du Cr\u00e9puscule, 1983)<br \/>\n&#8211; Struggle for Pleasure (Les Disques du Cr\u00e9puscule, 1983)<br \/>\n&#8211; Maximizing the Audience (Les Disques du Cr\u00e9puscule, 1984)<br \/>\nWONDEUR BRASS \u2013 Ravir (1985)<br \/>\nWORLDS OF LOVE (THE) &#8211; The Worlds of Love (Review, 1989)<br \/>\nX T C &#8211; Black Sea (Toshiba-Virgin, 1980)<br \/>\n&#8211; English Settlement (Toshiba-Virgin, 1982)<br \/>\n&#8211; Mummer (Toshiba-Virgin, 1983)<br \/>\n&#8211; Skylarking (Toshiba-Virgin, 1986)<br \/>\nYELLO &#8211; Claro que Si (Mercury, 1981)<br \/>\n&#8211; You Gotta Say Yes to another Excess (Mercury, 1983)<br \/>\nZERO POP &#8211; All the Big Mystics (Rec Rec, 1988)<br \/>\nZOVIET FRANCE \u2013 Gris (1985)<\/p>\n<p>ALAN STIVELL, HEAVEN 17, KING CRIMSON, SOFT CELL, ANDY SUMMERS\/ROBERT FRIPP, FAD GADGET, PETER GABRIEL, TERRY RILEY, D.A.F., GOLDEN PALOMINOS, MNEMONISTS, AL\u00c9SIA COSMOS, THE ART BARBEQUE, LAIBACH, PETER PRINCIPLE, REGULAR MUSIC, DAVID LINTON, GODARD FANS, BRUCE GILBERT, THE CAMBERWELL NOW, COLLECTIV NOX, MASAHIDE SAKUMA, NEO MUSEUM, ORTHOTONICS, SEMANTICS, THE THE, TOM VAN DER GELD, ARTHUR RUSSELL, SLAGERIJ VAN KAMPEN, STARTLED INSECTS, TEARGARDEN, WAYNE HORVITZ, BOURBONESE QUALK, JAZZ PASSENGERS, MARK STEWART, NIMAL, PHILIP PERKINS, STEVEN BROWN, YASUAKI SHIMIZU, BEM NEILL, BOBBY PREVITE, COIL, DAVID BORDEN\/MOTHER MALLARD, DAVID FULTON, DELERIUM, MIKEL ROUSE BROKEN CONSORT, HEINER GOEBBELS\/HEINER MULLER, JOCKE SODERQVIST, LAST EXIT, THE PRESIDENT, ULUDAG, AGNES BUEN GARNAS\/JAN GARBAREK, BARRY ADAMSON, INVADERS OF THE HEART, PHILIP GLASS, ROBERT MERDZO, SEIGEN ONO e STAN RIDGWAY.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>#143 &#8211; &#8220;F\u00f3rum Sons &#8211; Listas FM &#8211; O melhor dos anos 80&#8221; O melhor dos anos 80: POP, ROCK, JAZZ, ELECTR\u00d3NICA&#8230; AFTER DINNER &#8211; Paradise of Replica (Rec Rec, 1989) ANDRE DUCHESNES &#8211; Le Temps des Bombes (Ambiances Magn\u00e9tiques, 1984) ANDREW POPPY &#8211; The Beating of Wings (ZTT, 1985) ANNETTE PEACOCK &#8211; Sky-Skating (Ironic, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3270,292],"tags":[853,3512],"class_list":["post-10500","post","type-post","status-publish","format-standard","hentry","category-forum-sons","category-listas","tag-listas","tag-listas-anos-80"],"views":461,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=10500"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10500\/revisions"}],"predecessor-version":[{"id":10502,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10500\/revisions\/10502"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=10500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=10500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=10500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}