{"id":10375,"date":"2022-12-05T05:31:21","date_gmt":"2022-12-05T12:31:21","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=10375"},"modified":"2022-12-05T05:31:21","modified_gmt":"2022-12-05T12:31:21","slug":"fernando-magalhaes-no-forum-sons-intervencao-126-hoje-nao-ha-thread-de-discos-ouvidos-mario-z","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2022\/12\/05\/fernando-magalhaes-no-forum-sons-intervencao-126-hoje-nao-ha-thread-de-discos-ouvidos-mario-z\/","title":{"rendered":"Fernando Magalh\u00e3es no &#8220;F\u00f3rum Sons&#8221; &#8211; Interven\u00e7\u00e3o #126 &#8211; &#8220;Hoje n\u00e3o h\u00e1 thread de discos ouvidos (M\u00e1rio Z.)&#8221;"},"content":{"rendered":"<p><strong>#126 &#8211; &#8220;Hoje n\u00e3o h\u00e1 thread de discos ouvidos (M\u00e1rio Z.)&#8221;<\/strong><\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 200;\ngoogle_ad_height = 200;\ngoogle_ad_format = \"200x200_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p><strong>Fernando Magalh\u00e3es<\/strong><br \/>\n12.07.2002 160453<br \/>\nO BERNARD PARMEGIANi \u00e9 provavelmente o mais importante compositor de m\u00fasica eletr\u00f3nica\/eletroac\u00fastica deste s\u00e9culo, \u00e0 frente dos igualmente importantes FRAN\u00c7OIS BAYLE, MICHEL CHION, MICHEL REDOLFI, CHRISTIAN Z\u00c1NESI, etc, ou seja, a escola francesa ligada \u00e0 INA. GRM (Institut National de L&#8217;Audiovisuel &#8211; Groupe de Recherches Musicales), que \u00e9 tamb\u00e9m uma editora, aquela, ali\u00e1s, onde &#8220;La Cr\u00e9ation du Monde&#8221; foi editada. Esta pe\u00e7a foi composta entre 1982 e 1984 e a primeira edi\u00e7\u00e3o em disco, creio, \u00e9 de 1991. O CD que tenho \u00e9 j\u00e1 de 2000. <\/p>\n<p>&#8220;La Cr\u00e9ation du Monde&#8221; \u00e9, juntamente com &#8220;De Natura Sonorum&#8221;, uma das obras fulcrais do compositor, de quem, ali\u00e1s, escrevi h\u00e1 uns anos uma cr\u00edtica no SONS, a prop\u00f3sito de uma edi\u00e7\u00e3o pela Ananana (?), Mat\u00e9ria Prima (?), de outro \u00e1lbum excelente, &#8220;Pop&#8217;Eclectic&#8221;. <\/p>\n<p>&#8220;la Cr\u00e9ation du Monde&#8221; \u00e9, de certa forma, tamb\u00e9m a cria\u00e7\u00e3o da m\u00fasica. Uma magma de eletr\u00f3nica \u00e0 base de texturas e granulados que v\u00e3o do tel\u00farico ao celestial, sons &#8220;sens\u00edveis&#8221;, quase palp\u00e1veis, numa metamorfose constante em busca da luz. Entre a abstra\u00e7\u00e3o &#8220;monstruosa&#8221; e pulsa\u00e7\u00f5es c\u00f3smicas, uma obra total. Fennesz e os tipos todos que s\u00f3 agora aprenderam a gatinhar \ud83d\ude00 devem tudo a este senhor. <\/p>\n<p>\u00c9s capaz de gostar muito \u00e9 do FRAN\u00c7OIS BAYLE, cuja m\u00fasica \u00e9 mais rendilhada e, em certo sentido, subtil e delicada, mais pr\u00f3xima da eletr\u00f3nica que se fala aqui no f\u00f3rum. Todos estes CDs se encontram na VGM (no Pr\u00edncipe-Real, o &#8220;Para\u00edso&#8221; da eletr\u00f3nica contempor\u00e2nea, mas tamb\u00e9m m\u00fasica antiga, edi\u00e7\u00f5es de jazz fabulosas j\u00e1 retiradas do mercado, etc). <\/p>\n<p>FM<\/p>\n","protected":false},"excerpt":{"rendered":"<p>#126 &#8211; &#8220;Hoje n\u00e3o h\u00e1 thread de discos ouvidos (M\u00e1rio Z.)&#8221; Fernando Magalh\u00e3es 12.07.2002 160453 O BERNARD PARMEGIANi \u00e9 provavelmente o mais importante compositor de m\u00fasica eletr\u00f3nica\/eletroac\u00fastica deste s\u00e9culo, \u00e0 frente dos igualmente importantes FRAN\u00c7OIS BAYLE, MICHEL CHION, MICHEL REDOLFI, CHRISTIAN Z\u00c1NESI, etc, ou seja, a escola francesa ligada \u00e0 INA. GRM (Institut National de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[369,81,1639,7,3270],"tags":[143,3482,3444,3442,3481,3408],"class_list":["post-10375","post","type-post","status-publish","format-standard","hentry","category-avant-gard","category-contemporanea","category-electronic-pioneers","category-electronica","category-forum-sons","tag-bernard-parmegiani","tag-christian-zanesi","tag-francois-bayle","tag-ina-grm","tag-michel-chion","tag-michel-redolfi"],"views":521,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=10375"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10375\/revisions"}],"predecessor-version":[{"id":10376,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10375\/revisions\/10376"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=10375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=10375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=10375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}