{"id":10332,"date":"2022-11-22T08:12:03","date_gmt":"2022-11-22T15:12:03","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=10332"},"modified":"2022-11-22T08:12:03","modified_gmt":"2022-11-22T15:12:03","slug":"fernando-magalhaes-no-forum-sons-intervencao-118-pos-punk-lista-fm","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2022\/11\/22\/fernando-magalhaes-no-forum-sons-intervencao-118-pos-punk-lista-fm\/","title":{"rendered":"Fernando Magalh\u00e3es no &#8220;F\u00f3rum Sons&#8221; &#8211; Interven\u00e7\u00e3o #118 &#8211; &#8220;P\u00f3s-punk Lista (FM)&#8221;"},"content":{"rendered":"<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 250;\ngoogle_ad_height = 250;\ngoogle_ad_format = \"250x250_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p><strong>#118 &#8211; &#8220;P\u00f3s-punk Lista (FM)&#8221;<\/strong><\/p>\n<p><strong>Fernando Magalh\u00e3es<\/strong><br \/>\n24.06.2002 160406<br \/>\nP\u00f3s-Punk e&#8230; <\/p>\n<p>Os discos que a seguir se apresentam s\u00e3o, essencialmente, deriva\u00e7\u00f5es ou reac\u00e7\u00f5es \u00e0 atitude e\/ou est\u00e9tica punk. Entre o rock industrial e a coldwave, o art-rock e a electropop. Alguma desta m\u00fasica nasce historicamente do punk. Outra j\u00e1 vem de tr\u00e1s mas relaciona-se historicamente com ele. Em comum t\u00eam a recusa do primarismo e a vontade de propor novos caminhos, sejam eles t\u00e3o niilistas como a \u201cindustrial music\u201d ou apostados no resurgimento da complexidade e onirismo do Progressivo. At\u00e9 mesmo na ressurrei\u00e7\u00e3o da pop cl\u00e1ssica dos anos 60 (caso dos Monochrome Set) ou do rock (Anthony Moore) Depois, entre 1978 e 1980, a electr\u00f3nica e as m\u00e1quinas ganharam espa\u00e7o de manobra, a temperatura baixou. Mais c\u00e9rebro e menos cora\u00e7\u00e3o&#8230;Coisas terr\u00edveis surgiram, outras simplesmente coincidentes com o esp\u00edrito da \u00e9poca. Outras ainda namorando descaradamente o desconhecido que ainda hoje n\u00e3o tem nome. <\/p>\n<p>ANTHONY MOORE: Flying doesn\u2019t Help (1979)<br \/>\nART BEARS: Hopes and Fears (1978)<br \/>\nWinter Songs (1979)<br \/>\nART ZOYD: Musique pour l\u2019Odyss\u00e9e (1979)<br \/>\nBRIAN ENO: Before and After Science (1977)<br \/>\nCABARET VOLTAIRE: Mix-up (1979)<br \/>\nVoice of America (1980)<br \/>\nCHROME \u2013 Half Machine Lip Moves (1978)<br \/>\nRed Exposure (1980)<br \/>\nCLUSTER &#038; ENO: Cluster &#038; Eno (1977)<br \/>\nCONRAD SCHNITZLER: Blue Glow (1979)<br \/>\nCONVENTUM: A L\u2019Affut d\u2019un Complot (1977)<br \/>\nLe Bureau Central des Utopies (1979)<br \/>\nDAEVID ALLEN: Opium for the People (1978)<br \/>\nDAVID BOWIE: Low (1977)<br \/>\nHeroes (1978)<br \/>\nLodger (1979)<br \/>\nDEVO: Q: Are we not Men? We are Devo! (1978)<br \/>\nDuty now for the Future (1979)<br \/>\nENO, MOEBIUS, ROEDELIUS: After the Heat (1978)<br \/>\nESKATON: 4 Visions (1979)<br \/>\nETRON FOU LELOUBLAN: Batelages (1977)<br \/>\nFAD GADGET: Incontinent<br \/>\nUnder the Flag<br \/>\nTHE FLYING LIZARDS: The Flying Lizards (1980)<br \/>\nGLENN BRANCA &#8211; The Ascension (1981)<br \/>\nHELDON: Un R\u00eave sans Cons\u00e9quence Sp\u00e9cial (1976)<br \/>\nInterface (1977)<br \/>\nStand by (19799<br \/>\nHENRY COW: Western Culture (1979)<br \/>\nHUMAN LEAGUE (THE) \u2013 Reproduction (1979)<br \/>\nTravelogue (1980)<br \/>\nIGGY POP: The Idiot (1977)<br \/>\nKRAFTWERK: Trans Europe Express (1977)<br \/>\nThe Man Machine (1978)<br \/>\nLEGENDARY PINK DOTS: Island of Jewels<br \/>\nL. VOAG: The Way out (1979)<br \/>\nMARTIN REV &#8211; Martin Rev (1980)<br \/>\nMOEBIUS &#038; PLANK &#8211; Rastakraut Pasta (1980)<br \/>\n&#8211; Material (1981)<br \/>\nMONOCHROME SET (THE) &#8211; Strange Boutique (1980)<br \/>\n&#8211; Love Zombies (1980)<br \/>\n&#8211; Eligible Bachelors (1982)<br \/>\nNEGATIVLAND &#8211; Negativland (1980)<br \/>\nPoints (1981)<br \/>\nNEW YORK GONG : About Time (1979)<br \/>\nPERE UBU \u2013 The Modern Dance (1978)<br \/>\nDub Housing (1978)<br \/>\nNew Picnic Time (1979)<br \/>\nThe Art of Walking (1980)<br \/>\nPETER HAMMILL \u2013 The Future now (1978)<br \/>\nPH7 (1979)<br \/>\nA Black Box (1980)<br \/>\nTHE RESIDENTS: Not Available (1978)<br \/>\nFingerprince (1979)<br \/>\nEskimo (1979)<br \/>\nRICHARD PINHAS \u2013 Rhizosph\u00e8re (1977)<br \/>\nChronolyse (1978)<br \/>\nIceland (1979)<br \/>\nROBERT FRIPP: Exposure (1979)<br \/>\nSNAKEFINGER &#8211; Greener Postures (1980)<br \/>\nSUICIDE: Suicide (1977)<br \/>\nAlan Vega \u2013 Martin Rev \u2013 Suicide (1980)<br \/>\nTALKING HEADS \u2013 More Songs about Buildings and Food (1978)<br \/>\nFear of Music (1979)<br \/>\nTELEX: Neurovision<br \/>\nTHIS HEAT \u2013 This Heat (1979)<br \/>\nDeceit (1981)<br \/>\nTHOMAS LEER &#038; ROBERT RENTAL: The Bridge (1979)<br \/>\nTUXEDOMOON &#8211; Half-Mute (1980)<br \/>\n&#8211; Desire (1981)<br \/>\nUNIVERS ZERO: H\u00e9r\u00e9sie (1979)<br \/>\nCeux du Dehors (1980)<br \/>\nURBAN SAX: Urban Sax (1977)<br \/>\nVAN DER GRAAF: The Quiet Zone\/The Pleasure Dome (1977)<br \/>\nWALL OF VOODOO: Dark Continent<br \/>\nCall of the West<br \/>\nZNR: Barricade 3 (1977)<br \/>\nTraite de M\u00e9canique Populaire (1979) <\/p>\n<p>FM<\/p>\n","protected":false},"excerpt":{"rendered":"<p>#118 &#8211; &#8220;P\u00f3s-punk Lista (FM)&#8221; Fernando Magalh\u00e3es 24.06.2002 160406 P\u00f3s-Punk e&#8230; Os discos que a seguir se apresentam s\u00e3o, essencialmente, deriva\u00e7\u00f5es ou reac\u00e7\u00f5es \u00e0 atitude e\/ou est\u00e9tica punk. Entre o rock industrial e a coldwave, o art-rock e a electropop. Alguma desta m\u00fasica nasce historicamente do punk. Outra j\u00e1 vem de tr\u00e1s mas relaciona-se historicamente [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3270,292,107,105],"tags":[3475],"class_list":["post-10332","post","type-post","status-publish","format-standard","hentry","category-forum-sons","category-listas","category-new-wave","category-post-punk","tag-lista"],"views":568,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=10332"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10332\/revisions"}],"predecessor-version":[{"id":10333,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10332\/revisions\/10333"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=10332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=10332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=10332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}