{"id":10246,"date":"2022-10-22T09:42:11","date_gmt":"2022-10-22T16:42:11","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=10246"},"modified":"2022-10-22T09:42:11","modified_gmt":"2022-10-22T16:42:11","slug":"fernando-magalhaes-no-forum-sons-intervencao-101-os-meus-melhores-186-albuns-de-sempre-fm","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2022\/10\/22\/fernando-magalhaes-no-forum-sons-intervencao-101-os-meus-melhores-186-albuns-de-sempre-fm\/","title":{"rendered":"Fernando Magalh\u00e3es no &#8220;F\u00f3rum Sons&#8221; &#8211; Interven\u00e7\u00e3o #101 &#8211; &#8220;Os (meus) melhores 186 \u00e1lbuns de sempre (FM)&#8221;"},"content":{"rendered":"<p><strong>#101 &#8211; &#8220;Os (meus) melhores 186 \u00e1lbuns de sempre (FM)&#8221;<\/strong><\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 234;\ngoogle_ad_height = 60;\ngoogle_ad_format = \"234x60_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p><strong>Fernando Magalh\u00e3es<\/strong><br \/>\n24.04.2002 160400<br \/>\nPOP <\/p>\n<p>AMON D\u00dc\u00dcL II &#8211; Yeti (1970)<br \/>\nAMON TOBIN &#8211; Supermodified (2000)<br \/>\nANTHONY MOORE &#8211; Flying doesn&#8217;t Help (1979)<br \/>\nART BEARS &#8211; Hopes and Fears (1978)<br \/>\nART ZOYD &#8211; Berlin (1987)<br \/>\nASHRA &#8211; New Age of Earth (1976)<br \/>\nBEACH BOYS (THE) &#8211; Pet Sounds (1967)<br \/>\n&#8211; Wild Honey (1968)<br \/>\nBEATLES (THE) &#8211; Revolver (1966)<br \/>\n&#8211; Sgt. Pepper&#8217;s Lonely Hearts Club Band (1967)<br \/>\n&#8211; The Beatles (1968)<br \/>\nBRIAN ENO &#8211; Another Green World (1975)<br \/>\n&#8211; Before and After Science (1977)<br \/>\nBYRDS (THE) &#8211; Younger than Yesterday (1967)<br \/>\n&#8211; The Notorious Byrd Brothers (1968)<br \/>\nCAN &#8211; Tago Mago (1971)<br \/>\n&#8211; Ege Bamyasi (1972)<br \/>\n&#8211; Future Days (1973)<br \/>\nCAPTAIN BEEFHEART &#038; HIS MAGIC BAND &#8211; Trout Mask Replica (1969)<br \/>\n&#8211; Shiny Beast (Bat Chain Puller) (1979)<br \/>\nCARAVAN &#8211; If I Could do it all over again, I&#8217;d do it all over you (1970)<br \/>\n&#8211; In the Land of Grey and Pink (1971)<br \/>\nCLUSTER &#8211; Cluster II (1972)<br \/>\n&#8211; Zuckerzeit (1974)<br \/>\nCONRAD SCHNITZLER &#8211; Rot (1973)<br \/>\nCURVED AIR &#8211; Phantasmagoria (1972)<br \/>\nDAVID BOWIE &#8211; The Man who Sold the World (1970)<br \/>\n&#8211; Diamond Dogs (1975)<br \/>\n&#8211; Heroes (1977)<br \/>\nDEVO &#8211; Q: Are we not Men? A: We are Devo! (1978)<br \/>\nDOORS (THE) &#8211; Strange Days (1967)<br \/>\nEGG &#8211; The Polite Force (1970)<br \/>\nFAUST- Faust (1971)<br \/>\n&#8211; So Far (1972)<br \/>\n&#8211; The Faust Tapes (1973)<br \/>\nFENNESZ &#8211; + 47\u00ba 56\u2019 37\u2019\u2019 &#8211; 16\u00ba 51\u2019 08\u2019\u2019 (1999)<br \/>\nFRANK ZAPPA &#8211; We&#8217;re only in it for the Money (1967)<br \/>\n&#8211; Burnt Weeny Sandwich (1969)<br \/>\n&#8211; Hot Rats (1969)<br \/>\nFRED FRITH &#8211; Gravity (1980)<br \/>\n&#8211; Speechless (1981)<br \/>\nGENESIS &#8211; Nursery Cryme (1971)<br \/>\n&#8211; The Lamb Lies down on Broadway (1974)<br \/>\nGENTLE GIANT &#8211; Acquiring the Taste (1971)<br \/>\n&#8211; Three Friends (1972)<br \/>\nGONG &#8211; Radio Gnome Invisible, Part 2: Angel&#8217;s Egg (1973)<br \/>\n&#8211; You (1974)<br \/>\nGURU GURU &#8211; K\u00e4nguru (1972)<br \/>\nHARMONIA &#8211; Musik von Harmonia (1974)<br \/>\n&#8211; DeLuxe (1975)<br \/>\nHAROLD BUDD\/BRIAN ENO &#8211; Ambient #2 The Plateaux of Mirror (1980)<br \/>\n&#8211; The Pearl (1984)<br \/>\nHATFIELD AND THE NORTH &#8211; Hatfield and the North (1973)<br \/>\nHELDON &#8211; Un R\u00eave sans Cons\u00e9quence Sp\u00e9ciale (1976)<br \/>\nHENRY COW &#8211; The Henry Cow Leg End (1973)<br \/>\n&#8211; In Praise of Learning (1975)<br \/>\nHOLGER CZUKAY- On the Way to the Peak of Normal (1980)<br \/>\nHOLGER HILLER &#8211; Ein B\u00fcndel Faulnis in der Grube (1984)<br \/>\n&#8211; Oben im Eck (1986)<br \/>\nHUGH HOPPER &#8211; 1984 (1972)<br \/>\nINCREDIBLE STRING BAND (THE) &#8211; 5000 Spirits or the Cayers of the<br \/>\nOnion (1967)<br \/>\n-The Hangman&#8217;s Beautiful Daughter (1968)<br \/>\nJETHRO TULL &#8211; Aqualung (1971)<br \/>\n&#8211; A Passion Play (1973)<br \/>\nJIMI HENDRIX &#8211; Axis: Bold as Love (1967)<br \/>\n&#8211; Electric Ladyland (1969)<br \/>\nJOCELYN ROBERT &#8211; Stat-Live-Moniteur (1986)<br \/>\nJOHN &#038; BEVERLEY MARTYN &#8211; Stormbringer (1970)<br \/>\nJOHN CALE &#8211; Fear (1974)<br \/>\n&#8211; Music for a New Society (1982)<br \/>\nJOHN MAYALL- Blues from Laurel Canyon (1968)<br \/>\nJON HASSELL &#8211; City: Works of Fiction (1990)<br \/>\nJON HASSELL\/BRIAN ENO &#8211; Fourth World, Vol. 1 Possible Musics (1980)<br \/>\nJONI MITCHELL &#8211; The Hissing of Summer Lawns (1975)<br \/>\n&#8211; Mingus (1979)<br \/>\nJULIAN COPE &#8211; Interpreter (1996)<br \/>\nKEVIN AYERS &#8211; Joy of a Toy (1970)<br \/>\n&#8211; Shooting at the Moon (1971)<br \/>\nKING CRIMSON &#8211; Lizard (1970)<br \/>\n&#8211; Larks&#8217; Tongues in Aspic (1973)<br \/>\nKINKS (THE) &#8211; Face to Face (1966)<br \/>\n&#8211; Something else (1967)<br \/>\nKLAUS SCHULZE &#8211; Mirage (1977)<br \/>\nKRAFTWERK &#8211; Kraftwerk (1971)<br \/>\n&#8211; Ralf &#038; Florian (1973)<br \/>\n&#8211; Autobahn (1974)<br \/>\nKREIDLER &#8211; Appearance and the Park (1998)<br \/>\nLAURIE ANDERSON &#8211; Strange Angels (1989)<br \/>\nLEGENDARY PINK DOTS (THE) &#8211; Asylum (1985)<br \/>\nLOU REED &#8211; Berlin (1973)<br \/>\nLOVE- Forever Changes (1967)<br \/>\nMAGMA &#8211; Magma 2xCD (1970)<br \/>\n&#8211; 1001\u00ba Centigrades (1971)<br \/>\n&#8211; K\u00f6hntark\u00f6sz (1974)<br \/>\nMAGNA CARTA &#8211; Seasons (1970)<br \/>\nMARIANNE FAITHFULL- Strange Weather (1987)<br \/>\nMARY COUGHLAN &#8211; Uncertain Pleasures (1990)<br \/>\nMATCHING MOLE &#8211; Matching Mole&#8217;s Little Red Record (1972)<br \/>\nMATILDE SANTING &#8211; Water under the Bridge (1985)<br \/>\nMEIRA ASHER &#8211; Spears into Hooks (1999)<br \/>\nMONOCHROME SET (THE) &#8211; Eligible Bachelors (1982)<br \/>\nMOTOR TOTEMIST GUILD &#8211; City of Mirrors (1999)<br \/>\nMOUSE ON MARS &#8211; Iaora Tahiti (1995)<br \/>\nMUTANTES &#8211; A Divina Com\u00e9dia ou Ando Meio Desligado (1970)<br \/>\nNEGATIVLAND &#8211; Escape from Noise (1987)<br \/>\n&#8211; Free (1993)<br \/>\nNEU! &#8211; Neu!\u201975 (1975)<br \/>\nNICK DRAKE &#8211; Five Leaves Left (1970)<br \/>\n&#8211; Bryter Layter (1970)<br \/>\nNICK MASON &#8211; Nick Mason&#8217;s Fictitious Sports (1981)<br \/>\nNICO &#8211; The Marble Index (1969)<br \/>\n&#8211; The End&#8230; (1974)<br \/>\nNURSE WITH WOUND-The Sylvie and Babs High-Thigh Companion (1986)<br \/>\nPERE UBU &#8211; The Modern Dance (1978)<br \/>\n&#8211; Dub Housing (1978)<br \/>\n&#8211; The Tenement Year (1988)<br \/>\nPETER HAMMILL &#8211; In Camera (1974)<br \/>\n&#8211; Over (1977)<br \/>\n&#8211; The Future now (1978)<br \/>\n&#8211; A Black Box (1980)<br \/>\nPINK FLOYD &#8211; The Piper at the Gates of Dawn (1967)<br \/>\n&#8211; Ummagumma (1969)<br \/>\n&#8211; Atom Heart Mother (1970)<br \/>\nPOLLY JEAN HARVEY &#8211; Is this Desire? (1998)<br \/>\nPOPOL VUH &#8211; Affenstunde (1971)<br \/>\nRESIDENTS (THE) &#8211; Not Available (1978)<br \/>\n&#8211; Mark of the Mole (1981)<br \/>\nRICHARD AND LINDA THOMPSON &#8211; I Want to See the Bright Lights<br \/>\nTonight (1974)<br \/>\nROBERTO MUSCI &#038; GIOVANNI VENOSTA- Water Messages on Desert<br \/>\nSand (1987)<br \/>\n&#8211; Urban and Tribal Portraits (1988)<br \/>\nROBERT RICH &#038; BRIAN LUSTMORD &#8211; Stalker (1995)<br \/>\nROBERT WYATT &#8211; The End of an Ear (1971)<br \/>\n&#8211; Rock Bottom (1974)<br \/>\n&#8211; Shleep (1997)<br \/>\nROLLING STONES (THE) &#8211; Between the Buttons (1967)<br \/>\n&#8211; Their Satanic Majesties Request (1967)<br \/>\n&#8211; Beggar&#8217;s Banquet (1968)<br \/>\nROXY MUSIC &#8211; Roxy Music (1972)<br \/>\n&#8211; For your Pleasure (1973)<br \/>\n&#8211; Stranded (1973)<br \/>\nSLAPP HAPPY+HENRY COW &#8211; Desperate Straights (1975)<br \/>\nSOFT MACHINE (THE) &#8211; Volume Two (1969)<br \/>\n&#8211; Third (1970)<br \/>\nSTEVE BERESFORD, DAVID TOOP, JOHN ZORN, TONIE MARSHALL<br \/>\n&#8211; Deadly Weapons (1986)<br \/>\nSTEVE MOORE &#8211; A Quiet Gathering (1989)<br \/>\nSUICIDE &#8211; Suicide (1977)<br \/>\nSUZANNE VEGA &#8211; Days of Open Hand (1990)<br \/>\nTALKING HEADS &#8211; More Songs about Buildings and Food (1978)<br \/>\n&#8211; Fear of Music (1979)<br \/>\nTANGERINE DREAM &#8211; Phaedra (1974)<br \/>\n&#8211; Rubycon (1975)<br \/>\nTELE:FUNKEN &#8211; A Collection of Ice-Cream Vans Vol.2 (2000)<br \/>\nTHINKING PLAGUE &#8211; In this Life (1989)<br \/>\nTIM BUCKLEY &#8211; Happy Sad (1969)<br \/>\n&#8211; Lorca (1970)<br \/>\nTODD RUNDGREN &#8211; A Wizard, a True Star (1973)<br \/>\nTOM WAITS &#8211; Small Change (1976)<br \/>\n&#8211; Swordfishtrombones (1983)<br \/>\n&#8211; Bone Machine (1992)<br \/>\nTONE REC &#8211; Pholcus (1998)<br \/>\nTO ROCOCO ROT &#8211; Veiculo (1997)<br \/>\nTORTOISE- Millions now Living will never Die (1996)<br \/>\nUNIVERS ZERO &#8211; Ceux du Dehors (1980)<br \/>\n5 UU&#8217;S &#8211; Elements (1988)<br \/>\n&#8211; Hunger&#8217;s Teeth (1994)<br \/>\nVAN DER GRAAF GENERATOR &#8211; The Least We Can do is Wave to each<br \/>\nother (1969)<br \/>\n&#8211; H to He who am the only one (1970)<br \/>\n&#8211; Pawn Hearts (1971)<br \/>\n&#8211; Godbluff (1975)<br \/>\n&#8211; Still Life (1976)<br \/>\nVAN DYKE PARKS &#8211; Song Cycle (1968)<br \/>\nVELVET UNDERGROUND (THE) &#8211; The Velvet Underground &#038; Nico (1967)<br \/>\n&#8211; The Velvet Underground (1968)<br \/>\nWALTER WEGM\u00dcLLER &#8211; Tarot (1973)<br \/>\nWHITE NOISE &#8211; An Electric Storm (1969)<br \/>\nWIGWAM &#8211; Being (1973)<br \/>\nX T C &#8211; Mummer (1983)<br \/>\n&#8211; Skylarking (1986)<br \/>\nYELLO &#8211; You Gotta Say Yes to another Excess (1983)<br \/>\nYES &#8211; The Yes Album (1971)<br \/>\n&#8211; Close to the Edge (1972)<br \/>\n&#8211; Relayer (1974)<br \/>\nZ N R &#8211; Barricade 3 (1977)<br \/>\nZOMBIES (THE) &#8211; Odessey &#038; Oracle (1968) <\/p>\n<p>FM <\/p>\n<p>PS-Esta lista deixa de fora, obviamente, discos de folk, jazz, contempor\u00e2nea, etc&#8230;<\/p>\n<p><strong>Pedro_M<\/strong><br \/>\n24.04.2002 170502<br \/>\nIncredible String Band! \ud83d\ude42<\/p>\n<p>Estranhei o Nick Mason, mas fui ver ao All Music e j\u00e1 percebi. O melhor do Tim Buckley, para mim, \u00e9 o &#8220;Starsailor&#8221;.<\/p>\n<p>Fernando Magalh\u00e3es<br \/>\n24.04.2002 180634<br \/>\n&#8220;Fictitious Sports&#8221; \u00e9 um colosso de originalidade e humor. A combina\u00e7\u00e3o Carla Bley + Robert Wyatt revela-se explosiva e de um surrealismo que, francamente, n\u00e3o encontro em mais nenhum \u00e1lbum de rock.<br \/>\nO Nick Mason limita-se a produzir e a tocar bateria. <\/p>\n<p>Quanto ao &#8220;Starsailor&#8221; ser o melhor de T. Buckey, tamb\u00e9m \u00e9 a minha opini\u00e3o, embora apenas tenha ouvido uma c\u00f3pia pirata do mesmo e apenas uma vez.<br \/>\nA quest\u00e3o est\u00e1 em que, praticamente, como sabes, esse disco desapareceu de circula\u00e7\u00e3o. N\u00c3O ME DIGAS QUE O TENS? :O<br \/>\nA lista que apresento inclui apenas discos que fazem parte da minha cole\u00e7\u00e3o, da\u00ed que&#8230;<br \/>\nTamb\u00e9m tenho o &#8220;Goodbye and Hello&#8221;, que tamb\u00e9m \u00e9 muito bom. <\/p>\n<p>Quanto aos Incredible String Band- sou fan\u00e1tico. \u00c9 uma das bandas mais estranhas do Psicadelismo (vers\u00e3o folk).<br \/>\nTudo o que gravaram at\u00e9 &#8220;Liquid Acrobat as Regards the Air&#8221; \u00e9 excelente. J\u00e1 se falou deles por aqui, h\u00e1 tempos&#8230; <\/p>\n<p>FM<\/p>\n<p><strong>Fernando Magalh\u00e3es<\/strong><br \/>\n26.04.2002 190727<br \/>\n\u201cDas duas uma: ou as obras primas foram quase todas editadas nessa altura (e tivemos todos um azar dos diabos em ter nascido com 2 d\u00e9cadas de atraso :D) ou j\u00e1 n\u00e3o ouves m\u00fasica com o mesmo entusiasmo de antigamente (oh tempo \/ vooltaaa pa tr\u00e1ss). \u201c<br \/>\n________________________________________<\/p>\n<p>Ol\u00e1 MN \ud83d\ude00<\/p>\n<p>Eu lamento ter que dizer isto, mas \u00e9 verdade: Tiveste (tiveram) um azar dos diabos. Eu bem vos avisei que nascessem antes, mas n\u00e3o me quiseram dar ouvidos!!!! AGORA N\u00c3O SE LAMENTEM!!!!!!<br \/>\n\ud83d\ude00<\/p>\n<p>Num registo s\u00e9rio: N\u00e3o ou\u00e7o hoje m\u00fasica com menos entusiasmo do que ouvia em qualquer outra \u00e9poca da minha vida. <\/p>\n<p>Acontece que nos anos 70 (os 60 ouvi-os &#8220;a posteriori&#8221;, fui descobrindo aos poucos, j\u00e1 muito mais tarde) a m\u00fasica que se fazia era, regra geral, ou execr\u00e1vel ou simplesmente fora de s\u00e9rie. <\/p>\n<p>havia liberdade para gravar o que quer que fosse, em qualquer registo entre a imbecilidade pura e o sublime. <\/p>\n<p>Al\u00e9m disso, a tecnologia encontrava-se numa fase de desenvolvimento muito especial. Uma melhoria imensa relativamente \u00e0 d\u00e9cada anterior, mas longe dos automatismos que come\u00e7aram a fazer-se sentir sobretudo a partir dos anos 80.<br \/>\nEra um est\u00edmulo para a criatividade do m\u00fasico em vez de um substituto. Mas tenho pouco tempo agora p\/desenvolver este t\u00f3pico. <\/p>\n<p>Depois, as drogas eram outras, o que era tamb\u00e9m muito importante. Uma coisa \u00e9 m\u00fasica induzida (ou sugerida) pelo LSD, outra completamente diferente a resultante da hero\u00edna (j\u00e1 bastante disseminada nos 70&#8217;s, de resto&#8230; ex-Velvet Underground) ou de pastilhas estimulantes como a &#8220;ecstasy&#8221;. <\/p>\n<p>Curiosamente tamb\u00e9m no jazz e na folk, grande parte das obras-primas foram gravadas nos 70s! <\/p>\n<p>Mas vou ter que sair agora. Penso que este tema poder dar uma &#8220;pol\u00e9mica&#8221; engra\u00e7ada. <\/p>\n<p>sauda\u00e7\u00f5es <\/p>\n<p>FM<\/p>\n","protected":false},"excerpt":{"rendered":"<p>#101 &#8211; &#8220;Os (meus) melhores 186 \u00e1lbuns de sempre (FM)&#8221; Fernando Magalh\u00e3es 24.04.2002 160400 POP AMON D\u00dc\u00dcL II &#8211; Yeti (1970) AMON TOBIN &#8211; Supermodified (2000) ANTHONY MOORE &#8211; Flying doesn&#8217;t Help (1979) ART BEARS &#8211; Hopes and Fears (1978) ART ZOYD &#8211; Berlin (1987) ASHRA &#8211; New Age of Earth (1976) BEACH BOYS (THE) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3270,292,44,10],"tags":[853,3432],"class_list":["post-10246","post","type-post","status-publish","format-standard","hentry","category-forum-sons","category-listas","category-pop","category-rock","tag-listas","tag-listas-do-fm"],"views":410,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10246","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=10246"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10246\/revisions"}],"predecessor-version":[{"id":10247,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10246\/revisions\/10247"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=10246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=10246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=10246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}