{"id":10185,"date":"2022-10-12T07:29:46","date_gmt":"2022-10-12T14:29:46","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=10185"},"modified":"2022-10-12T07:30:07","modified_gmt":"2022-10-12T14:30:07","slug":"fernando-magalhaes-no-forum-sons-intervencao-91-a-grande-lista___rio-recommended-fm","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2022\/10\/12\/fernando-magalhaes-no-forum-sons-intervencao-91-a-grande-lista___rio-recommended-fm\/","title":{"rendered":"Fernando Magalh\u00e3es no &#8220;F\u00f3rum Sons&#8221; &#8211; Interven\u00e7\u00e3o #91 &#8211; &#8220;A grande lista___RIO-Recommended (FM)&#8221;"},"content":{"rendered":"<p><strong>#91 &#8211; &#8220;A grande lista___RIO-Recommended (FM)&#8221;<\/strong><\/p>\n<p><strong>Fernando Magalh\u00e3es<\/strong><br \/>\n21.03.2002 190700<br \/>\nTodos estes discos t\u00eam, de uma maneira ou de outra, a ver com o esp\u00edrito RIO (\u201cRock in Opposition\u201d) disseminado ao longo dos anos 80 e 90 pela editora\/distribuidora Recommended <\/p>\n<p>Eletr\u00f3nica, jazz, eletr\u00f3nica, colagem, rock de c\u00e2mara, m\u00fasica contempor\u00e2nea, falsa \u00e9tnica, pop, excentricidades de todo o tipo&#8230; <\/p>\n<p>J\u00e1 agora, na edi\u00e7\u00e3o que tenho dos K. Surfers, n\u00e3o vem a data de edi\u00e7\u00e3o original do \u201cLiving&#8230;\u201d (\u00e9 198?). Buddah, podes ver qual \u00e9, pf, para eu completar o ficheiro? <\/p>\n<p>AFTER DINNER <\/p>\n<p>0755 &#8211; Paradise of Replica (Rec Rec, 1989) \u2013 Jan.90, Dez.91 \u2013 29.48 <\/p>\n<p>AKSAK MABOUL <\/p>\n<p>0374 &#8211; Un Peu de l&#8217;\u00c2me des Bandits (Atem\/Crammed, 1979) \u2013 Nov.87, Mar.96 \u2013 51.05 <\/p>\n<p>ALBERT MARCOEUR <\/p>\n<p>1678 &#8211; Sports &#038; Percussions (Concord, 1994) \u2013 Out.95 \u2013 42.00 <\/p>\n<p>ANDRE DUCHESNES <\/p>\n<p>0653 &#8211; Le Temps des Bombes (Ambiances Magn\u00e9tiques, 1984) \u2013 Jul.89, Dez.97 \u2013 40.26 <\/p>\n<p>ART BEARS <\/p>\n<p>0198 &#8211; Hopes and Fears (R\u00e9, 1978) \u2013 Dez.80, Out.92 \u2013 64.38 R<br \/>\n0187 &#8211; Winter Songs (Ralph, 1979) \u2013 Set.80, Set.93 \u2013 69.50<br \/>\n&#8211; The World as it is Today (1980) \u2013 Nov.88 <\/p>\n<p>ART ZOYD <\/p>\n<p>1280 &#8211; Musique pour L&#8217; Odyss\u00e9e (Mantra, 1979) \u2013 Jul.93 \u2013 71.38 + 75.59 Cor.<br \/>\n&#8211; G\u00e9n\u00e9ration sans Futur (1980)<br \/>\n&#8211; Symphonie pour le Jour ou Bruleront les Cit\u00e9s (1980) 2xCD<br \/>\n1471 &#8211; Phase IV (Mantra, 1982) \u2013 Nov.90, Mar.91 \u2013 70.43 + 72.02<br \/>\n&#8211; Les Espaces Inquiets (1983) \u2013 Set. 88 2xCD<br \/>\n0883 &#8211; Le Marriage du Ciel et de l&#8217; Enfer (Cryonic, 1985) \u2013 Jul.90, Fev.91 \u2013 68.19 Cor.<br \/>\n0482 &#8211; Berlin (Cryonic, 1987) \u2013 Set.88, Fev.91 \u2013 59.14<br \/>\n1019 &#8211; Nosferatu (Ear-Rational, 1990) \u2013 Mar.91 \u2013 70.45 BSO<br \/>\n0934 &#8211; Marathonnerre (Atonal, 1992) \u2013 Out.93 \u2013 63.21 Cor.<br \/>\n0034 &#8211; Marathonnerre II (Atonal, 1992) \u2013 Out.93 \u2013 60.18 Cor.<br \/>\n1877 &#8211; Faust (Atonal, 1996) \u2013 Abr.96 \u2013 72.16 BSO<br \/>\n1921 &#8211; H\u00e4xan (Atonal, 1997) \u2013 Set.97 \u2013 72.08 BSO <\/p>\n<p>BIOTA <\/p>\n<p>3003 &#8211; Object Holder (Recommended, 1995) \u2013 Out.00 \u2013 70.19 <\/p>\n<p>BIRDSONGS OF THE MESOZOIC <\/p>\n<p>0862 &#8211; Faultline (Cuneiform, 1989) \u2013 Jul.90, Nov.92 \u2013 57.31<br \/>\n1163 &#8211; Pyroclastics (Cuneiform, 1992) \u2013 Mai.92 \u2013 46.40<br \/>\n2667 &#8211; Dancing on A\u2019a (Cuneiform, 1995) \u2013 Jan.00 \u2013 52.33<br \/>\n0760 &#8211; Petrophonics (Cuneiform, 2000) \u2013 Jul.01 \u2013 66.27 <\/p>\n<p>BOB DRAKE <\/p>\n<p>3136 &#8211; Medallion Animal Carpet (Recommended, 1999) \u2013 Set.01 \u2013 44.11 <\/p>\n<p>BORIS KOVAC <\/p>\n<p>0773 &#8211; Ritual Nova (Recommended, 1986\/1989) \u2013 Fev.90, Fev.94 \u2013 68.23 <\/p>\n<p>BRUIRE <\/p>\n<p>1656 &#8211; Les Fleurs de L\u00e9o (Ambiances magn\u00e9tiques, 1992) \u2013 Mar.97 \u2013 55.48<br \/>\n1905 &#8211; L&#8217; \u00c2me de l&#8217; Object (Ambiances Magn\u00e9tiques, 1995) \u2013 Out.96 \u2013 50.46 <\/p>\n<p>CASSIBER <\/p>\n<p>0488 &#8211; Beauty and the Beast (Recommended, 1984) \u2013 Set.88, Fev.97 \u2013 49.53<br \/>\n3295 &#8211; Perfect Worlds (Recommended, 1986) \u2013 Nov.86, Jan.02 \u2013 33.09 <\/p>\n<p>CHARLES W. VRTACEK <\/p>\n<p>0656 &#8211; Learning to be Silent (Cuneiform, 1986) \u2013 Jul.89, Jun.96 \u2013 78.02<br \/>\n&#8211; When Heaven Comes to Town (1988) <\/p>\n<p>CHRIS CUTLER &#038; LUTZ GLANDIEN <\/p>\n<p>0598 &#8211; Domestic Stories (Recommended, 1992) \u2013 Mar.93 \u2013 48.58 <\/p>\n<p>CONVENTUM <\/p>\n<p>0501 &#8211; A L&#8217;Aff\u00fbt d&#8217;un Complot (Kozak, 1977) \u2013 Nov.88, Mar.97 \u2013 60.47 R<br \/>\n0502 &#8211; Le Bureau Central des Utopies (Kozak, 1979) \u2013 Nov.88, Mar.97 \u2013 62.57 R <\/p>\n<p>DANIEL DENIS <\/p>\n<p>1460 &#8211; Sirius and the Ghosts (Musea, 1991) \u2013 Ago.94 \u2013 45.49<br \/>\n0380 &#8211; Les Eaux Troubles (Musea, 1993) \u2013 Set.94 \u2013 50.58 <\/p>\n<p>DAVID GARLAND <\/p>\n<p>0342 &#8211; Control Songs (Review, 1986) \u2013 Mai.87, Dez.97 \u2013 72.44 <\/p>\n<p>DEBILE MENTHOL <\/p>\n<p>0478 &#8211; Emile au Jardin Patrologique (Rec Rec, 1981) \u2013 Set.88, Out.96 \u2013 49.40 2xCD<br \/>\n&#8211; Battre Campagne (1984) \u2013 Nov.88 \u2013 38.04 <\/p>\n<p>DIANE LABROSSE <\/p>\n<p>1985 &#8211; Face Cach\u00e9e des Choses (Ambiances Magn\u00e9tiques, 1995) \u2013 Out.96 \u2013 44.33 <\/p>\n<p>DIANE LABROSSE, IKUE MORI &#038; MARTIN T\u00c9TREAULT <\/p>\n<p>2683 &#8211; \u00cele Bizarre (Ambiances Magn\u00e9tiques, 1998) \u2013 Fev.00 \u2013 52.22 <\/p>\n<p>DIANE LABROSSE &#038; MICHEL F. C\u00d4T\u00c9 <\/p>\n<p>2080 &#8211; Duo D\u00e9constructiviste (Ambiances Magn\u00e9tiques, 1994) \u2013 Mar.97 \u2013 50.56 <\/p>\n<p>DOCTOR NERVE <\/p>\n<p>0652 &#8211; Out to Bomb Fesh Kings (Cuneiform, 1985) \u2013 Jul.89, Jan.96 \u2013 74.52<br \/>\n&#8211; Armed Observations (1987) \u2013 Jul.90 <\/p>\n<p>ESKATON <\/p>\n<p>0806 &#8211; 4 Visions (Ad Perpetuam Memoriam, 1979) \u2013 Jun.97 \u2013 51.27 <\/p>\n<p>ETRON FOU LELOUBLAN <\/p>\n<p>0517 &#8211; Batelages (Musea, 1977) \u2013 Fev.96 \u2013 73.51 + 68.48 + 60.18 3xCD<br \/>\n&#8211; Les Trois Fous Perdegagnent (1978)<br \/>\n&#8211; Les Poumons Gonfles (1982) \u2013 Dez.88<br \/>\n&#8211; Les Sillons de la Terre (1984) \u2013 Dez.88<br \/>\n&#8211; Face aux Elements Dechaines (1985) \u2013 Dez.88 <\/p>\n<p>FRED FRITH <\/p>\n<p>0411 &#8211; Gravity (Ralph, 1980) \u2013 Mar.88, Set.91 \u2013 69.36<br \/>\n0412 &#8211; Speechless (Ralph, 1981) \u2013 Mar.88, Set.91 \u2013 58.58<br \/>\n0438 &#8211; Cheap at Half the Price (Ralph, 1983) \u2013 Mai.88, Dez.91 \u2013 44.17<br \/>\n0415 &#8211; The Technology of Tears (Rec Rec, 1988) \u2013 Mar.88, Jan.92 \u2013 60.23 <\/p>\n<p>GREGORY ALLAN FITZPATRICK <\/p>\n<p>1677 &#8211; Snorungarnas Symfoni (MNW, 1976) \u2013 Out.95 \u2013 34.09<br \/>\n1684 &#8211; Bildcircus (MNW, 1978) \u2013 Out.95 \u2013 45.27 <\/p>\n<p>HENRY COW <\/p>\n<p>0017 &#8211; The Henry Cow Leg End (Recommended, 1973) \u2013 Nov.73, Out.91, Dez.98 \u2013 43.32 R<br \/>\n2587 &#8211; Unrest (Recommended, 1974) \u2013 Jul.99 \u2013 39.40 R<br \/>\n0053 &#8211; In Praise of Learning (Recommended, 1975) \u2013 Out.75, Jan.94, Dez.00 \u2013 37.56 R<br \/>\n2395 &#8211; Henry Cow Concerts 2xCD (East Side Digital, 1976) \u2013 Nov.76, Ago.98 \u2013 64.13 + 60.21<br \/>\n0605 &#8211; Western Culture (Broadcast, 1979) \u2013 Mai.89, Out.92 \u2013 36.08 <\/p>\n<p>HERBE ROUGE <\/p>\n<p>3278 &#8211; Herbe Rouge (Legend Music, 1978) \u2013 Dez.01 \u2013 78.12 R <\/p>\n<p>HOAHIO <\/p>\n<p>2914 &#8211; Ohayo! Hoahio! (Tzadik, 2000) \u2013 Jun.00 \u2013 45.35 <\/p>\n<p>ISTV\u00c1N M\u00c1RTA <\/p>\n<p>0707 &#8211; T\u00e1mad Asz\u00e9l (The Wind Rises) (Recommended, 1987) \u2013 Fev.90, Ago.98 \u2013 35.24 <\/p>\n<p>JEAN DEROME <\/p>\n<p>1996 &#8211; Carnets de Voyage (Ambiances Magn\u00e9tiques, 1994) \u2013 Out.96 \u2013 69.20<br \/>\n1907 &#8211; Navr\u00e9 (Ambiances Magn\u00e9tiques, 1995) \u2013 Out.96 \u2013 58.11<br \/>\n2596 &#8211; La B\u00eate, the Beast within (Ambiances Magn\u00e9tiques, 1996) \u2013 Mar.97 \u2013 71.04 Cor. <\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 300;\ngoogle_ad_height = 250;\ngoogle_ad_format = \"300x250_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>JOANE H\u00c9TU <\/p>\n<p>1103 &#8211; Castor et Compagnie (Ambiances Magn\u00e9tiques, 1995) \u2013 Out.96 \u2013 54.53 <\/p>\n<p>JOCELYN ROBERT <\/p>\n<p>1051 &#8211; Folie\/Culture (Recommended, 1991) \u2013 Mar.97 \u2013 66.20<br \/>\n2082 &#8211; La Th\u00e9orie des Nerfs Creux (Ohm\/Avatar, 1993) \u2013 Mar.97 \u2013 41.23 <\/p>\n<p>JOHN GREAVES &#038; PETER BLEGVAD <\/p>\n<p>0574 &#8211; Kew. Rhone (Voiceprint, 1977) \u2013 Mar.89, Set.98 \u2013 36.57 <\/p>\n<p>JUSTINE <\/p>\n<p>2318 &#8211; (Suite) (Ambiances Magn\u00e9tiques, 1990) \u2013 Mar.98 \u2013 66.49<br \/>\n1997 &#8211; Langages Fantastiques (Ambiances Magn\u00e9tiques, 1994) \u2013 Out.96 \u2013 49.38 <\/p>\n<p>KALAHARI SURFERS <\/p>\n<p>0546 &#8211; Living in the Heart of the Beast (ReR, 198?) \u2013 Out.8?, Set.95 \u2013 65.36 (antol.1994) R <\/p>\n<p>LA 1919 <\/p>\n<p>2345 &#8211; Giorni Felici (Materiali Sonori, 1997) \u2013 Abr.98 \u2013 43.28 <\/p>\n<p>LARS HOLLMER <\/p>\n<p>1492 &#8211; XII Sibiriska Cyklar (Resource, 1981) \u2013 Nov.94 \u2013 75.37<br \/>\n&#8211; Vill du H\u00f6ra Mer (1982)<br \/>\n1423 &#8211; The Siberian Circus (col.) (Resource, 1980 -1988, 1993) \u2013 Mai.94 \u2013 74.15<br \/>\n3102 &#8211; Ton\u00f6ga (Resource, 1985) &#8211; Jan.01 \u2013 75.17 + 75.10<br \/>\n&#8211; Fran Natt Idag (1985)<br \/>\n&#8211; Vendeltid (1987) \u2013 Dez.88 2xCD<br \/>\n1487 &#8211; Live 1992 &#8211; 1993 (Victo, 1993) \u2013 Nov.94 \u2013 63.25<br \/>\n1618 &#8211; Vandelmassa (Ayaa, 1994) \u2013 Fev.96 \u2013 73.22 <\/p>\n<p>L. VOAG <\/p>\n<p>2354 &#8211; The Way out (Alcohol, 1979) \u2013 Abr.98 \u2013 46.48 <\/p>\n<p>MIRIODOR <\/p>\n<p>0512 &#8211; Miriodor (Cuneiform, 1988) \u2013 Fev.90, Set.94 \u2013 73.29<br \/>\n1164 &#8211; 3e Avertissement (Cuneiform, 1991) \u2013 Mai.92 \u2013 44.20 <\/p>\n<p>MOTOR TOTEMIST GUILD <\/p>\n<p>0696 &#8211; Infra Dig (No Man\u2019s Land, 1984) \u2013 Dez.98 \u2013 73.32 (antol. 1996)<br \/>\n&#8211; Contact with Veils (1986)<br \/>\n0864 &#8211; Shapuno Zoo (No Man\u2019s Land, 1988) \u2013 Dez.98 \u2013 71.33 (antol. 1996)<br \/>\n2660 &#8211; City of Mirrors (Cuneiform, 1999) \u2013 Dez.99 \u2013 67.30 <\/p>\n<p>MOVING GELATINE PLATES <\/p>\n<p>1669 &#8211; Moving Gelatine Plates (Musea, 1970) \u2013 Out.95 \u2013 51.52<br \/>\n1447 &#8211; The World of Genius Hans (Musea, 1971) \u2013 Jul.94 \u2013 61.47 <\/p>\n<p>MUFFINS (THE) <\/p>\n<p>0296 &#8211; Chronometers (Cuneiform, 1976) \u2013 Set.94 \u2013 72.31<br \/>\n3239 &#8211; Manna\/Mirage (Wayside Music Archive Series, 1991) \u2013 Dez.01 \u2013 48.37<br \/>\n2045 &#8211; 185 (col.) (Cuneiform, 1980, 1995) \u2013 Dez.96 \u2013 75.56 <\/p>\n<p>NEWS FROM BABEL <\/p>\n<p>1155 &#8211; Work Resumed from the Tower (Re, 1984) \u2013 Out.92 \u2013 70.13<br \/>\n&#8211; Letters Home (1986) \u2013 Mar.87 <\/p>\n<p>NON CREDO <\/p>\n<p>0611 &#8211; Reluctant Hosts (No Man\u2019s Land, 1988) \u2013 Jun.89, Set.01 \u2013 58.47 <\/p>\n<p>PATRICIA DALLIO <\/p>\n<p>3210 &#8211; Procession (David&#038;Th\u00e9odosis, 1992) \u2013 Dez.01 \u2013 52.46<br \/>\n0645 &#8211; Champ de Mars (Body Soul, 1993) \u2013 Set.94 \u2013 60.04 Cor.<br \/>\n1254 &#8211; La Ronce n&#8217;est pas le Pire (Body Soul, 1994) \u2013 Jan.97 \u2013 57.04 Cor.<br \/>\n2228 &#8211; D&#8217; o\u00f9 Vient l&#8217; Eau des Puits? (Musea, 1996) \u2013 Nov.97 \u2013 48.17 <\/p>\n<p>PEKKA POHJOLA <\/p>\n<p>0515 &#8211; Pihksilm\u00e4 Kaarnakorva (Love, 1972) \u2013 Set.94 \u2013 70.06<br \/>\n&#8211; Harakka Biailopokku (1974) <\/p>\n<p>PICCHIO DAL POZZO <\/p>\n<p>1617 &#8211; Picchio Dal Pozzo (Si-Wan, 1976) \u2013 Fev.96 \u2013 39.54 <\/p>\n<p>PRESENT <\/p>\n<p>0930 &#8211; Triskadekaphobie (Cuneiform, 1989) \u2013 Nov.90, Abr.91 \u2013 77.50<br \/>\n&#8211; Le Poison qui Rend Fou (1989)<br \/>\n1553 &#8211; Certitudes (Cuneiform, 1998) \u2013 Fev.98 \u2013 39.55<br \/>\n2758 &#8211; N\u00ba6 (Carbon 7, 1999) \u2013 Mai.00 \u2013 47.12<br \/>\n3305 &#8211; High Infidelity (Carbon 7, 2001) \u2013 Jan.02 \u2013 48.03 <\/p>\n<p>REN\u00c9 LUSSIER <\/p>\n<p>0476 &#8211; Fin du Travail (Version 1) (Ambiances Magn\u00e9tiques, 1983) \u2013 Set.88, Fev.97 \u2013 45.07<br \/>\n1020 &#8211; Le Tr\u00e9sor de la Langue (Ambiances Magn\u00e9tiques, 1989) \u2013 Mar.91 \u2013 65.47 <\/p>\n<p>ROBERT &#8211; MARCEL LEPAGE <\/p>\n<p>1994 &#8211; Adieu Leonardo! (Ambiances Magn\u00e9tiques, 1992) \u2013 Out.96 \u2013 49.16 BSO <\/p>\n<p>ROBERTO MUSCI <\/p>\n<p>0651 &#8211; The Loa of Music (Lowlands, 1984) \u2013 Jul.89, Abr.98 \u2013 62.44 (antol.)<br \/>\n&#8211; Umi-The Sea (1993-1997) (c\/Claudio Gabianni) <\/p>\n<p>ROBERTO MUSCI &#038; GIOVANNI VENOSTA <\/p>\n<p>0542 &#8211; Water Messages on Desert Sand (Recommended, 1987) \u2013 Ago.88, Fev.91 \u2013 74.50<br \/>\n&#8211; Urban and Tribal Portraits (1988) \u2013 Nov.88<br \/>\n1029 &#8211; A Noise, a Sound (Recommended, 1992) \u2013 Dez.92 \u2013 59.07<br \/>\n2192 &#8211; Losing the Orthodox Path (Victo, 1997) \u2013 Jul.97 \u2013 46.02 <\/p>\n<p>SAMMLA MAMMAS MANNA <\/p>\n<p>1049 &#8211; M\u00e5ltid (Silence, 1973) \u2013 Mar.96, Abr.98 \u2013 57.05<br \/>\n1603 &#8211; Schlagerns Mystik 2xCD (Silence, 1978) \u2013 Mar.96 \u2013 37.32 + 41.27<br \/>\n3238 &#8211; FamilyCracks (Silence, 1980) \u2013 Dez.01 \u2013 43.10<br \/>\n1593 &#8211; Zamlaramanna (Resource, 1982) \u2013 Abr.95 \u2013 43.55 <\/p>\n<p>SERGEY KURYOKIN <\/p>\n<p>0402 &#8211; Some Combinations of Passion and Fingers (Leo, 1991) \u2013 Jul.92 \u2013 62.05 <\/p>\n<p>SHELLEY HIRSCH &#038; DAVID WEINSTEIN <\/p>\n<p>0705 &#8211; Haiku Lingo (Review, 1989) \u2013 Nov.89, Mar.91 \u2013 48.45 <\/p>\n<p>SKELETON CREW <\/p>\n<p>0490 &#8211; Learn to Talk (Rec Rec, 1984) \u2013 Set.88, Jan.93 \u2013 75.50<br \/>\n&#8211; The Country of Blinds (1986) \u2013 Jun.87 <\/p>\n<p>SLAPP HAPPY <\/p>\n<p>3049 &#8211; Sort of (Blueprint, 1972) \u2013 Dez.00 \u2013 46.09<br \/>\n0997 &#8211; Acnalbasac Noom (Cuneiform, 1973) \u2013 Jan.02 \u2013 49.17<br \/>\n0030 &#8211; Slapp Happy (Virgin, 1974) \u2013 Jun.74, Set.93 \u2013 73.24<br \/>\n&#8211; Desperate Straights (1975) \u2013 Set.88 c\/Henry Cow <\/p>\n<p>TASAVALLAN PRESIDENTTI <\/p>\n<p>0858 &#8211; Tasavallan Presidentti (Love, 1969) \u2013 Jun.01 \u2013 51.22<br \/>\n0980 &#8211; Milky Way Moses (Love, 1974) \u2013 Nov.74, Dez.98 \u2013 47.19 <\/p>\n<p>THIERRY ZABO\u00cfTZEFF <\/p>\n<p>2215 &#8211; Heartbeat (Atonal, 1997) \u2013 Set.97 \u2013 60.01 Cor.<br \/>\n2423 &#8211; India (Atonal, 1998) \u2013 Set.98 \u2013 61.00 Cor. <\/p>\n<p>THINKING PLAGUE <\/p>\n<p>2066 &#8211; \u2026A Thinking Plague (Cuneiform, 1984) \u2013 Out.01 \u2013 78.45 R (antol. 2000)<br \/>\n&#8211; Moonsongs (1986) R<br \/>\n0945 &#8211; In this Life (Recommended, 1989) \u2013 Nov.90 \u2013 72.00<br \/>\n3255 &#8211; In Extremis (Cuneiform, 1998) \u2013 Dez.01 \u2013 52.33 <\/p>\n<p>TIBOR SZEMZ\u00d6 <\/p>\n<p>2344 &#8211; Relative Things (Leo, 1998) \u2013 Abr.98 \u2013 62.56 BSOs <\/p>\n<p>UN DRAME MUSICAL INSTANTAN\u00c9E <\/p>\n<p>1335 &#8211; Jeune Fille qui Tombe&#8230;Tombe (In Situ, 1991) \u2013 Jul.92 \u2013 45.26 <\/p>\n<p>UNIVERS ZERO <\/p>\n<p>3101 &#8211; H\u00e9r\u00e9sie (Cuneiform, 1979) \u2013 Jul.01 \u2013 51.46<br \/>\n0475 &#8211; Ceux du Dehors (Cuneiform, 1980) \u2013 Set.88, Out.92 \u2013 50.12<br \/>\n0863 &#8211; Heatwave (Cuneiform, 1987) \u2013 Jul.90, Abr.95 \u2013 42.22<br \/>\n0654 &#8211; Uzed (Cuneiform, 1988) \u2013 Jul.89, Set.95 \u2013 43.07<br \/>\n1649 &#8211; The Hard Quest (Cuneiform, 1999) \u2013 Dez.99 \u2013 50.06 <\/p>\n<p>URBAN SAX <\/p>\n<p>0718 &#8211; Urban Sax (EPM, 1977) \u2013 Nov.89, Mai.91 \u2013 73.23<br \/>\n&#8211; Urban Sax 2 (1978) \u2013 Nov.89<br \/>\n0391 &#8211; Fraction sur le Temps (EPM, 1985) \u2013 Dez.87, Jun.92 \u2013 37.43<br \/>\n1098 &#8211; Spiral (EPM, 1991) \u2013 Set.91 \u2013 47.28 <\/p>\n<p>U TOTEM <\/p>\n<p>2190 &#8211; U Totem (Cuneiform, 1990) \u2013 Jun.97 \u2013 62.25<br \/>\n2039 &#8211; Strange Attractors (Cuneiform, 1994) \u2013 Mai.97 \u2013 46.50 <\/p>\n<p>5 UU&#8217;S <\/p>\n<p>1518 &#8211; Bel Marduk &#038; Tiamat (Cuneiform, 1984) \u2013 Fev.98 \u2013 73.29<br \/>\n&#8211; Elements (1988) \u2013 Nov.88<br \/>\n1686 &#8211; Hunger&#8217;s Teeth (R\u00e9R, 1994) \u2013 Out.95 \u2013 43.54<br \/>\n0500 &#8211; Crisis in Clay (R\u00e9R, 1997) \u2013 Set.98 \u2013 51.17 <\/p>\n<p>VISNA MAHEDI ENSEMBLE <\/p>\n<p>2353 &#8211; Unintentional Beauty (Lowlands, 1998) \u2013 Abr.98 \u2013 43.56 <\/p>\n<p>VLADIMIR ESTRAGON <\/p>\n<p>1086 &#8211; Three Quarks for Muster Mark (Tip Toe, 1989) \u2013 Out.91 \u2013 38.15 <\/p>\n<p>VOG\u00cbL EUROPAS (DIE) <\/p>\n<p>1021 &#8211; Best Before: (Creative Works, 1989) \u2013 Mar.91 \u2013 39.55<br \/>\n1668 &#8211; Short Stories (Z.O.O., 1993) \u2013 Out.95 \u2013 40.40 <\/p>\n<p>WIGWAM <\/p>\n<p>2405 &#8211; Hard n\u2019Horny (Love, 1969) \u2013 Jul.98 \u2013 76.51<br \/>\n&#8211; Tombstone Valentine (1970)<br \/>\n1941 &#8211; Being (Love, 1973) \u2013 Out.99 \u2013 38.22<br \/>\n1937 &#8211; Nuclear Nightclub (Virgin, 1975) \u2013 Dez.96 \u2013 62.13<br \/>\n2806 &#8211; Lucky Golden Stripes and Starpose (Love, 1976) \u2013 Abr.01 \u2013 36.40 <\/p>\n<p>WORLDS OF LOVE (THE) <\/p>\n<p>2626 &#8211; The Worlds of Love (Review, 1989) \u2013 Jun.89, Jan.01 \u2013 64.38 <\/p>\n<p>ZERO POP <\/p>\n<p>0505 &#8211; All the Big Mystics (Rec Rec, 1988) \u2013 Nov.88, Dez.96 \u2013 72.13<br \/>\n&#8211; Glows in the Dark (1992) <\/p>\n<p>Z N R <\/p>\n<p>0504 &#8211; Barricade 3 (Recommended, 1977) \u2013 Nov.88, Nov.94 \u2013 45.12<br \/>\n0779 &#8211; Traite de Mecanique Populaire (Torak, 1977) \u2013 Nov.92 \u2013 33.43 <\/p>\n<p>E&#8230;..SEMANTICS, ORTHOTONICS, PFS, GIANNI VENOSTA, FERDINAND RICHARD, NO SECRETS IN THE FAMILY, DOUBLE-X-PROJECT, DAVID FULTON, STEVE MOORE, WHA HA HA, WONDEUR BRASS, LES POULES; POPULAR MECHANICS&#8230; <\/p>\n<p>Os discos de STEVE MOORE, WHA HA HA, WONDEUR BRASS, LES POULES; POPULAR MECHANICS s\u00e3o todos acima de 8,5\/10 alguns deles s\u00e3o mesmo 10\/10 (S. MOORE, (\u201cA Quiet Gathering\u201d) WHA HA HA (\u201cWha Ha Ha\u201d); POPULAR MECHANICS \u201cInsect Culture\u201d).<br \/>\nEstupidamente desfiz-me dos vinis e, at\u00e9 \u00e0 data, nenhum destes discos foi reeditado em CD&#8230; Mas sei quem os tem&#8230; eheh&#8230; <\/p>\n<p>Robert Wyatt, Faust, Negativland s\u00e3o artistas \u201camigos\u201d da Recommended <\/p>\n<p>FM<\/p>\n","protected":false},"excerpt":{"rendered":"<p>#91 &#8211; &#8220;A grande lista___RIO-Recommended (FM)&#8221; Fernando Magalh\u00e3es 21.03.2002 190700 Todos estes discos t\u00eam, de uma maneira ou de outra, a ver com o esp\u00edrito RIO (\u201cRock in Opposition\u201d) disseminado ao longo dos anos 80 e 90 pela editora\/distribuidora Recommended Eletr\u00f3nica, jazz, eletr\u00f3nica, colagem, rock de c\u00e2mara, m\u00fasica contempor\u00e2nea, falsa \u00e9tnica, pop, excentricidades de todo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3270,292,58],"tags":[853,3432,23],"class_list":["post-10185","post","type-post","status-publish","format-standard","hentry","category-forum-sons","category-listas","category-rio","tag-listas","tag-listas-do-fm","tag-varios"],"views":505,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10185","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=10185"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10185\/revisions"}],"predecessor-version":[{"id":10186,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10185\/revisions\/10186"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=10185"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=10185"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=10185"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}