{"id":10180,"date":"2022-10-10T11:23:23","date_gmt":"2022-10-10T18:23:23","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=10180"},"modified":"2022-10-10T11:23:23","modified_gmt":"2022-10-10T18:23:23","slug":"fernando-magalhaes-no-forum-sons-intervencao-90-os-meus-discos-de-jazz-fm","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2022\/10\/10\/fernando-magalhaes-no-forum-sons-intervencao-90-os-meus-discos-de-jazz-fm\/","title":{"rendered":"Fernando Magalh\u00e3es no &#8220;F\u00f3rum Sons&#8221; &#8211; Interven\u00e7\u00e3o #90 &#8211; &#8220;Os meus discos de jazz (FM)&#8221;"},"content":{"rendered":"<p><strong>#90 &#8211; &#8220;Os meus discos de jazz (FM)&#8221;<\/strong><\/p>\n<p><strong>Fernando Magalh\u00e3es<\/strong><br \/>\n20.03.2002 160428<br \/>\nJAZZ <\/p>\n<p>Algumas das classifica\u00e7\u00f5es s\u00e3o provis\u00f3rias mas, mais ou menos meio ponto, a coisa bate certo&#8230;<\/p>\n<p>ABDULLAH IBRAHIM <\/p>\n<p>1568 &#8211; Ekaya (Black Hawk, 1987) &#8211; 7,5\/10<br \/>\n2470 &#8211; African River (Enja, 1989) \u2013 8\/10<br \/>\n0148 &#8211; Mantra Mode (Tiptoe, 1991) \u2013 7,5\/10 <\/p>\n<p>AL DI MEOLA <\/p>\n<p>0516 &#8211; Land of the Midnight Sun (Sony, 1976) \u2013 7,5\/10 <\/p>\n<p>ALICE COLTRANE <\/p>\n<p>3166 &#8211; Ptah, The El Daoud (Impulse, 1970) \u2013 7,5\/10 <\/p>\n<p>APARIS <\/p>\n<p>1783 &#8211; Aparis (ECM, 1990) \u2013 8\/10<br \/>\n0344 &#8211; Despite the Fire-Fighters\u2019 Efforts (ECM, 1993) \u2013 8\/10 <\/p>\n<p>ARCHIE SHEPP <\/p>\n<p>0836 &#8211; On this Night (Impulse, 1966) \u2013 8\/10<br \/>\n1493 &#8211; The Way Ahead (Impulse, 1968) \u2013 8,5\/10<br \/>\n0776 &#8211; Things have got to Change (Impulse, 1971) \u2013 9\/10<br \/>\n0977 &#8211; Little Red Moon (Soul Note, 1986) \u2013 7,5\/10 <\/p>\n<p>ART BLAKEY &#038; THE JAZZ MESSENGERS <\/p>\n<p>2181 &#8211; Mosaic (Blue Note, 1961) \u2013 8\/10 <\/p>\n<p>BEAU HUNKS (THE) <\/p>\n<p>1169 &#8211; Celebration on the Planet Mars, A Tribute to Raymond Scott (Basta, 1994) \u2013 8\/10<br \/>\n1108 &#8211; Manhattan Minuet (Basta, 1996) \u2013 8\/10<br \/>\n2507 &#8211; The Beau Hunks Saxophone Soctette (Basta, 1999) \u2013 8\/10 <\/p>\n<p>BILLIE HOLIDAY <\/p>\n<p>1541 &#8211; Lady Sings the Blues (Verve, 1956) \u2013 7\/10 <\/p>\n<p>BILLY COBHAM <\/p>\n<p>3320 &#8211; Spectrum (Atlantic, 1973) \u2013 8\/10<br \/>\n0046 &#8211; Crosswinds (Atlantic, 1974) \u2013 8\/10 <\/p>\n<p>BOBBY HUTCHERSON, CRAIG HANDY, LENNY WHITE, JERRY GONZALEZ <\/p>\n<p>1434 &#8211; Acoustic Masters II (Atlantic, 1994) \u2013 7,5\/10 <\/p>\n<p>BOBBY PREVITE <\/p>\n<p>1152 &#8211; Music of the Moscow Circus (Gramavision, 1990) \u2013 7,5\/10<br \/>\n2402 &#8211; Weather Clear, Track Fast (Enja, 1991) \u2013 8\/10<br \/>\n1232 &#8211; Hue and Cry (Enja, 1994) \u2013 Fev.02 \u2013 7,5\/10 <\/p>\n<p>BOULEVARD OF BROKEN DREAMS <\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 234;\ngoogle_ad_height = 60;\ngoogle_ad_format = \"234x60_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>0908 &#8211; It&#8217;s the Talk of the Town and other Sad Stories (Hannibal, 1989) \u2013 7,5\/10 <\/p>\n<p>CARLA BLEY <\/p>\n<p>0720 &#8211; Escalator over the Hill (c\/Paul Haines) 2xCD (JCOA, 1971) \u2013 8\/10<br \/>\n0630 &#8211; Tropic Appetites (Watt, 1974) \u2013 9\/10<br \/>\n0474 &#8211; Dinner Music (Watt, 1977) \u2013 8\/10<br \/>\n0453 &#8211; Musique Mecanique (Watt, 1979) \u2013 10\/10<br \/>\n0601 &#8211; Social Studies (Watt, 1981) \u2013 8\/10<br \/>\n1773 &#8211; The very Big Carla Bley Band (Watt, 1991) \u2013 7,5\/10<br \/>\n2541 &#8211; Fancy Chamber Music (Watt, 1998) \u2013 8\/10 <\/p>\n<p>CARLOS SANTANA &#038; ALICE COLTRANE <\/p>\n<p>1866 &#8211; Illuminations (Sony Rewind, 1974) \u2013 7\/10 <\/p>\n<p>CENTIPEDE <\/p>\n<p>2917 &#8211; Septober Energy 2xCD (BGO, 1971) \u2013 8\/10 <\/p>\n<p>CHARLES MINGUS <\/p>\n<p>2741 &#8211; The Black Saint and the Sinner Lady (Impulse, 1963) \u2013 10\/10 <\/p>\n<p>CHICAGO UNDERGROUND DUO\/TRIO <\/p>\n<p>0186 &#8211; Possible Cube (Delmark, 1999) \u2013 8\/10<br \/>\n2778 &#8211; Synesthesia (Thrill Jockey, 2000) \u2013 8\/10 <\/p>\n<p>CHICK COREA <\/p>\n<p>0306 &#8211; Return to Forever (ECM, 1972) \u2013 7,5\/10<br \/>\n3242 &#8211; The Leprechaun (Verve, 1975) \u2013 7,5\/10<br \/>\n0973 &#8211; Again and Again (The Joburg Sessions) (Elektra, 1983) \u2013 7,5\/10 <\/p>\n<p>CHRIS McGREGOR\u2019S BROTHERHOOD OF BREATH <\/p>\n<p>2326 &#8211; Chris McGregor\u2019s Brotherhood of Breath (Repertoire, 1971) \u2013 9\/10 <\/p>\n<p>COLIN WALCOTT, DON CHERRY, NANA VASCONCELOS <\/p>\n<p>1353 &#8211; Codona (ECM, 1981) \u2013 8\/10<br \/>\n1457 &#8211; Codona 2 (ECM, 1981) \u2013 7\/10<br \/>\n1366 &#8211; Codona 3 (ECM, 1983) \u2013 8\/10 <\/p>\n<p>DAVE HOLLAND <\/p>\n<p>2489 &#8211; Jumpin\u2019 in (ECM, 1984) \u2013 7,5\/10<br \/>\n3322 &#8211; Dream of the Elders (ECM, 1996) \u2013 8\/10<br \/>\n2656 &#8211; Not for Nothin\u2019 (ECM, 2001) \u2013 8\/10 <\/p>\n<p>DAVID MURRAY <\/p>\n<p>3286 &#8211; The Hill (Black Saint, 1988) \u2013 8\/10<br \/>\n0380 &#8211; Deep River (DIW, 1989) \u2013 8\/10<br \/>\n0717 &#8211; Ballads (DIW, 1990) \u2013 810 <\/p>\n<p>DON ELLIS ORCHESTRA (THE) <\/p>\n<p>2528 &#8211; Electric Bath (Columbia, 1967) \u2013 8,5\/10 <\/p>\n<p>DUKE ELLINGTON <\/p>\n<p>2118 &#8211; The Afro-Eurasian Eclipse (Fantasy\/Original Jazz Classics, 1975) \u2013 8,5\/10 <\/p>\n<p>EBERHARD WEBER <\/p>\n<p>1221 &#8211; The Colours of Chloe (ECM, 1974) \u2013 8,5\/10 <\/p>\n<p>EDWARD VESALA <\/p>\n<p>1465 &#8211; Nan Madol (ECM, 1976) \u2013 8\/10<br \/>\n1329 &#8211; Invisible Storm (ECM, 1992) \u2013 8\/10 <\/p>\n<p>FELA ANIKULAPO KUTI <\/p>\n<p>2223 &#8211; Army Arrangement (Barclay, 1985) \u2013 7\/10<br \/>\n0981 &#8211; Beasts of no Nation (Shanachie, 1989) \u2013 8\/10 <\/p>\n<p>GARY BURTON <\/p>\n<p>1934 &#8211; Dreams so Real (ECM, 1976) \u2013 7,5\/10 <\/p>\n<p>GIANLUIGI TROVESI <\/p>\n<p>2492 &#8211; From G to G (Soul Note, 1992) \u2013 9\/10 <\/p>\n<p>GIL EVANS <\/p>\n<p>2393 &#8211; Into the Hot (Impulse, 1961) \u2013 7,5\/10<br \/>\n2437 &#8211; Where Flamingos Fly (A&#038;M, 1971, 1981) \u2013 8\/10 <\/p>\n<p>HERBIE HANCOCK <\/p>\n<p>3161 &#8211; Sextant (Columbia Legacy, 1973) \u2013 8\/10<br \/>\n3258 &#8211; Head Hunters (Columbia Legacy, 1973) \u2013 8,5\/10 <\/p>\n<p>HERMETO PASCOAL <\/p>\n<p>1374 &#8211; A M\u00fasica Livre de Hermeto Paschoal (Philips, 1973) \u2013 7,5\/10<br \/>\n0569 &#8211; The Legendary Improviser (West Wind, 2001) \u2013 7,5\/10 <\/p>\n<p>HUGH HOPPER, ELTON DEAN, KEITH TIPPETT, JOE GALLIVAN <\/p>\n<p>2609 &#8211; Cruel but Fair (One Way, 1976) \u2013 8,5\/10<br \/>\n2613 &#8211; Mercy Dash (Culture Press, 1985) \u2013 8\/10 <\/p>\n<p>JACK BRUCE <\/p>\n<p>3276 &#8211; Things We Like (Polydor, 1970) \u2013 8\/10 <\/p>\n<p>JACK DeJOHNETTE\u2019S SPECIAL EDITION <\/p>\n<p>3321 &#8211; Special Edition (ECM, 1980) \u2013 8,5\/10<br \/>\n3318 &#8211; Tin Can Alley (ECM, 1981) \u2013 8,5\/10 <\/p>\n<p>JAN GARBAREK, BOBO STENSON, TERJE RYPDAL, ARILD ANDERSEN, JON CHRISTENSEN <\/p>\n<p>0320 &#8211; Sart (ECM, 1971) \u2013 8\/10 <\/p>\n<p>JAZZ PASSENGERS (THE) <\/p>\n<p>1107 &#8211; Implement Yourself (New World, 1990) \u2013 8\/10 <\/p>\n<p>JEAN DEROME <\/p>\n<p>1996 &#8211; Carnets de Voyage (Ambiances Magn\u00e9tiques, 1994) \u2013 8\/10<br \/>\n1907 &#8211; Navr\u00e9 (Ambiances Magn\u00e9tiques, 1995) \u2013 8\/10<br \/>\n2596 &#8211; La B\u00eate, the Beast within (Ambiances Magn\u00e9tiques, 1996) \u2013 7\/10 <\/p>\n<p>JEAN &#8211; LUC PONTY <\/p>\n<p>2769 &#8211; King Kong (Blue Note, 1970) \u2013 8\/10 <\/p>\n<p>JOE HENDERSON <\/p>\n<p>2509 &#8211; Tetragon (Beat Goes Public, 1967) \u2013 7,5\/10<br \/>\n&#8211; In Pursuit of Blackness (1971) &#8211; 7,5\/10<br \/>\n1717 &#8211; Multiple (Original Jazz Classics, 1973) \u2013 8\/10<br \/>\n0310 &#8211; The Elements (Original Jazz Classics, 1974) \u2013 8\/10 <\/p>\n<p>JOE ZAWINUL <\/p>\n<p>2775 &#8211; Zawinul (Atlantic Jazz, 1971) \u2013 8\/10 <\/p>\n<p>JOHN ABERCROMBIE <\/p>\n<p>3298 &#8211; Timeless (ECM, 1975) \u2013 7,5\/10 <\/p>\n<p>JOHN ABERCROMBIE, MARC JOHNSON, PETER ERSKINE <\/p>\n<p>2808 &#8211; November (ECM, 1993) \u2013 7,5\/10 <\/p>\n<p>JOHN COLTRANE <\/p>\n<p>3172 &#8211; Blue Train (Blue Note, 1957) \u2013 8\/10<br \/>\n0954 &#8211; Giant Steps (Atlantic, 1960) \u2013 8,5\/10<br \/>\n3171 &#8211; A Love Supreme (Castle Pie, 1965) \u2013 8,5\/10<br \/>\n3306 &#8211; Sun Ship (Impulse, 1965) \u2013 8,5\/10 <\/p>\n<p>JOHN LURIE <\/p>\n<p>0392 &#8211; Down by Law\/Variety (Made to Measure, 1987) \u2013 7\/10 <\/p>\n<p>JOHN McLAUGHLIN <\/p>\n<p>1002 &#8211; Extrapolation (Polydor, 1969) \u2013 9\/10<br \/>\n3270 &#8211; Where Fortune Smiles (BGO, 1971) \u2013 8\/10<br \/>\n1775 &#8211; Inner Worlds (Columbia, 1976) \u2013 7,5\/10 <\/p>\n<p>JOHN SURMAN <\/p>\n<p>1551 &#8211; How many Clouds can you See? (Deram, 1970) \u2013 8\/10<br \/>\n3261 &#8211; Tales of the Algonquin (Deram, 1971) \u2013 10\/10<br \/>\n3227 &#8211; Westering Home (Future Music Legacy, 1972) \u2013 8\/10<br \/>\n1431 &#8211; Upon Reflection (ECM, 1979) \u2013 8,5\/10<br \/>\n1003 &#8211; The Amazing Adventures of Simon Simon (ECM, 1981) \u2013 9\/10<br \/>\n3266 &#8211; Such Winters of Memory (ECM, 1983) \u2013 9\/10<br \/>\n0995 &#8211; Witholding Pattern (ECM, 1985) \u2013 8\/10<br \/>\n0682 &#8211; Private City (ECM, 1988) \u2013 7,5\/10<br \/>\n0963 &#8211; Road to Saint Ives (ECM, 1990) \u2013 7,5\/10 <\/p>\n<p>JOHN TAYLOR <\/p>\n<p>2102 &#8211; Pause, and Think again (FMR, 1971) \u2013 7,5\/10 <\/p>\n<p>JOHN ZORN <\/p>\n<p>0359 &#8211; The Big Gundown (Icon, 1986) \u2013 9\/10<br \/>\n0407 &#8211; Spillane (Elektra Nonesuch, 1987) \u2013 8\/10 <\/p>\n<p>KEITH TIPPETT GROUP (THE) <\/p>\n<p>0643 &#8211; You are here\u2026I am there (Disconforme, 1970) \u2013 9\/10<br \/>\n2918 &#8211; Dedicated to you, but you weren\u2019t Listening (Repertoire, 1971) \u2013 9\/10 <\/p>\n<p>LARRY CORYELL <\/p>\n<p>2433 &#8211; Spaces (Vanguard, 1969) \u2013 7,5\/10 <\/p>\n<p>LENNIE TRISTANO &#038; WARNE MARSH <\/p>\n<p>2825 &#8211; Jazz of Two Cities (Capitol, 1956) \u2013 8\/10<br \/>\n&#8211; Intuition (1949) &#8211; 7,5\/10 <\/p>\n<p>LOUIS SCLAVIS <\/p>\n<p>2117 &#8211; Chine (IDA, 1987) \u2013 9\/10<br \/>\n2246 &#8211; Chamber Music (IDA, 1989) \u2013 8,5\/10<br \/>\n2247 &#8211; Les Violences de Rameau (ECM, 1996) \u2013 9,5\/10<br \/>\n0734 &#8211; L\u2019Affrontement des Pr\u00e9tendants (ECM, 2001) \u2013 10\/10 <\/p>\n<p>LOUNGE LIZARDS (THE) <\/p>\n<p>0422 &#8211; The Lounge Lizards (Editions EG, 1981) \u2013 7,5\/10<br \/>\n0722 &#8211; Voice of Chunk (Milan, 1989) \u2013 8\/10 <\/p>\n<p>MAHAVISHNU ORCHESTRA <\/p>\n<p>2291 &#8211; The Inner Mounting Flame (Columbia, 1972) \u2013 9\/10<br \/>\n0073 &#8211; Birds of Fire (Columbia, 1973) \u2013 9\/10<br \/>\n0988 &#8211; The Lost Trident Sessions (Columbia Legacy, 1973) \u2013 7,5\/10<br \/>\n0544 &#8211; Apocalypse (CBS, 1974) \u2013 7\/10 <\/p>\n<p>MARC MOULIN <\/p>\n<p>3175 &#8211; Sam Suffy (Counterpoint, 1975) \u2013 6,5\/10 <\/p>\n<p>MARKUS STOCKAUSEN <\/p>\n<p>1352 &#8211; Possible Worlds (CMP, 1995) \u2013 7\/10 <\/p>\n<p>MARKUS STOCKAUSEN &#038; GARY PEACOCK <\/p>\n<p>1797 &#8211; Cosi Lontano Quasi Dentro (ECM, 1989) \u2013 8\/10 <\/p>\n<p>MARTY EHRLICH <\/p>\n<p>2776 &#8211; Just Before the Dawn (New World, 1995) \u2013 8\/10 <\/p>\n<p>MAX ROACH <\/p>\n<p>2525 &#8211; M\u2019Boom (Columbia, 1979) \u2013 7,5\/10 <\/p>\n<p>McCOY TYNER <\/p>\n<p>2783 &#8211; Expansions (Liberty, 1970) \u2013 7,5\/10<br \/>\n0170 &#8211; Sahara (Original Jazz Classics, 1972) \u2013 8,5\/10<br \/>\n1349 &#8211; Atlantis (Milestone, 1975) \u2013 8,5\/10 <\/p>\n<p>METROPOLE ORCHESTRA (THE) <\/p>\n<p>2606 &#8211; Raymond Scott: The Chesterfield Arrangements, 1937-38 (Basta, 1999) \u2013 9\/10 <\/p>\n<p>MICHAEL GIBBS <\/p>\n<p>3181 &#8211; Michael Gibbs (Deram, 1970) \u2013 9\/10<br \/>\n2735 &#8211; Tanglewood 63 (Deram, 1971) \u2013 8,5\/10<br \/>\n2458 &#8211; The only Chrome-Waterfall Orchestra (BGO, 1975) \u2013 9,5\/10 <\/p>\n<p>MICHAEL MANTLER <\/p>\n<p>3027 &#8211; Movies (Watt, 1978) \u2013 7,5\/10<br \/>\n&#8211; More Movies (1980) &#8211; 7,5\/10<br \/>\n3028 &#8211; Something there (Watt, 1983) \u2013 7,5\/10<br \/>\n2052 &#8211; Alien (ECM, 1985) \u2013 7,5\/10 <\/p>\n<p>MICHEL PORTAL <\/p>\n<p>2560 &#8211; Turbulence (Harmonia Mundi, 1987) \u2013 9\/10 <\/p>\n<p>MIKE WESTBROOK CONCERT BAND (THE) <\/p>\n<p>1407 &#8211; Release (Deram, 1968) \u2013 9\/10<br \/>\n2632 &#8211; Metropolis (BGO, 1971) \u2013 9,5\/10 <\/p>\n<p>MILES DAVIS <\/p>\n<p>0889 &#8211; In a Silent Way (Sony, 1969) \u2013 9,5\/10 <\/p>\n<p>MILT JACKSON <\/p>\n<p>1542 &#8211; Sunflower (CTI, 1973) \u2013 7,5\/10 <\/p>\n<p>MIROSLAV VITOUS <\/p>\n<p>2482 &#8211; Journey\u2019s End (ECM, 1983) \u2013 8\/10 <\/p>\n<p>MYRA MELFORD <\/p>\n<p>1381 &#8211; Even the Sounds Shine (Hat Hut, 1995) \u2013 8\/10<br \/>\n2612 &#8211; The same River twice (Gramavision, 1996) \u2013 8\/10 <\/p>\n<p>NEIL ARDLEY <\/p>\n<p>0274 &#8211; Kaleidoscope of Rainbows (Line, 1976) \u2013 8,5\/10 <\/p>\n<p>NUCLEUS <\/p>\n<p>1874 &#8211; Elastic Rock (BGO, 1970) \u2013 9\/10<br \/>\n&#8211; We&#8217;ll Talk about it Later (1971) \u2013 9\/10 <\/p>\n<p>PAT METHENY &#038; LYLE MAYS <\/p>\n<p>0860 &#8211; As Falls Wichita, so Falls Wichita Falls (ECM, 1981) \u2013 8\/10 <\/p>\n<p>PAT METHENY (GROUP) <\/p>\n<p>0639 &#8211; 80\/81 2xCD (ECM, 1980) \u2013 8\/10<br \/>\n0940 &#8211; Offramp (ECM, 1982) \u2013 8\/10 <\/p>\n<p>PAUL BLEY <\/p>\n<p>2542 &#8211; Synth Thesis (Postcards, 1994) \u2013 8\/10 <\/p>\n<p>PAUL MOTIAN <\/p>\n<p>2531 &#8211; It Should\u2019ve Happened a Long Time ago (ECM, 1985) \u2013 7,5\/10 <\/p>\n<p>PETER APFELBAUM <\/p>\n<p>1125 &#8211; Jodoji Brightness (Antilles, 1992) \u2013 8\/10<br \/>\n1894 &#8211; Luminous Charms (Gramavision, 1996) \u2013 7,5\/10 <\/p>\n<p>PHAROAH SANDERS <\/p>\n<p>1481 &#8211; Karma (Impulse, 1969) \u2013 8\/10 <\/p>\n<p>PIERRE FAVRE ENSEMBLE <\/p>\n<p>1264 &#8211; Singing Drums (ECM, 1984) \u2013 7,5\/10 <\/p>\n<p>RABIH ABOU-KHALIL <\/p>\n<p>1024 &#8211; Al-Jadida (Enja, 1991) \u2013 8\/10<br \/>\n3323 &#8211; Blue Camel (Enja, 1992) \u2013 8\/10 <\/p>\n<p>RANDY WESTON <\/p>\n<p>0871 &#8211; Tanjah (Verve, 1973) \u2013 8\/10<br \/>\n2561 &#8211; Portraits of Thelonious Monk\/Well you Needn\u2019t (Verve, 1989) \u2013 8\/10<br \/>\n1909 &#8211; Self Portraits (Verve, 1990) \u2013 8\/10<br \/>\n2034 &#8211; The Spirits of our Ancestors 2xCD (Antilles, 1992) \u2013 9\/10<br \/>\n0998 &#8211; Khepera (Verve, 1998) \u2013 8\/10 <\/p>\n<p>RANDY WESTON &#038; MELBA LISTON <\/p>\n<p>2350 &#8211; Volcano Blues (Verve, 1993) \u2013 8\/10 <\/p>\n<p>RAYMOND SCOTT <\/p>\n<p>0496 &#8211; Reckless Nights and Turkish Twilights (Basta, 1949) \u2013 8,5\/10 <\/p>\n<p>RETURN TO FOREVER <\/p>\n<p>1953 &#8211; Light as a Feather 2xCD (Verve, 1973) \u2013 7,5\/10<br \/>\n2162 &#8211; No Mystery (Polydor, 1975) \u2013 6\/10<br \/>\n3264 &#8211; Romantic Warrior (Columbia, 1976) \u2013 7,5\/10 <\/p>\n<p>SAMARAI CELESTIAL <\/p>\n<p>1145 &#8211; Isis Sun (Carrot Top, 1995) \u2013 7,5\/10<br \/>\n3317 &#8211; Cosmic Gold Millenium 2xCD (Carrot Top, 1997) \u2013 8\/10 <\/p>\n<p>SERGEY KURYOKIN <\/p>\n<p>0402 &#8211; Some Combinations of Passion and Fingers (Leo, 1991) \u2013 8\/10 <\/p>\n<p>SHAKTI <\/p>\n<p>0196 &#8211; A Handful of Beauty (Columbia, 1977) \u2013 8\/10<br \/>\n3222 &#8211; Natural Elements (Columbia, 1977) \u2013 7,5\/10 <\/p>\n<p>SOFT HEAP <\/p>\n<p>2642 &#8211; Soft Heap (Spalax, 1979) \u2013 7,5\/10 <\/p>\n<p>SOFT MACHINE (THE) <\/p>\n<p>0904 &#8211; Third (Columbia, 1970) \u2013 10\/10<br \/>\n1634 &#8211; Fourth (Columbia, 1971) \u2013 8\/10<br \/>\n1337 &#8211; Fifth (Columbia, 1972) \u2013 8\/10<br \/>\n1338 &#8211; Six (Columbia Rewind, 1973) \u2013 8\/10 <\/p>\n<p>SONNY ROLLINS <\/p>\n<p>2378 &#8211; Volume 2 (Blue Note, 1957) \u2013 8\/10<br \/>\n0770 &#8211; Next Album (Original Jazz Classics, 1972) \u2013 8\/10 <\/p>\n<p>STAN GETZ &#038; JO\u00c3O GILBERTO <\/p>\n<p>0716 &#8211; Stan Getz\/Jo\u00e3o Gilberto (Verve, 1964) \u2013 Mai.98 \u2013 33.25 <\/p>\n<p>STAN GETZ &#038; LIONEL HAMPTON <\/p>\n<p>0844 &#8211; Hamp &#038; Stan (Verve, 1955) \u2013 8\/10 <\/p>\n<p>STANLEY CLARKE <\/p>\n<p>3160 &#8211; Stanley Clarke (Epic, 1974) \u2013 7\/10<br \/>\n2488 &#8211; Journey to Love (Epic, 1975) \u2013 7,5\/10 <\/p>\n<p>STANLEY COWELL <\/p>\n<p>2521 &#8211; Brilliant Circles (Black Lion, 1969) \u2013 8\/10 <\/p>\n<p>SUN RA <\/p>\n<p>0663 &#8211; Black Myth\/Out in Space 2xCD (MPS, 1971) \u2013 7,5\/10 <\/p>\n<p>TAMIA &#038; PIERRE FAVRE <\/p>\n<p>1176 &#8211; Solitudes (ECM, 1992) \u2013 8\/10 <\/p>\n<p>TERJE RYPDAL <\/p>\n<p>1720 &#8211; Terje Rypdal (ECM, 1971) \u2013 8\/10<br \/>\n3304 &#8211; Whenever I Seem to be Far away (ECM, 1974) \u2013 7,5\/10<br \/>\n3267 &#8211; Odyssey (ECM, 1975) \u2013 8\/10<br \/>\n2651 &#8211; After the Rain (ECM, 1976) \u2013 8,5\/10<br \/>\n0706 &#8211; Waves (ECM, 1978) \u2013 8,5\/10<br \/>\n0573 &#8211; Chaser (ECM, 1985) \u2013 7\/10<br \/>\n3324 &#8211; Blue (ECM, 1987) \u2013 7,5\/10<br \/>\n3315 &#8211; Skywards (ECM, 1997) \u2013 7,5\/10 <\/p>\n<p>TERJE RYPDAL, MIROSLAV VITOUS, JACK DeJOHNETTE <\/p>\n<p>2816 &#8211; Terje Rypdal, Miroslav Vitous, Jack DeJohnette (ECM, 1979) \u2013 8\/10 <\/p>\n<p>TONY WILLIAMS LIFETIME <\/p>\n<p>3294 &#8211; (Turn it over) (Verve, 1970) \u2013 8,5\/10 <\/p>\n<p>TRIO <\/p>\n<p>2698 &#8211; Conflagration (BGO, 1971) \u2013 8\/10 <\/p>\n<p>VANDERMARK FIVE (THE) <\/p>\n<p>0399 &#8211; Target or Flag (Atavistic, 1998) \u2013 8\/10 <\/p>\n<p>VLADIMIR ESTRAGON <\/p>\n<p>1086 &#8211; Three Quarks for Muster Mark (Tip Toe, 1989) \u2013 8\/10 <\/p>\n<p>WAYNE SHORTER <\/p>\n<p>Schizophrenia (1967) &#8211; 8\/10<br \/>\n2217 &#8211; Super Nova (Blue Note, 1969) \u2013 8\/10 <\/p>\n<p>WEATHER REPORT <\/p>\n<p>2863 &#8211; I Sing the Body Electric (Sony, 1972) \u2013 9\/10<br \/>\n3300 &#8211; Sweetnighter (Columbia Legacy, 1973) \u2013 8\/10<br \/>\n3140 &#8211; Mysterious Traveller (Sony, 1974) \u2013 8,5\/10<br \/>\n3289 &#8211; Procession (Columbia, 1983) \u2013 7,5\/10 <\/p>\n<p>F;M <\/p>\n<p>PS &#8211; Esta lista j\u00e1 est\u00e1 desactualizada&#8230;mas n\u00e3o muito&#8230; <\/p>\n<p>H\u00e1 novos de LOUIS SCLAVIS, MICHEL PORTAL, PAUL BLEY, MARTY EHRLICH, NEW YORK JAZZ COMPOSERS, JERRY GRANELLI, PINO MINAFRA, STEUART LIEBIG&#8230; <\/p>\n<p>E falta uma imensid\u00e3o de cl\u00e1ssicos, claro! <\/p>\n<p>PSS- Ainda n\u00e3o tenho &#8211; oh vergonha! &#8211; qualquer CD do THELONIOUS MONK!&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>#90 &#8211; &#8220;Os meus discos de jazz (FM)&#8221; Fernando Magalh\u00e3es 20.03.2002 160428 JAZZ Algumas das classifica\u00e7\u00f5es s\u00e3o provis\u00f3rias mas, mais ou menos meio ponto, a coisa bate certo&#8230; ABDULLAH IBRAHIM 1568 &#8211; Ekaya (Black Hawk, 1987) &#8211; 7,5\/10 2470 &#8211; African River (Enja, 1989) \u2013 8\/10 0148 &#8211; Mantra Mode (Tiptoe, 1991) \u2013 7,5\/10 AL [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3270,12,292],"tags":[853,3432],"class_list":["post-10180","post","type-post","status-publish","format-standard","hentry","category-forum-sons","category-jazz","category-listas","tag-listas","tag-listas-do-fm"],"views":475,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=10180"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10180\/revisions"}],"predecessor-version":[{"id":10181,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10180\/revisions\/10181"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=10180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=10180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=10180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}