{"id":10031,"date":"2022-09-01T06:59:24","date_gmt":"2022-09-01T13:59:24","guid":{"rendered":"http:\/\/www.profelectro.info\/fm\/?p=10031"},"modified":"2022-09-01T06:59:24","modified_gmt":"2022-09-01T13:59:24","slug":"fernando-magalhaes-no-forum-sons-intervencao-63-electronica-erudita-fm","status":"publish","type":"post","link":"https:\/\/www.profelectro.info\/fm\/2022\/09\/01\/fernando-magalhaes-no-forum-sons-intervencao-63-electronica-erudita-fm\/","title":{"rendered":"Fernando Magalh\u00e3es no &#8220;F\u00f3rum Sons&#8221; &#8211; Interven\u00e7\u00e3o #63 &#8211; &#8220;Electr\u00f3nica erudita (FM)&#8221;"},"content":{"rendered":"<p><strong>#63 &#8211; &#8220;Electr\u00f3nica erudita (FM)&#8221;<\/strong><\/p>\n<p><strong>Fernando Magalh\u00e3es<\/strong><br \/>\n21.01.2002 190748<br \/>\nUma lista poss\u00edvel de discos de m\u00fasica contempor\u00e2nea, minimalista, eletr\u00f3nica, electro-ac\u00fastica, acusm\u00e1tica, etc<br \/>\ndos quais GOSTO MESMO MUITO! \ud83d\ude42<\/p>\n<p>ANDREI SAMSONOV : Void in (Mute) &#8211; ainda sem ficha <\/p>\n<p>ANDREW POPPY <\/p>\n<p>0290 &#8211; The Beating of Wings (ZTT, 1985) \u2013 Fev.86, Jun.94 \u2013 48.53 <\/p>\n<p>ANTHONY MANNING <\/p>\n<p>3280 &#8211; Chromium Nebulae (Irdial, 1995) \u2013 Dez.01 \u2013 70.37 <\/p>\n<p>ARNE NORDHEIM <\/p>\n<p>2468 &#8211; Electric (Rune Grammofon, 1974) \u2013 Fev.99 \u2013 74.03 <\/p>\n<p>BERNARD PARMEGIANI <\/p>\n<p>2690 &#8211; Pop\u2019Eclectic (Plate Lunch, 1966 -1973, 1999) \u2013 Fev.00 \u2013 49.55 <\/p>\n<p>E o monumental \u201cDe Natura Sonorum\u201d, &#8220;pai&#8221; de toda a electr\u00f3nica actual, cuja edi\u00e7\u00e3o definitiva vou buscar na pr\u00f3xima 4\u00aafeira, \u00e0 VGM!&#8230; <\/p>\n<p>CHRISTIAN ZAN\u00c9SI <\/p>\n<p>0649 &#8211; Stop! L\u2019Horizon . Profil-D\u00e9sir . Courir (Ina.grm, 1990) \u2013 Nov.98 \u2013 52.47<br \/>\n0511 &#8211; Arkheion (Ina.grm, 1996) \u2013 Nov.98 \u2013 33.26 <\/p>\n<p>CONRAD SCHNITZLER &#038; J\u00d6RG THOMASIUS <\/p>\n<p>3275 &#8211; Tolling Toggle (F\u00fcnf und Vierzig, 1991) \u2013 Dez.01 \u2013 61.18 <\/p>\n<p>DANIEL TERUGGI <\/p>\n<p>1902 &#8211; Syrcus\/Sphaera (Ina.grm, 1993) \u2013 Mai.96 \u2013 62.34 <\/p>\n<p>DAVID BEHRMAN <\/p>\n<p>1162 &#8211; Leapday Night (Lovely Music, 1991) \u2013 Mai.92 \u2013 62.37 <\/p>\n<p>EXPERIMENTAL AUDIO RESEARCH <\/p>\n<p>3272 &#8211; The K\u00f6ner Experiment (Mille Plateaux, 1997) \u2013 Dez.01 \u2013 46.37<br \/>\n3044 &#8211; Millenium Music, a Meta-Musical Portrait (Atavistic, 1997) \u2013 Dez.01 \u2013 55.00 <\/p>\n<p>N\u00e3o resisto a incluir estes dois fant\u00e1sticos banquetes de som! <\/p>\n<p>HARALD WEISS <\/p>\n<p>1794 &#8211; Die Anders Paradies (Gingko, 1995) \u2013 Abr.96 \u2013 47.25 <\/p>\n<div style=\"text-align: center;margin: 12px;\"><script type=\"text\/javascript\"><!--\ngoogle_ad_client = \"pub-9853707030319137\";\ngoogle_alternate_color = \"FFFFFF\";\ngoogle_ad_width = 200;\ngoogle_ad_height = 200;\ngoogle_ad_format = \"200x200_as\";\ngoogle_ad_type = \"text_image\";\ngoogle_ad_channel =\"\";\ngoogle_color_border = \"#FFFFFF\";\ngoogle_color_link = \"\";\ngoogle_color_bg = \"#FFFFFF\";\ngoogle_color_text = \"\";\ngoogle_color_url = \"\";\ngoogle_ui_features = \"rc:0\";\n\/\/--><\/script>\n<script type=\"text\/javascript\"\n  src=\"http:\/\/pagead2.googlesyndication.com\/pagead\/show_ads.js\">\n<\/script><\/div><p>Tamb\u00e9m sai um bocado do contexto, mas \u00e9&#8230;M\u00c1GICO! <\/p>\n<p>INGRAM MARSHALL <\/p>\n<p>0926 &#8211; Three Penitential Visions\/Hidden Voices (Elektra Nonesuch, 1990) \u2013 Nov.90 \u2013 45.35<br \/>\n2904 &#8211; Alkatraz (New Albion, 1991) \u2013 Out.91, Jul.01 \u2013 46.22 <\/p>\n<p>ISTV\u00c1N M\u00c1RTA <\/p>\n<p>0707 &#8211; T\u00e1mad Asz\u00e9l (The Wind Rises) (Recommended, 1987) \u2013 Fev.90, Ago.98 \u2013 35.24 <\/p>\n<p>JOCELYN ROBERT <\/p>\n<p>1051 &#8211; Folie\/Culture (Recommended, 1991) \u2013 Mar.97 \u2013 66.20<br \/>\n2082 &#8211; La Th\u00e9orie des Nerfs Creux (Ohm\/Avatar, 1993) \u2013 Mar.97 \u2013 41.23 <\/p>\n<p>KLANKRIEG <\/p>\n<p>3180 &#8211; Radionik (Cling Film, 1999) \u2013 Nov.01 \u2013 52.49 <\/p>\n<p>KONRAD KRAFT <\/p>\n<p>2283 &#8211; Alien Atmospheres (Elektro-Smog, 1996) \u2013 Jan.98 \u2013 71.19 <\/p>\n<p>MANUEL G\u00d6TTSCHING <\/p>\n<p>0886 &#8211; E2-E4 (Racket, 1984) \u2013 Jul.90, Jan.95 \u2013 59.37 <\/p>\n<p>MICHAEL WINNERHOLT <\/p>\n<p>1651 &#8211; Tjugofyra (Multimood, 1995) \u2013 Fev.98 \u2013 61.03 <\/p>\n<p>MICHEL REDOLFI <\/p>\n<p>1901 &#8211; Desert Tracks (Ina.grm, 1988) \u2013 Mai.96 \u2013 70.09<br \/>\n1358 &#8211; Appel d&#8217;Air (Ina.grm, 1993) \u2013 Jan.94 \u2013 67.42 <\/p>\n<p>MICHEL ZBAR <\/p>\n<p>1903 &#8211; Novum Organum (Ina.grm, 1994) \u2013 Mai.96 \u2013 68.02 <\/p>\n<p>NED LAGIN <\/p>\n<p>1216 &#8211; Seastones (Rykodisc, 1975) \u2013 Mar.93 \u2013 73.53 <\/p>\n<p>OSKAR SALA <\/p>\n<p>0216 &#8211; Elektronische Impressionen (Erdenklang, 1978\/1979) \u2013 Out.98 \u2013 61.56 <\/p>\n<p>PAUL DE MARINIS <\/p>\n<p>1167 &#8211; Music as a Second Language (Lovely Music, 1991) \u2013 Mai.92 \u2013 49.44 <\/p>\n<p>PAUL SCH\u00dcTZE <\/p>\n<p>1605 &#8211; Apart 2xCD (Virgin, 1995) \u2013 Jul.98 \u2013 50.30 + 47.37<br \/>\n2510 &#8211; Third Site (Ryko, 1999) \u2013 Mai.99 \u2013 47.17 <\/p>\n<p>PETER MICHAEL HAMEL <\/p>\n<p>0346 &#8211; Nada (Ginkgo, 1977) \u2013 Mai.95 \u2013 40.36 <\/p>\n<p>PHILIP GLASS <\/p>\n<p>0976 &#8211; Music with Changing Parts (Elektra Nonesuch, 1971) \u2013 Jan.94 \u2013 61.42 R<br \/>\n1235 &#8211; Two Pages, Contrary Motion, Music in Fifths, Music in Similar Motion (Nonesuch,73\/5)-Jan.94-74.13R<br \/>\n0280 &#8211; Einstein on the Beach 3xCD (Elektra Nonesuch, 1978\/1993) \u2013 Dez.93 \u2013 62.25 + 65.42 + 72.52 Ope. R <\/p>\n<p>PIERRE HENRY <\/p>\n<p>2691 &#8211; Variations pour une Porte et un Soupir (Mantra, 1961\/63\/70, 1995) \u2013 Fev.00 \u2013 70.27 R <\/p>\n<p>PROPELLER ISLAND <\/p>\n<p>0657 &#8211; Hermeneutic Music (Erdenklang, 1988) \u2013 Mar.94 \u2013 53.43<br \/>\n1053 &#8211; The Secret Convention (Badland, 1988) \u2013 Mai.91 \u2013 53.16<br \/>\n1906 &#8211; The Garden (Artgallery, 1995) \u2013 Mai.96 \u2013 44.30 <\/p>\n<p>RANDY GREIF <\/p>\n<p>2371 &#8211; Verdi\u2019s Requiem (Soleilmoon, 1997) \u2013 Abr.98 \u2013 57.44 <\/p>\n<p>SHELLEY HIRSCH &#038; DAVID WEINSTEIN <\/p>\n<p>0705 &#8211; Haiku Lingo (Review, 1989) \u2013 Nov.89, Mar.91 \u2013 48.45 <\/p>\n<p>STEFAN TIEDJE <\/p>\n<p>1056 &#8211; Polyrische Variationen (Badland, 1988) \u2013 Mai.91 \u2013 66.48 <\/p>\n<p>STEN SANDELL <\/p>\n<p>3122 &#8211; Bio Elektrika (LJ, 2000) \u2013 Mar.01 \u2013 44.37 <\/p>\n<p>STEVE REICH <\/p>\n<p>0447 &#8211; Music for 18 Musicians (ECM, 1978) \u2013 Mai.88, Nov.91 \u2013 56.33<br \/>\n0570 &#8211; Sextet\/Six Marimbas (Elektra Nonesuch, 1986) \u2013 Mar.89, Nov.92 \u2013 42.42 <\/p>\n<p>TERRY RILEY <\/p>\n<p>0156 &#8211; A Rainbow in Curved Air (Columbia Rewind, 1971) \u2013 Jun.79, Mar.91, Jan.95 \u2013 40.28<br \/>\n1511 &#8211; Persian Surgery Dervishes 2xCD (Mantra, 1972) \u2013 Nov.94 \u2013 43.15 + 47.54 <\/p>\n<p>TIBOR SZEMZ\u00d6 <\/p>\n<p>2344 &#8211; Relative Things (Leo, 1998) \u2013 Abr.98 \u2013 62.56 BSOs <\/p>\n<p>TOM RECCHION <\/p>\n<p>2374 &#8211; Chaotica (Birdman, 1986) \u2013 Mai.98 \u2013 68.17 <\/p>\n<p>UN DRAME MUSICAL INSTANTAN\u00c9E <\/p>\n<p>1335 &#8211; Jeune Fille qui Tombe&#8230;Tombe (In Situ, 1991) \u2013 Jul.92 \u2013 45.26 <\/p>\n<p>VANGELIS <\/p>\n<p>2805 &#8211; Invisible Connections (Deutsche Grammophon, 1985) \u2013 Mar.01 \u2013 39.49 &#8211; a s\u00e9rio, vale mesmo a pena! <\/p>\n<p>Various Artists <\/p>\n<p>0263 &#8211; Another Coast (Music and Arts Programs of America, Inc., 1988) \u2013 Jun.92 \u2013 72.33<br \/>\n2944 &#8211; Ohm:The Early Gurus of Electronic Music 3xCD (Ellipsis Arts\u2026, 2000) \u2013 Jul.00 \u2013 72.01 + 73.16 + 73.52 <\/p>\n<p>WIM MERTENS\/SOFT VERDICT <\/p>\n<p>0464 &#8211; Vergessen (Les Disques du Cr\u00e9puscule, 1982) \u2013 Jul.88, Out.93 \u2013 31.25<br \/>\n0461 &#8211; For Amusement only (Les Disques du Cr\u00e9puscule, 1983) \u2013 Jul.88, Out.93 \u2013 30.28<br \/>\n1317 &#8211; Struggle for Pleasure (Les Disques du Cr\u00e9puscule, 1983) \u2013 Out.93 \u2013 20.15 <\/p>\n<p>JO\u00c3O PEDRO COSTA <\/p>\n<p>1215 &#8211; Electronic and Computer Music (Num\u00e9rica, 1993) \u2013 Mar.93 \u2013 67.29 <\/p>\n<p>FM<\/p>\n<p><strong>Fernando Magalh\u00e3es<\/strong><br \/>\n21.01.2002 190748<br \/>\nquote:<br \/>\n________________________________________<br \/>\nPublicado originalmente por <strong>rat-tat-tat<\/strong><br \/>\nFernando. <\/p>\n<p>&#8220;Quando fizeres a tal classifica\u00e7\u00e3o podes fazer uma breve refer\u00eancia a estes discos da lista? <\/p>\n<p>terry riley. persian surgery dervishes<br \/>\nmichel redolfi. appel d&#8217;air<br \/>\nklankrieg. radionik &#8221; ________________________________________<br \/>\nTERRY RILEY: CD duplo ed. Mantra &#8211; \u00e9 uma grava\u00e7\u00e3o ao vivo na qual o TR interpreta quatro longas varia\u00e7\u00f5es diferentes do mesmo tema.<br \/>\nChega a ser de tirar o f\u00f4lego acompanhar o virtuosismo do m\u00fasico no \u00f3rg\u00e3o eletr\u00f3nico. Quantas m\u00e3os e p\u00e9s tem o senhor??? \ud83d\ude42 (repito: trata-se de um \u00e1lbum ao vivo, sem truques!).<br \/>\n\u00c9 m\u00fasica verdadeiramente derv\u00edshica, em espiral, hipn\u00f3tica, um pouco na linha do que &#8211; com outra sofistica\u00e7\u00e3o ao n\u00edvel da produ\u00e7\u00e3o &#8211; pode ser escutado no 1\u00ba lado do genial &#8220;A Rainbow in Curved Air&#8221;, do mesmo m\u00fasico. <\/p>\n<p>REDOLFI: &#8220;Appel d&#8217;Air&#8221; &#8211; O CD inclui v\u00e1rias pe\u00e7as compostas em per\u00edodos diferentes, uma delas inspirada na pintura de um artista de que n\u00e3o me lembro agora o nome.<br \/>\nJ\u00e1 n\u00e3o ou\u00e7o este disco h\u00e1 algum tempo, mas recordo uma m\u00fasica atmosf\u00e9rica &#8211; no sentido mais espiritual do termo &#8211; atravessada por brisas eletr\u00f3nicas quentes e sons naturais. A espacializa\u00e7\u00e3o sonora \u00e9 sublime, obrigando-nos a emergir numa esp\u00e9cie de floresta virtual.<br \/>\nSuspeito que o Robert Rich ouviu bastante este compositor&#8230; <\/p>\n<p>KLANKRIEG: \u00c9 o projeto industrial do Felix Kubin. Escrevi h\u00e1 pouco tempo sobre este CD no &#8220;Y&#8221;. A distribui\u00e7\u00e3o \u00e9 da Mat\u00e9ria Prima. Se pudesses ler a cr\u00edtica, poupavas-me algumas palavras&#8230; \ud83d\ude00<\/p>\n","protected":false},"excerpt":{"rendered":"<p>#63 &#8211; &#8220;Electr\u00f3nica erudita (FM)&#8221; Fernando Magalh\u00e3es 21.01.2002 190748 Uma lista poss\u00edvel de discos de m\u00fasica contempor\u00e2nea, minimalista, eletr\u00f3nica, electro-ac\u00fastica, acusm\u00e1tica, etc dos quais GOSTO MESMO MUITO! \ud83d\ude42 ANDREI SAMSONOV : Void in (Mute) &#8211; ainda sem ficha ANDREW POPPY 0290 &#8211; The Beating of Wings (ZTT, 1985) \u2013 Fev.86, Jun.94 \u2013 48.53 ANTHONY MANNING [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[369,81,7,3270,292],"tags":[3403,853],"class_list":["post-10031","post","type-post","status-publish","format-standard","hentry","category-avant-gard","category-contemporanea","category-electronica","category-forum-sons","category-listas","tag-electronica-erudita-lista","tag-listas"],"views":471,"_links":{"self":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/comments?post=10031"}],"version-history":[{"count":1,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10031\/revisions"}],"predecessor-version":[{"id":10032,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/posts\/10031\/revisions\/10032"}],"wp:attachment":[{"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/media?parent=10031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/categories?post=10031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.profelectro.info\/fm\/wp-json\/wp\/v2\/tags?post=10031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}